Friday, April 25, 2025
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England emerges from their Summer of Cricket

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After the most exciting cricketing summer in recent memory, what is next for England?

The 2019 vintage of English cricket will undoubtedly go down as one of the finest the country has ever seen. From the dramatic Super Over to bring cricket’s showpiece trophy to England for the first time ever, to Ben Stokes’ Headingley heroics, we have been treated to some truly unforgettable moments, memories akin to those of Botham’s ’81 heroics.

Yet England undoubtedly have work to be done. Although a World Cup triumph and drawn Ashes series is a highly respectable outcome, had the last test at the Oval gone Australia’s way, this most remarkable of summers would have been soured. This summer was Trevor Bayliss’ last as England coach, and despite achieving his primary brief of bringing English white ball cricket out of the dark ages, England’s red ball form has gone backwards. An undefeated home record somewhat masks England’s unconvincing form away from home, including humbling defeats in Australia, India and the West Indies.

So, the overriding question emerges: What next for English cricket? In terms of the management set up, victory at the Oval to give the Ashes a more respectable 2-2 score line will provide some attractiveness to the prospect of continuity, with Graham Thorpe and Chris Silverwood, the current batting and bowling coaches respectively being considered for the top job. However, a more wholesale change, both in culture and personnel may be in order. The most dramatic element of this comes through the possibility to split the role in two parts, with one coach for the white ball formats and one for Tests.

Andrew Strauss recently added fuel to this fire, saying that, “you can’t play and prepare at the same time. If you’re playing one series, you need someone preparing for the next series. It’s very hard to do that when there’s only one coaching team.”

That said, Director of Cricket Ashley Giles, the man who will ultimately make the decision is thought to be keen on keeping one coach for all formats. Either way, the employment of a new coach is made doubly complicated by the allure of shorter term franchise T20 contracts to many of the world’s premier coaches. This said, Gary Kirsten, Mickey Arthur and Otis Gibson have all been considered for job, although Jason Gillespie is the standout, having proved his pedigree with back-to-back Championship triumphs with Yorkshire, as well as Big Bash glory with the Adelaide Strikers. Whether he would take the job is an entirely different matter.

Regarding on-field matters, the next couple of years will be a transitional period, building to the Ashes Down Under in 2021-22. Whereas the four-year cycle from 2015 was geared at improving white ball cricket, the next four years will focus on Test cricket. With this in mind, despite the inaugural World Test Championship there will most likely be a series of changes to the playing set up.

Although his captaincy is far from inspiring, Joe Root is set to continue as England’s Test captain. Root’s tenure has yielded mixed results, and he seems to lack the feel for the game so vital in Strauss and Vaughan successful captaincies. That said, there is no obvious candidate to take over the job. Some have clamoured for Stokes to take over, yet history suggests that the responsibility upon an all-rounder becomes too great a burden when captaincy is added, with Flintoff and Botham famous captaincy flops.

The winter tours to New Zealand, South Africa and Sri Lanka offer the chance to blood young talent. England’s desire to do this was confirmed by the selection of the T20 and Test squads for New Zealand. The T20 side is full of young talent, with Somerset’s Tom Banton and Worcestershire’s Pat Brown the ones to watch.

In the Test arena, Dom Sibley looks certain to open with Rory Burns in the longer format. Sibley was the stand out opener on the 2019 County circuit, having plundered 1324 runs at 69.68. This will see him get the nod in front of 21-year-old Zak Crawley. This tour may prove too early for Crawley, with an average of just over 30 in his fledgling career, but the selectors’ see him as an exciting prospect for the future which has seen him make the squad.

Denly is likely to shift to 3 again, allowing Root to return to his favoured number 4 slot and Stokes to return to 5. This ultimately gives England’s batting order a greater semblance of stability. The middle order will be completed by Ollie Pope, who has dominated for Surrey in the past two seasons. His first-class average of 58.79, is the 13th highest of anyone to play the game, and he represents England’s most exciting batting talent. He will likely fit in behind Stokes at 6, which will prove an easier platform to launch his Test career than batting at 4 against India last summer.

This middle order reshuffle left England in the awkward position of having to drop one of Bairstow or Buttler, with both considered “luxury” batsmen. Neither had a red ball summer to remember, but Bairstow’s long term stats since his stellar year in 2016 represent a worryingly regressive trend. This tipped the balance in Buttler’s favour, and the selectors have hinted that they see any potential return for Bairstow as a specialist batsman.

In England’s bowling ranks, Anderson has failed to recover from successive hamstring injuries and misses out for the New Zealand tour. However, he is expected to
return for the subsequent trips to South Africa and Sri Lanka. The resurgent Stuart Broad and the break through star of the summer Jofra Archer will lead the attack, although with the overs that both have bowled this summer, their workloads will need careful monitoring. Add to this Leach, Woakes and the exciting all-round prospect Sam Curran, and the bowling attack seems strong.

With the injuries of Anderson, Ollie Stone and Mark Wood, a spot in the squad has opened up for the talented Lancashire pace bowling prospect Saqib Mahmood. Similarly, leg-spinner Matt Parkinson has been picked as Jack Leach’s understudy following Moeen Ali’s decision to take an indefinite break from red ball cricket. Like Crawley, Mahmood and Livingstone may find their playing opportunities limited this winter, but both have time on their sides at just 22 years of age. The experience they will gain on this winters’ tours will be invaluable.

English cricket is entering a new period of transition, with a batting line up at least on paper as stable as it has been for years, and a bowling attack with as much firepower as any in recent memory. As seems inevitable with English cricket, there will be highs and lows, but there is one thing that you can guarantee. It will not be boring.

Art Heist- bold fourth wall breaking drama sees Oxford grads take on the ‘Art World’

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This review is tinged by the regret that I missed last year’s much-lauded Lights Over Tesco Car Park, and all the hope and expectation which accompanies it. As such, this is the first encounter I have had with Poltergeist Theatre, the award-winning, now New Diorama-sponsored theatre company which is composed entirely of Oxford grads. It’s hard to follow up a great breakthrough act: but, despite (fortunately or unfortunately) having seen the former to compare it to, all I can say is that Art Heistis intensely watchable. 

Art Heist is continually playful and inventive, exploring the possibilities of what it can do rather than what it should, trading strict sensibility for a sense of fun. This is largely to its benefit: there is little continuous narrative, and none of it makes a huge amount of sense, but neither of these points really feel like they matter.

The primary conceit is simple: three thieves attempt to steal a priceless painting on the same night, each with different levels of experience and motivation, each unwitting of the other. At times it seems to tease something deeper – there is a touching monologue about the value of a coin, anecdotes regarding famous artworks, and a beautiful description of a pastoral scene described by security guard Alice; but as soon as this is mentioned it’s inverted immediately once again, as if in danger of becoming too serious. Those hoping for the moral which is teased in both the description and show itself will likely be disappointed. But the sentimentality isn’t an afterthought – there’s a genuine heart to the production, a sense that each character believes wholly in what they’re doing and their individual purpose.

If anything, the narrative feels somewhat more akin to a Dragons & Dungeons game than a traditional story – the choose-your-own-adventure methodology works, for the most part, and rightfully descends into chaos when control is wrested away. The sense of making it up as they go adds to the charm of the individual heist members, as their characters are quickly cobbled together with the lightest sense of control.

When there is a turn from the continually playful tone to something darker, it is incredibly effective – so much so that I wish it was done a little more. The audience interaction which occurs periodically throughout serves to break up what there is of a narrative, successfully breaking the fourth wall between the performers and audience (though not appearing to serve much purpose beyond inducing mild embarrassment). Eventually, the audience interaction builds to a climax, though even at its clearest its purpose still feels somewhat opaque. None of the confusion detracts from the show’s sheer entertainment value, however, and its slick and skilful execution ensures professional control has a hold over something that could quickly have devolved into an unintended mess.

Most inventive are the multimedia elements of the production – an on-stage video camera is used plentifully, detailing humorous close-ups and side-action, enabling the parallel narratives which run at the show’s heart to be efficiently displayed. Usefully, it also allows members of the audience at the back to see what is happening at the bottom of the stage, although this action does sometimes still get lost due to the constraints of the venue. Lighting design is similarly well-planned, and of vital importance in a show whose central conceit, in classic Mission-Impossible fashion, revolves heavily around the use of laser sensors. A pitch-black scene in a hall of statues is particularly effective, with each thief-to-be freezing as a statue as soon as a torch is shone upon them.

Alice is an engaging narrator, and the characters are uniquely compelling in their own fashion. It’s not a show with a strong moral at its core – though it is often teased, just below the surface – but it does prove a slick and entertaining hour, and a worthy entry into the Poltergeist canon.

Art Heist is at New Diorama from the 15-26 October.

OURFC fourth in world university invitational tournament in Tokyo

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This September, a twenty-nine-man squad of Oxford Men’s Blues’ rugby players, led by captain Ed David of St Hilda’s College, headed to Japan for the World University Rugby Invitation Tournament. The competition was held in Tokyo, and for the Blues’ side, who stayed with host families, followed by a stay in the former Olympic village in the city, it provided an excellent opportunity for competitive preseason matches before term kicks off. Eight teams representing eight countries from all around the globe took part, creating a university-level parallel to the World Cup which is now underway in Japan. The tournament was first established in 2015, when Oxford hosted the competition for teams coming from some of the most prestigious universities and leading rugby nations in the world, including New Zealand and South Africa. The next tournament will be held at Bordeaux University in 2023, to coincide with the World Cup taking place in France.

Prior to the start of the competition, the Men’s Blues had their first match of the season in Sagamihara, Tokyo, playing one half against the professional Mitsubishi DynaBoars side, and the second half against the amateur All Mitsubishi team. The first match of the season, the Oxford side took a while to warm up, but they came to half-time only down nine points, with a score of 19-10. The second half saw a resurgence in form, and the Dark Blues scored ten tries, while successfully holding off the other team from gaining points, leading to a 66-19 victory, and a very successful start to the tour. Players stayed with host family Mitsubishi employees for a few days to soak up the Japanese culture, and had a tour of the Mitsubishi factories before their first game. As the Rugby World Cup is currently taking place, several of the men’s team encountered some international rugby stars on the streets of Tokyo, including Ireland’s Johnny Sexton and Rory Best, and the All Blacks’ Ben Smith and Aaron Smith.

On the first day of play, Oxford got off to a good start against the Japanese team, from Waseda University, beating them 3-0. The narrow victory nonetheless put the team in a good position for the second day of competition, which started with a fixture against the Siberian Federal University, which also resulted in a victory for the Dark Blues, who beat the opposition 8-0. However, later in the day, they suffered a close defeat to the University of Sydney, who won 10-8. This placed Oxford second in the group, leading them to be matched with reigning champions, the University of Cape Town, in the top half of the semifinals. The South African team proved too strong, and beat the Dark Blues 15-0, before going on to win the final against Bordeaux University the following day, and retain the WURIT title. Oxford played their third-place play-off against Sydney again, but lost 10-5, leading to a very respectable fourth place finish, and the conclusion of an enjoyable trip to start the season. Since returning to England, the men’s side have had several other games before the BUCS season starts, including fixtures against the Croatian national team at Iffley road and against the Army U23s team.

While the men’s side were in Japan, the Oxford Women’s Blues rugby team headed for a tour of Gibraltar. The sunny climate allowed for strength and conditioning training on the beach, and a lovely location to start preseason training. Their first fixture was against the Equipo Femenino de Rugby Bahia in Algeciras. They got off to a comfortable start, finishing the first half with a score of 25-0. Although the Dark Blues’ defence was tested more in the second half, the team came away with a victory of 47-0, with tries scored by Meg Carter, Helen Potts, Ailsa Clark, Meryem Arik, Jessi Abele, Amber Kirwan and Sile Johnson.

For the second match of the trip, the women’s side took on Club de Rugby Atletico Portuense. Following another dominant performance, the team came away with a win of 58-0, proving them to be a formidable force on the trip so far. Tries came in this fixture from Katie Collis, Sile Johnson, Amber Kirwan, Connie Hurton, Zoe Nunn, Nina Jenkins and Maddie Hindson. The tour to Gibraltar also included a visit to a local school, a climb of the Rock of Gibraltar and intense training ready for the coming season.

Overall both they, and the Men’s Blues side enjoyed useful and enriching preseason tours which will hopefully indicate success for the coming term.

Interview: Yes Theory

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In the summer of 2015, four strangers from across the globe met in Montreal, Canada.

Ammar from Egypt, Thomas from France, Matt from the USA, and Derin from Turkey connected over the idea that they wanted more out of life than just a 9 to 5 job and a mundane weekly routine to follow. So, with only $500, and a spirit of adventure to their names, Yes Theory was born.

Since that summer four years ago, Yes Theory has expanded beyond its roots as a YouTube channel into a global lifestyle brand, with a clothing range, travel app and popular Instagram account, though the team continue to make videos where they “seek discomfort”, with 4.3 million subscribers and over 450m views to their name. Together, they produce daring and adventurous content including skydiving with strangers, walking across an entire country without a map, and allowing their Instagram followers to control their lives for 24 hours, when they ended up on a spontaneous adventure over 600 miles away from their home.

I was interested to know how they got started from these humble and unassuming beginnings and grew their brand so exponentially in the four years they have been creating content. Their videos, since the beginning, have always made strong statements about peoples generosity, even when they don’t speak the same language or live in the same country, and the human condition, which all started with Project 30.

Matt, speaking during filming of their latest project, says that they “wanted to adventure, to grow, and to evolve as people. We wanted to live a fulfilling and thrilling life.

“Discomfort was the answer. We decided that for just 30 days we would do one thing every day that we’d never done before. Something that scared us and really got us out of our comfort zones. We called it Project 30. We did everything from getting our ears pierced to doing stand up comedy to attempting to meet the Mayor of Montreal in one day and introduce him to our secret handshake (we did it). By the end of the 30 days we’d never felt more fulfilled and happy. So we decided to dedicate our lives to showing the world the value of discomfort and leading by example. It’s now been four years and we have evolved and grown just as we’d hoped and we are excited to continue seeking discomfort and growing ourselves and our community.”

In a changing world, planning travel has become exponentially easier with the invention of tools such as TripAdvisor, and the increasing popularity of “authentic” travelling, where the traveller tries to live like a local and connect with people wherever they go. More and more, travellers are seeking spontaneous adventures and trying to connect with people on their travels rather than stay in sterile resorts disconnected from local life. The separation between rich travellers and the local population is particularly stark in island nations such as in the Caribbean. The average GDP per capita in St Vincent and the Grenadines is only $6380, despite the islands being packed with five star resorts. In a time when it’s now impossible to get lost anywhere with the invention of satellite navigation, I ask why spontaneity is so important. Matt replies that “spontaneity gets rid of expectations. When there is no clear set goal and you just go with the flow, there are no expectations and you’re able to be far more present and embrace every step along the way. We embrace spontaneity for that very reason.”

Yes Theory’s mantra is “Seek Discomfort”, which has expanded beyond their wildly successful YouTube channel into a clothing range and their “Book an Adventure” travel tool so that inspired fans can follow in their footsteps and book a trip which takes them to new and undiscovered places. I ask what the philosophy is behind Yes Theory, and how they overcome the viewer/creator divide, as is so prevalent now in YouTuber culture.

“We believe that everything you want in life, from love, to happiness, to success, and to peace of mind, all comes from seeking discomfort.

“We live in a society that advertises comfort to us 24/7, from resorting to our phones to living vicariously through TV characters. We are more and more isolated from what originally got us here as humans: social connection and discomfort. At Yes Theory, we want to go back to our roots – to bring people together and to experience what it’s like to challenge ourselves at the highest levels. That’s where true joy lives: in the growth that follows discomfort.

“Community is everything to us. We never call our audience ‘fans’, we call them family. Yes, it might sound corny but it’s genuinely how we see it. We are no different from the people in our audience. We are consistently bringing our subscribers along with us on videos, whether it’s doing a road trip with them across Europe, or organizing events around the world that they can take part in together. We want to encourage those deep connections within our community, too, because once you feel like you have a group that supports you, you’re able to tackle life’s bigger challenges and that’s when it all becomes very exciting.”

Yes Theory content is particularly appealing to the adrenaline junkie; their crazy stunts and ambitious plans frequently go viral and grow an audience interested in watching a team conquer their fears in wild adventures.

In Spring 2019 they released Frozen Alive, their first feature-length documentary about endurance athlete Wim Hof, who is noted for his ability to withstand extreme and freezing conditions. The filming took place following a visit to Poland and the Czech Republic with the team spending four days with Hof learning the ‘Wim Hof Method’, a psychological and physiological method of endurance training involving frequent cold exposure, breathing techniques and meditation. In the documentary the team ascended a mountain with Hof in temperatures as low as -20C, bare chested and bare legged in an insane feat of endurance.

I ask Matt if he believes himself fearless after these stunts, also including cage-less shark diving and being stranded at sea for 24 hours, and if it’s important to “do things scared”.

He replies that he thinks it’s a common misconception that fear ever goes away in their line of work.

“We’re still afraid all the time. We tend to believe if you’re not afraid, you’re not doing it right. We have a saying that our manager Kate says: ‘Do it scared.’ To us, it means if you’re not nervous, if you’re not uncomfortable, then you’re not pushing yourself. You’re shying away from your fears. So, I’d say we’ve just gotten more comfortable with the feeling of fear and we’ve been able to deal with it better. But it won’t go away. We’ll make sure of that.”

It has become more and more common for millennials and Gen Zers to want portfolio careers, and a 2017 study by the Department of Work and Pensions reveals that 92% of millennials identify flexibility as a top priority when selecting a workplace. I wonder what the team would have been doing if not this, and what YouTube and media mean for a changing workforce.

Matt says he would have been doing “anything entrepreneurial. There’s so much opportunity nowadays to make any idea come true that it would feel nearly impossible for any of us to not pursue something “out there.” We’re an age of accessibility and the people at the top no longer choose who makes it and who doesn’t. It’s all democratic. The audience and customers pick who makes it through, which leaves room for anyone with a great work ethic, a big idea, and a lot of patience to make their dream happen.”

Matt, Ammar, Thomas and Derin all moved to Los Angeles together to start this project into their friend’s one bedroom apartment, in a giant leap into the unknown.

A big move, for some of the team, right across the world, meant new challenges and changes to their way of life. Matt muses that “our biggest lifestyle changes stem from our decision to start taking care of ourselves. Our life’s mission is to seek discomfort, but we didn’t realize until recently that you can’t reap the best benefits of discomfort without rest and reflection. You have to let it sink in. So, we’ve taken big steps to care for our mental health, to connect with our families and friends on a more regular basis, and to spend time away from the cameras and the computers when we need it. Creating that kind of balance has allowed us to maintain the energy necessary to continue growing our channel, business and lives.”

Yes Theory first rose to prominence with their message of inclusivity in the wake of the terror attacks in 2015. The team made a statement video against hate-crime and fear after the attacks in Beirut and Paris, where Ammar, Matt and Thomas held hands and wore T-shirts declaring where they’re originally from: Matt from New York City, Ammar from Egypt and Thomas from Paris. Ammar’s shirt also declared him a Muslim, and the trio took to the Montreal subway in a public statement of unity and harmony, where they got coverage from CBC Montreal. Since then, message of Yes Theory has always been one of global collaboration and encouraging their audience to learn about and appreciate other cultures. However, in 2017, Derin had to leave Yes Theory, as his visa was suspended and he had to move back to Canada to acquire permanent residence. In 2018, Ammar was asked to leave Yes Theory by his father, but made the difficult decision to stay due to his dedication to the project. I ask Matt what their plans are going forward.

“We’ve spent four years seeking discomfort and making videos about it but now we gradually want to bring our audience in and give them the tools to do the same. Whether that’s an app, live events, a board game, you name it. There are so many ways to help people live the way we’ve been able to and we can’t wait to bring that to the people who have supported us throughout this journey.”

At this, the start of a new term and academic career and the promise of a new start, I find myself facing a lot of trepidation and anxiety about what is to come. I ask Matt if there is anything he would have done differently as a young person, and if he has any advice to us just embarking on the rest of our lives.

“Accept and embrace confusion. That’s the secret. You won’t have it figured out. You won’t know what you want to do, who you want to be, what kind of person you really are. Once you’ve accepted that you will be confused, there’s a courage that comes with that. It allows you to experience more, to test more, to go into the discomfort of trying new things, which will all ultimately lead to you figuring out yourself more and more.”

Oxford University worker told Muslim woman to ‘go home’

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Aisha Ali Khan says she was told to “go home” by an Oxford University worker during a conversation on politics.

According to Khan, Dr Peet Morris, a researcher and lecturer at the University of Oxford, told her to “go home” if she wanted to keep hold of “barbaric practices that subjugated women”. She said he also “demanded a ban on the Burka.”

The alleged incident took place at a dinner in Yorkshire where Khan was sat on a table with people from the higher education sector.

Khan further said that Dr Morris’s wife, Dr Harriet Dunbar-Morris, attempted to calm her husband down, a claim that has been disputed.

Dr Harriet Dunbar-Morris said the allegations by Khan were “very upsetting” and do not reflect her “recollection of the private event.”

Khan wrote on Twitter that she could not understand how Dr DunbarMorris could “deny the racist abuse her husband directed at [her] when there were many witnesses present at the dinner who are happy to come forward.”

A History and English teacher, she said: “As a woman of colour, I felt singled out and victimised. The more I and other guests on the table pushed back against his racist tropes, the angrier and louder he became.”

Although she does not wear a hijab or burka, Khan feels it was the right of a woman to wear what she wished. Khan wrote on Twitter that she was “deeply disappointed” with the response by both University of Oxford and Portsmouth University.

A spokesperson for the University of Oxford said: “We have been made aware of allegations on social media, which we understand relate to a conversation at a private event unconnected to the University.

“Peet Morris is not an Oxford University or college academic.

“He holds a casual contract for services, delivering computer programming training with the IT Services department on an ad hoc basis, normally two to three days in each term.

“Under our equality policy, the University of Oxford is committed to fostering an inclusive culture which promotes equality, values diversity and maintains an environment in which the rights and dignity of all are respected.

“The University embraces diversity amongst its members and constantly seeks to promote awareness of equality and foster good practice. All members of the University community are expected to act in accordance with this policy and its values.”

This news comes in a year when Oxford came joint second highest amongst British universities for recorded instances of racism.

Climate crisis Oxford Citizens’ Assembly meets for first time

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Last weekend saw the first meeting of the new Oxford Citizens’ Assembly on Climate Change.

The first of its kind in the country, the assembly discussed Oxford’s part in the fight against climate change.

The four-day assembly, split over two weekends, aims to consider new carbon targets and additional measures to reduce emissions. The 50 citizens taking part are being presented with evidence from climate experts.

The assembly comes after Oxford City Council unanimously declared a climate emergency in January.

Although the assembly was by invitation only, members of the public were invited to observe. The 50 members of the assembly are being paid £300 for volunteering their time.

Among those who spoke at the assembly’s first sitting was climate campaigner Linnet Drury, a teenager at Oxford Spires Academy.

The secondary school student told the assembly on Saturday: “Climate change is like a train crash going to happen and all young people know that they’re on that train… but you have the power in your hands to divert the tracks.”

Drury was among the many speakers to give evidence to the group. Dozens of speakers covered topics including buildings, sustainable transport, energy, biodiversity and waste reduction.

Big issues discussed included aviation and agricultural emissions.

Jenny Hill, who is part of the government advisory group Committee on Climate Change, told the assembly: “We can’t go on using natural gases in our homes and using petrol and diesel cars.”

Speaking about potential solutions to move towards net zero, Hill discussed plans to plant trees to absorb carbon emissions. Such plans could see an increase in forest cover in the UK from 13 per cent to up to 19 per cent.

The assembly also heard further evidence about government legislation to create a “net zero” status by 2050.

“Net zero” status means that any carbon emissions, such as fumes from a car, are balanced out by absorbing the equivalent amount of carbon dioxide from the atmosphere.

According to recent statistics, 81 per cent of Oxford’s emissions are from buildings. Residential buildings contributed 21 per cent, followed by institutional buildings.

Oxford University, the highest single contributor, is responsible for eight per cent of the city’s total emissions.

Barbara Hammond, a member of the community action group Low Carbon Hub, began her speech by setting a challenge.

Calling on residents to think about solutions that could get every single person involved, she said: “The best way going forward in Oxford is to build on the fantastic stuff we are already doing in the city.

“We need to build on what we’ve been doing for a long time, which is to get people involved. We don’t get to zero carbon unless we include everybody in making changes.”

Hammond recognised the importance of the universities in contributing experts in the field who can help Oxford to combat climate change.

She said: “We have an amazing resource in the heart of this city, people at the pinnacle of cutting edge research. If we can get them working together with us then this could really go somewhere.”

The ultimate aim of the citizens assembly is to compile a number of recommendations for Oxford City Council to take forward and put to full council in January 2020. The final meeting will take place during the weekend of 19-20 October.

Sexual assault investigations into Oxford Professor expand

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French authorities have expanded their investigation into Tariq Ramadan, prominent Islamic scholar and Oxford academic, to include two further cases.

Ramadan has already been charged with two cases of sexual assault, in 2009 and 2012.

Parisian prosecutors earlier this month instructed the magistrate handling the case to look into “two new potential victims” from incidentals that took place in 2015 and 2016, a judicial source told French news agency Agence France-Press (AFP).

Investigators took witness statements from the two women after they were identified from documents found on Ramadan’s computer. Both women described the relationship with Ramadan in their testimony, seen by AFP.

Le Journal du Dimanche said prosecutors believe this constitutes, “serious and concurring” evidence against Ramadan. One woman said: ““It was something other than physical rape, it went beyond that… there was a moral rape”. The other added: “I asked him to be milder, but he said ‘it is your fault, you deserve it’ and that he needed to be obeyed, which is what I did.”

This comes after Ramadan went on a media tour defending his innocence. He told Al Jazeera last week, “I kept silent … saying I’m not going to talk to journalists, I’m going to talk to judges.

“The problem that I had is that the judges were not even listening to me and not even looking at all the evidences that are just proving that I was innocent.”

“At that point I would say that my take on the whole issue is I knew I was targeted. I knew that for the last 30 years I was demonised because of who I represent in the French political and public scene and the way I was treated here was quite clear. ‘We are going to get him and he will end in jail.'”

A University spokesperson said: “By mutual agreement, Tariq Ramadan, Professor of Contemporary Islamic Studies, has taken leave of absence from the University of Oxford.

“Professor Ramadan’s teaching, supervising and examining duties have been reassigned, and he will not be present at the University or College. “The University has consistently acknowledged the gravity of the allegations against Professor Ramadan, while emphasising the importance of fairness and the principles of justice and due process. An agreed leave of absence implies no presumption or acceptance of guilt and allows Professor Ramadan to address the extremely serious allegations made against him.”

The first accusations against Ramadan emerged in October 2017, when activist Henda Ayari filed a complaint which said that Ramadan had sexually assaulted her in a Paris hotel room.

Ayari had previously recorded the incident without naming the perpetrator in her 2016 book ‘J’ai choisi d’être libre’ (‘I Chose to be Free’).

On 31 January 2018, Ramadan was taken into custody by the French police, and was released on bail nine months later.

Although Ramadan continued to teach for a short while after the first allegations surfaced, on 7th November 2017 he took an ‘agreed leave of absence’ from his University duties.

Lord Mayor of Oxford backs Extinction Rebellion

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The Lord Mayor of Oxford, Craig Simmons, has backed Extinction Rebellion’s call for environmental action in London.

In a video published on the organisation’s YouTube page, Simmons called for activists to “Get down to London on the 7th of October” and join Extinction Rebellion, which is planning to stage almost two weeks of action in London and various other cities from October 7 to October 19. The period of action, known as the “International Rebellion,” aims to shut down Westminster for two weeks.

In a statement on the October Rebellion’s website, they said they would “peacefully shut down all roads into Westminster in Central London and non-violently disrupt the government until our leaders agree to take emergency action now.

“Direct action is a really important part of the political process,” said Simmons, who has taken several measures to support climate action during his time as Lord Mayor, including setting up a £10,000 Climate Change Fund.

He also participated in the Global Climate Strike in Oxford in September, part of a series of worldwide strikes generally credited to 16-year old Swedish activist Greta Thunberg.

Simmons added that “climate change is the most important issue facing humanity today,” in his call for people to join Extinction Rebellion, which will commemorate its first anniversary at the end of this month. Simmons, who began his year of tenure in May 2019, has also committed to being Oxford’s first zero-carbon Lord Mayor by offsetting the carbon impact of his civic activities.

Extinction Rebellion have repeatedly called for the government to declare a climate emergency, a measure which the Oxford City Council took in January of this year following a unanimous backing of a motion tabled by the Green Party.

London-based media have reported that around 30,000 people are expected to take part in the October Rebellion.

St Edmund’s Hall pledges to go green as ten year strategy is launched

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St Edmund’s Hall Principal Katherine Willis has announced St Edmund’s 10-year strategy, which focuses on making the college greener, more diverse and more accessible.

The college’s estates strategy presents its vision as becoming “the greenest and most environmentally sustainable college in Oxford”, as well as meeting the needs of the college community.

The strategy includes a number of notable environmental pledges. The college aims to reduce energy usage by 5% every 5 years, by undertaking an “environmental audit of the entire estate” and taking steps such as “improving insulation, reducing draughts and using heating management schemes”.

The college intends to be “as close as possible to zero net energy use, e.g. implementing energy production through open loop geothermal energy, solar panels, biodigesters and other means.”

The college has also pledged to “examine all our activities in college that have an environmental impact and transition to more sustainable alternatives, e.g. reducing the use of single-use plastics, installing more green walls and improving levels of recycling”.

This news comes in the wake of St Edmund Hall’s new, “living wall”, which is 39 square metres, and is made up of over a dozen plant varieties.

The wall is designed to improve air quality, improve insulation and protect the building from the elements.

Along with these environmental commitments, the college has also made a number of pledges to improve diversity and access within St Edmund’s Hall.

Among these are promises to create funds dedicated to removing financial barriers to applying or continuing further study at the college, formulating a college statement on diversity and ensuring that all the college’s estates are fully accessible.

Oxford’s top 10 food stops

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On-the-Go: Gloucester Green Market (£-££)

Oxford’s answer to Borough Market houses a fantastic international food scene. Grab dumplings or samosa chaat for a couple of quid and wash them down with a cool lassi. Try Lula’s Ethiopian/Eritrean for a feast of stew and lentils, mopped up with injera.

Pizza: Pizza Pilgrims, Westgate Rooftop (£££)

Yes, a chain, but the pizzas here are beautifully irregular, with crusts so tangy you know why they call it sourdough. Swerve past retro arcade machines and a parmesan photo booth to get to your table. What’s not to love?

Scandi: Skogen Kitchen, Centre (££)

Wipe the fog from your glasses and explore the smörgåsbord of Nordic delight. I love the homemade meatball sandwich that screams Sweden more than an ABBA pre’s playlist. A cosy workspace, prepare for your eu-fika moment.

Cake-for-Lunch: Barefoot, Jericho (£)

“Coffee plus cake equals good day” reads a sign inside this pastel coloured gem. So wholesome, it’s hard to believe it neighbours Jamal’s. Step inside and a carpet of rustic cakes and sweet goods awaits. Slices are reminiscent of large slabs; prepare to fill up.

Pie: Pieminister, Covered Market (££)

If you’re looking to replace hall stodge with yet more stodge, this is the gravy-doused place to start. Comforting fillings meet inventive names like Moolin Rouge and, well, Kevin. Fantastic gluten free, veggie and vegan offerings are available.

Salad: The Nosebag, Centre (££)

No, not some kind of obscure Freshers’ Flu prophylactic, but a cute, hidden canteen. The salad options range from slaws to roasted veggies, grains and seeds. Other cold dishes and hot items are on offer and cater for many diets.

Greggs Substitute: Nash’s, Covered Market (£)

For no-nonsense sausage roll indulgence, look no further. However, I hear the city centre may soon be paid a long overdue visit from the original itself… 

Post Night Out: Hmm… (£)

A controversial one. For enabling my first experience of chips-and-gravy (my friend from Barnsley insisted), I’d say Hassan’s. But I’ll let you decide.

Burger: Tommi’s Burger Joint, Westgate Social (£££)

I love the way this Icelandic eatery has recreated its worn, trashed look of their Soho joint in the centre of pristine Westgate. The burgers are deliciously “dirty” and oozing cheese, with great veggie and vegan options available.

Cheese Toastie: Hamblin Bread, Iffley Road (££)

My favourite Oxford foodie destination. Simple tables front a whitewashed sourdough bakery. The menu celebrates uncomplicated, locally sourced ingredients. Flanked with stalagmites of golden burnt cheese, this grilled cheese sandwich is divine.