Monday, May 12, 2025
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Vigil for Sri Lanka held at University Church

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A silent vigil for victims of the recent Sri Lankan terror attacks was held at the University Church on Sunday.

The Easter Sunday bombings killed 253 people and injured at least 500 more, targeting churches and hotels in Colombo in the early hours of the morning.

The University Church told Cherwell: “About forty people, including members of the University’s Sri Lankan Society, attended the Candlelit Vigil at St Mary’s on Sunday. The service, which included an extended period of silence, provided an opportunity for participants to reflect, to think and to pray. Many participants lit candles, while a number left flowers before the altar. The lighting of candles in Eastertide is significant. It symbolises the hope of the resurrection.”

The Reverend Dr William Lamb, Vicar of the University Church, said: “Our hearts of out to all those affected by this tragedy.

“Along with our interfaith and ecumenical partners, we are becoming increasingly concerned at the rise of violence directed at religious minorities. In recent months, we have seen violent incidents in New Zealand, in Sri Lanka, and in a Synagogue in California.”

He continued: “One of the roles of a University Church is to promote education and learning. Our task is to work with others to help people understand the place of religion in the world – and to recognise that ‘religion’ is not simply a system of beliefs but a lived and embodied practice. It is not simply about the head. It is also about the heart. And that is one of the reasons why we will be gathering to pray and to show our love and compassion at the Vigil on Sunday.”

Wheelchair user criticises Christ Church over meadow accessibility

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Oxford local Colin Ridler was forced to retrace his route back through the entrance on St Aldgate’s back to his home in Iffley on Easter Monday.

Ridler, a commissioning editor for Thames & Hudson, has urged Christ Church to re-evaluate the accessibility of the Meadow so that wheelchair users can have proper access and leave through a convenient exit onto the High Street.

Mr Ridler told the Oxford Mail: “Imagine my frustration and annoyance to find that, while all able-bodied visitors could exit via the narrow turnstile gate, I was prevented from doing so by the small size of this gateway.

“In this age when by and large the needs of disabled people in public places are reasonably well catered-for and indeed required by legislation, it does seem remiss of Christ Church not to provide for wheelchair access in and out of the meadow via Rose Lane.

“I accept that the meadow is not strictly in public ownership but by encouraging the public to make use of it and enjoy it, you are surely under some obligation to ensure all can in fact gain access to it equally,” he added.

A regular commentator on disabled access issues across Oxford, Mr Ridler previously spoke out in February 2018 in criticism of accessibility to the new Westgate Centre. He accused planners of negligence for the shopping centre’s lack of practical taxi ranks for disabled people.

Christ Church have explained that they are keen to ensure that cyclists are still prevented from entering the meadow, but they have been reviewing the situation for some time.

Christ Church treasurer James Lawrie told Cherwell: “Christ Church opens the meadow 364 days a year to the public for free, and it’s much-used and much-loved. We will continue to review the situation because the last thing we want to give is the impression of excluding people.

“We are keen to maintain the calm and pedestrian nature of the meadow, and we are yet to find an option to allow wheelchair access without allowing in cyclists – it is not a bicycle route.”

In 2014, all parts of the University agreed to work within a common framework to promote a consistent approach to providing support for students with disabilities, underpinned by the Equality Act of 2010. This Act requires all universities not to discriminate against disabled students, which includes a duty to make reasonable adjustments to ensure that disabled students are not put at a disadvantage.

A spokesperson for the Oxford SU Disabilities campaign said: “We are frustrated and saddened by the lack of accessibility throughout this University, including, as this article focuses on, at Christ Church Meadow. We are pleased to hear that Christ Church Treasurer James Lawrie has said the accessibility of the gates in the meadow are under review.

“We encourage Christ Church to address the issue as soon as possible, in the same fashion that we encourage all colleges and departments within our university to be ambitious and proactive in their improving facilities for the disabled community.

“Improvements are continuously being made at Oxford, but much more needs to be done. We will continue to campaign for the much-needed changes at Oxford until equal opportunities for disabled and non-disabled people become a reality.”

Interview: Vince Cable

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Leader of the Liberal Democrats, Vince Cable, took on party leadership after being re-elected to Twickenham in the 2017 snap election, having previously lost his seat in 2015. He took on a party that had suffered at the hands of coalition, the controversy of Vince’s predecessor Tim Farron and has created a clear pro-remain narrative to take the party forward. I began by asking him if Lib Dem leadership was ever something he expected and how he feels about having had such an opportunity.

“I lost my seat and I hadn’t expected to return. If I hadn’t been called upon to stand in the snap election I would have retired. I had a big majority and I was the most senior Lib Dem around so I stood for leadership unopposed. It was a pleasant surprise. It is not an easy job but it is an important one. I think we are now recovering quite strongly, particularly in government, and we are playing a leadership role on Brexit and I feel the party is in a stronger place than when I started.”

Brexit comes up quickly and is clearly a focal topic for Vince. “The thing about Brexit is we don’t actually know if it will happen or in what way it will happen. Even if something like Theresa May’s deal went ahead, we would still have years of chronic uncertainty as we negotiate a new agreement. I think one thing that is certain is that as a result Britain will be weaker economically and politically. But it is more of a slow puncture rather than a blowout.

“Brexit is the symptom of deeper problems. I don’t pretend that there is a simple explanation because the Brexit vote was partly defined by geography, partly by age, partly by other things. But I think it did bring out the extent to which for a large number of people in left behind communities, like people in the north of England, there is a major dissatisfaction that needs to be addressed. I think the relevance of the Lib Dems is that people are looking for practical solutions, which combine our commitment to social justice with the practicalities of working in a market economy. We demonstrated our competence in the coalition government and indeed in many areas of local government.”

The Liberal Democrats have been strong supporters of a second referendum since soon after the Brexit vote, a policy that has been strongly criticized for ignoring the will of the people and trying to force through a remain outcome. When I put this to Vince he interjects before I have even finished the question.

“I don’t deny that achieving remain is what I’d be trying to do. I’m not embarrassed to acknowledge that. And there are people in parliament who support Brexit, but do accept that it would be right and prudent to have a confirmatory referendum. I think what drives the opposition to a referendum among leave is the fear that they would lose.”

As we talk more about the role of Parliament and the people in the process of Brexit, he makes it clear that a referendum is the only way he sees to deal with the situation that has been created.

“Many of those people in Parliament who are concerned with Brexit have constituencies that voted for remain, take for example Scottish MPs. But many others are acting because they believe it is in the national interest. They believe that Brexit would be very damaging, and that people have a right to change their minds.

“It is quite interesting that there was a ruling on Brexit because someone brought a court case that argued the last referendum was contaminated by illegal practices. The judge threw out the complaint on the grounds that the referendum was advisory. Had it been a binding referendum he would have upheld the complaint.

“We are a parliamentary democracy and parliament could simply cancel Brexit altogether. But, that would be offensive to the people who have already voted. So, the more democratic approach is to go back to the people and ask what they want. Do you want to stay after all, or do you want to leave on the government’s terms?”

The other issue raised with a second referendum is the fact that it may breed more division at a time where parliament should unify the country.

“We have a divided country in any event and it is going to get worse when Brexit proceeds because we are going to be continuing to argue about our relationship with Europe. The people who are militantly pro Brexit are going to complain in any event that they have been betrayed. Having a referendum isn’t going to change all that.

“At this stage a people’s vote is still possible: it’s not probable, but it is still possible. It is the best way out. It provides an opportunity for people to rethink their opinions because the world has changed a great deal in almost three years. We’ve had Trump, external threats to the European Union, and many of the things that were promised clearly are not going to happen. So there is a good argument for going back for a confirmatory referendum. Normally when you are having an operation in a hospital or you are conducting a referendum, good practice is to go back and have confirmation. Now it is possible that my side would lose. If that is the case we accept it with good grace and we get on with life. If we win we don’t have to triumph. We would have to start dealing with the underlying causes and sorting things out properly.”

In February a number of Labour and Conservative MPs defected from their parties and formed The Independent Group, which became a political party in April. They are a pro-remain, centrist party and arguably occupy the same political space as the Liberal Democrats. Vince nonetheless seems positive about the creation of the party.

“The Independent Group has the potential to act as the catalyst for major changes in British politics because it is an early sign of the breakup of the Labour party, which is finding it impossible to combine the Marxist-Leninist traditions of the leadership with the social democratic tendencies that both MPs and party supporters expect. It is impossible. In a way it is surprising that Corbyn’s leadership has been able to keep the Labour party together for so long. I think without a doubt we are coming to the end of that.

“It is also a sign that the conservative party are attempting to hold together a party which contains English nationalists, along with more traditional One Nation Conservatives, which is proving difficult if not impossible. So I think the key point about TIG is that it demonstrates that the traditional two parties are beginning to crack under the strain and Brexit has brought this crisis to a head.

“Whether or not they succeed, I don’t know. If they work with us there is a chance, but if they try and go on their own, under the British first past the post system they will probably be swept out.”

I ask him what he feels this fundamental breakdown of the two-party system would mean for the Lib Dems going forward. He responds with more animation than he has had so far in our conversation.

“I see it very much as an opportunity. I am very positive about it. I understand why they have decided to be a group of independents, but I think there is a clear understanding that we are in a similar place politically, for example with Brexit. I think there is a mutual interest in working together. I can’t say exactly how and when, or indeed if, that will happen. But I think that is the way forward and I am very positive about it.”

Theresa May’s deal did not get the support of the Liberal Democrats. I ask Vince how he feels about her leadership and how he would have conducted the negotiations.

“May thinks that she is doing her duty by delivering an outcome that she didn’t personally support. She also, and I think this is correct, sees the negotiations on Brexit as damage limitation. She knows that Britain will be weaker, economically and in other ways, as a result of Brexit and she is trying to pursue a course of action that will keep the damage to a minimum. This infuriates Brexiteers who are trying to portray Brexit in a positive light, but sadly it is realistic. I think she probably got the best deal that anyone could have got, I don’t think there is anybody else who could have done any better considering that there was an objective to pursue Brexit.

“The one big mistake that was made had nothing to do with negotiations with Brussels, but was to do with internal British politics. She decided at an early stage not to do anything that was going to divide the Tory party. So we had these red lines keeping us out of the customs union and the single market and that is what has caused all the problems since.”

The conversation then turns away from recent events and towards Cable’s own route into politics. He was the President of the Cambridge Union, whilst reading Economics at Fitzwilliam College. He reflects on these formative years.

“I have mixed feelings about Cambridge. I went as a scientist, so I spent my first two years in laboratories and I was not totally happy doing that. When I switched to economics I felt somewhat liberated and I was doing a subject I felt more comfortable with. My political involvement also started during my time there.

“I think my most memorable time at university was when the Cuban Missile crisis occurred. There was a lot of tension and fear around that. There was also the imprisonment of Mandela at that time, so there was a big outburst of student protests, which I was involved in to some degree. It was the end of the Conservative coalition war government, which had been in power since 1951 and had been in power at that stage for 13 or 14 years. We were quickly heading for a new kind of politics so it was quite exciting to be involved in all of that debate.”

We talk more about his involvement in student politics and how it influenced his later career in the parliament.

“I think student politics is very important. Many of the people who have leadership positions today came through student politics. I did myself, to some extent. When I was a student in the 1960s I was president of the Liberal Club and we tried to form a merger with another club called the Social Democrats. It failed, but it was a first attempt to form what is now the Lib Dems. That movement had its origins in student politics, and my own involvement in it to some extent. So although student politics can be a bit juvenile and some of the behaviour you see in the Oxford Union is not particularly impressive, at the same time this is how people’s political views are formed and it is more important than some would say.”

After finishing his economics degree, Cable became a university lecturer, before working with the Kenyan government and eventually as an economics advisor in the corporate world.

“My economics background has been very helpful. First of all because I have experience in science and politics and many people come into parliament and their whole life has been spent as a researcher or working in politics, but I had a serious career teaching economics in universities and working in international organizations. I was the chief economist for Shell, and worked with big business, so when I was in parliament I was able to make a reasonably well-informed assessment of what was going on around the financial crisis. It gave me more exposure than perhaps I would have got if I had just been a normal backbench MP without that background.”

Despite having ultimately become the leader of his political party, when I ask him about his proudest achievements, he chooses to mention other things.

“I’ve had two happy marriages and I have three children that are doing well. I think having a fulfilling personal life matters a lot. In my career, I think I did most of my most useful things when I was Secretary of State. I worked on industrial strategy and changing the legislation around trade, as well as environmental policies and so on, which I think have stood the test of time. I think if people evaluate what I have done there were a lot of achievements in that period.”

Vince plans to retire as party leader in May 2019. As I begin to ask him about it he corrects me and outlines his plans for his last few months as leader.

“It’s not just about Brexit, I have one or two more tasks to do. That includes modernization of the party, we’ve got local government elections; we may have an early general election. But yes, I am thinking of moving on quite soon and there are some very good younger generation people looking to take over.”

He talks with excitement about his aspirations when he steps down.

“I have two plans really. One is to be a good constituency MP: I love my constituency and I want to continue doing a good job there. Secondly, I want to go back to writing books. I have some ideas in the pipeline which I will get to work on when I have some spare time.”

Before the interview ends, he offers me his prediction for the Liberal Democrats in a rapidly changing political world.

“I can’t predict the future. But I think we will make progress in terms of parliamentary seats in government. But, there could also be a spectacular break up in the party system, and if that happens, anything is possible.”

All Smoke and Mirrors?

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Contrary to popular opinion, the sale of cannabis within the UK is not entirely prohibited. While tetrahydrocannabinol (the part of marijuana that gets you ‘high’) is still illegal under the Misue of Drugs Act, it’s cousin, Cannabidiol, is quickly becoming one of the fastest growing food markets in Britain.

Cannabidiol, or CBD, is a natural extract from the hemp plant. As a cannabinoid, it acts on certain parts of the brain, but does not create the intoxicating or hallucinogenic effects that tetrahydrocannabinol (THC) is famous for. As such, it is entirely legal to sell products infused with CBD within the UK, with the only restriction being the condition that the THC content does not surpass 0.2%.

When it comes to consuming CBD, suppliers offer a variety of options, ranging from gummy-sweets to eye-drops and even sex-lube. The most popular form is undoubtedly edibles, with distributors offering an increasingly diverse range of hemp-based food products. Only last week, Nooro released the UK’s first hemp-infused snack bar. Their first product, a lemon and ginger flavoured treat containing 25mg of CBD, claims to be the antidote to a “burn-out generation”, helping people “regain” their “natural rhythm and flow”.

It’s easy to be sceptical of such claims; however, recent research into the real financial viability of the market has certainly been turning heads in the world of investment. Estimates by the CBD market research firm the Brightfield Group suggest that the industry could be worth $5.7 billion by next year, and potentially even rise to $22 billion by 2022. While Brightfield’s predictions certainly raised eyebrows upon first publication, recent reports suggest that the soft drink giants CocaCola and PepsiCo have both been looking into the CBD industry.

The most likely explanation for this craze for CBD likely lies in the increasing legalisation of marijuana in the US, with Michigan being the latest state to join the trend. Currently in the US, recreational cannabis has been legalised in 10 states, whilst medicinal cannabis is now legal in 33 states. When paired with the media’s flood of reports on the medicinal potential of cannabis, such as the case of the seven-year-old epileptic boy Alfie Dingley whose mother campaigned for him to receive medicinal CBD treatment last year, an increasing willingness to experiment with the drug can be observed.

Project CBD argues that cannabis can provide relief from chronic pain, anxiety and depression, whilst also drawing attention to scientific research being conducted to examine CBD’s potential to treat auto-immune diseases, neurological conditions, and cardiovascular dysfunction, to name but a few examples. While the scientific jury is officially still out on the validity of such claims, the field is a relatively new one, with the capacity for exciting new break-throughs in medical science should the industry’s prediction prove true.

Laura Chapman, founder of Headingtonbased CBD distributor ‘Black Sheep Co.’ (@ blacksheepcbd) affirms the claims made by Project CBD, drawing on her personal experience of cannabidiol’s benefits, which she has been able to share with her customers:

Oxford-based CBD distributor: Black Sheep Co.

“CBD is helping with things like anxiety and sleep (from PTSD) as well as inflammation related issues. We are already getting repeated business due to people noticing the benefits.”

When asked about the future of CBD, Chapman is optimistic, highlighting the vast range of CBD products available in outlets such as Holland and Barrett. Whilst acknowledging the stigma associated with the use of cannabis, Chapman advocates for an increase in awareness of the potential of CBD, stating that “the more we talk about it, the less controversial it will be.”

Ultimately, while we cannot be certain of the benefits of CBD at the moment, the next few years will prove instrumental in clarifying the impact which hemp-based products can have on our lives. Whether it’s a chemical-based gimmick or revolutionary wonder-cure, only time will tell.

The ‘happily ever after’ we seek only exists in fiction

Why fiction is going to screw you up and over in the long-term:

You are not going to be a wizard.
Your boyfriend will not be a vampire.
You will not find your ‘one true love.’
You will not be extraordinary.

On World Book Day, in 2015, a new poll revealed that the nation’s favourite opening line was from J. M. Barrie’s Peter Pan. A novel of childhood escapism, encouraging what we might term ‘self-induced deception’ is heralded as a cultural classic – its social status cemented by the popular 1953 Disney immortalisation; the opening line of which being: “All children, except one, grow up.”

We might question why an age obsessed with rationality and science produced the epitome of everything contrary to those principles. Clare Brennan, reviewing the Regent’s Park open air theatre production of Peter Pan, states “you’ll believe a boy can fly.” Of course, her comment is in relation largely to the fantastic stage set and choreography, having seen it myself in 2016 I can confirm this, but the centrality of ‘belief’ to her claim creates an interesting dichotomy between deception and honesty, truth, or truthfulness.

A quick search into the BBC News archives produces a multitude of responses towards, and uses of, the word ‘deception.’ From love-triangles, to fraud and fake university degrees – dishonesty is both newsworthy and rife. We expect things to be exciting for us because of what we read and watch and fills our heads with. But life cannot live up to the stands of something inherently fictional. What you read as a child will fill you with fantasy and unrealistic expectations of the world but don’t worry adulthood will knock all the joy out of you. And then when you’ve just about lost the will to live, you’ll start to find new books to believe in.

I think it’s probably a valuable experience – that of forming unrealistic expectations. We would never dream if we didn’t have the inspiration to imagine reaching for heights and sights beyond our human capacity. Fiction deceives us even in the act of reminding us what we are reading is only a story, contained within the physical book itself or jarring kindle (if that’s what you’re into.)

Antoine de Saint-Exupéry writes the final paragraph of The Little Prince beside a further illustration of the place where “the little prince appeared on Earth, and disappeared,” urging his reader to “Look at it carefully so that you will be sure to recognize it.” The drawing to the left shows two single arching lines and a star. The desert itself is perhaps one of the most anonymous landscapes on Earth making the conclusion of the novella all the more heart-wrenching. We will never recognise his sketch in the desert, but we can recognise it as a metaphor for self-delusion – the fact that we need to deceive ourselves in order to have hope.

We delude ourselves that our lives are going to turn out ‘happily ever after’ like a cheesy rom-com plot. The phrase itself only too often it conjuring to mind Disney princes and Cinderella glass slippers. This idea is distinctly linked to what we might term ‘one true love’ – another form of romantic fantasy or delusion in literature. Though ostensibly fantastical, if one traces this concept back through the annals of time we can see the exploration of the ‘soulmate’ is something which has been pioneered for centuries. One of the stigmas attached to this phrase, probably due to its traditional portrayal through fairy-tales, is that meeting your ‘one true love’ is somehow conclusive. When Snow White meets Prince Charming for the first time he wakes her with a kiss and immediately they marry, naturally living “happily ever after.” Arguably it is misleading to look at the way the soulmate is portrayed through fairy-tales as instead of showing the development of the love story and the difficulties which arise out of that relationship, instead fairy-tales are predominately focused on ‘killing the baddie’ and restoring prosperity to the kingdom. Therefore what is the use of the fairy-tale as a means of discussing the notion ‘one true love’ when in fact the stories themselves are metaphors for the condemnation of evil and restoration of innocence, giving apparently no insight into the esoteric ‘one true love.’

If then such fiction only fills our heads with unrealistic fluff, we might then move to question why these misconceptions came about and for what reason the Western World’s fascination with ‘true love’ endures. In a world where death is our only certainty perhaps it seems reasonable we want to have faith in something eternal beyond that – love is exemplified as a suspending force which can make us forget the continual assault of time. In the words of the poet, Anne Sexton, “[w]e laugh and we touch. I promise you love. Time will not take that away.”

It might seem strange that British society, with the highest divorce rate in Europe (2.8 divorces per 1000 marriages) should remain enchanted by the notion of ‘one true love.’ Perhaps the word itself ‘enchanted’ explains our fixation with this idea. To be enchanted is to be charmed by something but it can also mean to be put under a spell. If we take this second meaning then it illustrates something interesting about our relationship with the notion ‘one true love.’ We are blind to its inconsistencies and flaws as a statement, not only do we want to believe in the fantasy of eternal love, but also acknowledge the possibility of a certain person being entwined with our own destiny. So often it can feel as though life is without meaning and by accepting the existence of the soulmate, we allow ourselves to be defined by that relationship and in doing so, are given a raison d’être.

On a personal level, I believe the notion of ‘one true love’ is primarily flawed in one aspect – namely because it quantifies itself. Love is not something that can be measured or purchased, it is a feeling; a sensation; a state of being which runs through and connects us. Human beings are complicated creatures and therefore I would dispute the notion of ‘one love’ – why out of all the emotions would we be able to simplify one of the most complex? Perhaps one does not experience the same quality of love twice, but just because the love is different does not mean the love is not still ‘true.’

Our experiences of the world are informed by everything we have seen, heard and read. But fiction – words – produces a cruel paradox. We can deceive ourselves with the language we use. Making meaning from a series of ostensibly meaningless letters arranged to make equally meaningless letter patterns – our world only makes sense because of the order derived from the sense which we impose upon it.

Why then do we read at all?

For hope, for love, for everything in-between.

Lily Allen’s No Shame Refusing Remorse

“It’s a shame, shame, shame, shame for you.” It wasn’t the most popular song of her first album Alright, Still, but Lily Allen’s 2006 ‘Shame for You’ certainly carries across her early confidence. It’s not a shame for her, it’s a shame for you: “Please don’t come around and knock on my door / ‘Cause I don’t want top have to pick you up off the floor.”

Every song is gritty, forceful and unapologetic. You’d be reasonable to think that No Shame might continue in the same vein. But Allen’s latest album is far more raw and heartfelt than her earlier singles, laying bare her vulnerabilities and regrets through the lens of her broken marriage. It is a piece of work deeply imbued in its own context – it demands knowledge of biography to understand this complex, elastic sense of shame. It seems, at times, almost shameful. The first track ‘Come on Them’ declares “Yeah, I’m a bad mother / I’m a bad wife / You saw it on the socials / You read it online.”

Allen claims not to have liked her previous album Sheezus. She has been open about this in interviews, telling Stereogum, “I felt like I needed to be a pop star to pay my bills, and I didn’t feel like that, so I did what I thought pop stars should do, and it was very wrong.” Adding, “I didn’t have a sense of self at the time.” The video of the single ‘Hard out Here’ was even criticised for cultural appropriation with its inclusion of black back-up dancers. There were three years between the tour of Sheezus and the release of No Shame. According to Allen, this has been taken up by nothing but getting divorced and writing. She wanted the album to be really good, better than before – almost as if trying to atone for her previous work. It feels at times like an attempt to overcome shame – to master what she perceives as previous artistic mediocrity with a better, more personal piece of work.

In this light, No Shame becomes an almost ironic title. Her lyrics are filled with confusions, accusations admissions, and contradictions. It seems like a very real, honest depiction of divorce, filled, at times, with self-loathing. But to suggest that the title is inaccurate would be a misunderstanding. Shame, pride, any emotion at all – none of it is hidden. It is a deeply vulnerable album, full of willing exposure.

Her struggles are creatively transformed into successes. She is not denying shame, but refusing to be ashamed of her humanity. Most of all, this album tells us she is honest and a survivor, ready to fight out any battles.

The Intricacies of Married Life

In Tessa Hadley’s new novel, Late in the Day, published in hardback by Jonathan Cape, Alex loves Christine and Christine loves Alex, and Zachary loves Lydia and Lydia loves Zachary – or at least that is how things appear.

The dilemma: Alex and Lydia have feelings for each other, as do Christine and Zachary. These messy, interfamilial dynamics play out in public and in private, at home and abroad, making for a compelling look at the consequences of adultery, and of dredging up the past, for parents and their children.

The novel opens with news of Zachary’s death. Lydia telephones her friends one summer’s evening, at a moment when “the purple-brown darkness of the copper beech next door fumed against the turquoise sky”. Granted, it is subtly expressed, but something does not seem quite right. All three consider Zachary to have been the rock at the heart of their relationships and friendships; with him gone, we are left to conclude, things are bound to go off course.

We learn that Christine and Lydia first encountered Alex, then married, when he gave French classes at their university. With Lydia being someone “men usually noticed”, she makes it her goal to win him. She does, but not for long.

When he meets Christine and learns she is studying for a PhD on the poetry of Christina Rossetti, Alex picks her; Lydia has to settle for Zachary. Suffice to say Alex decides he wants Lydia again, and there their troubles begin.

Incidentally, Hadley makes an interesting structural device of the phone call. If the call in Chapter One can be said to set the plot in motion, then a second call, again between the two women, irrevocably alters the foundations of the characters’ relationships.

The foursome are upper- middle class, fond of art (Zachary owns a gallery at the time of his death, whilst Christine is, for a time, an artist), alcohol, cigarettes and classical music. Of the three survivors, none are particularly likeable. Lydia complains openly about being a “rotten mother”; we are left wondering why she has failed to address this. Alex, meanwhile, is proudly “relieved” that his daughter, Isobel, is “reserved and feminine”, so it is not hard to gauge his views on gender politics.

The claim made on the novel’s dust jacket, that it “explores the tangled webs at the centre of our most intimate relationships, to expose how beneath the seemingly dependable arrangements we make for our lives lie infinite alternate arrangements”, is borne out in Hadley’s crisp, considered prose.

We read, for instance, that, one evening, “Christine had left her cardigan on the arm of a chair and before [Alex] went upstairs again he picked it up, [and] dropped it across Lydia’s bare shoulders”. This gesture, performed with ease, is surely reflective of deeper questions about who belongs in which household, in which marriage.

Elsewhere, the narrator describes how “Alex never used his phone while he was driving – also, he despised that whole infantile obsession with needing to be in touch at every moment”. A reference to the instant messaging now ubiquitous in our lives, this description seems to hint too at Alex’s attitude to emotions, to how he feels about being ‘in touch’ with others.

The evident strains in and between the two marriages, strains which erupt after Zachary’s death, are explored cleverly by Hadley in relation to the novel’s children, who, though young, are nonetheless nearing the age at which their parents met and fell in love – or lust. As if the melding of the four parents and its impact on their children were not clear enough, Grace, the daughter of Lydia and Zachary, witnesses as a young child the four friends drunkenly fondling and fumbling one night.

Hardly surprising, then, that Grace seeks one-night stands – she is found in the opening chapter lying next to her “boyfriend from the night before” – and Alex’s daughter Isobel finds dating difficult, the two of them having been raised by parents in a state of amorous confusion.

The novel’s uplifting coda has much to contribute to the plot. As the novel opens, Christine “pause[s] outside the open door of her studio”, deciding that to return to art, “the fixed point by which she steered”, would be “sickening” and “fraudulent” given Zachary’s death. By the novel’s end, Christine has experienced a profound change of heart, one we can interpret as a sign of her liberation in grief from the constraints of domestic life. Just like Alex’s mother Margita, of whom previously “[h]er husband had taken up so much space in her attention: with his ambi- tion first, then with his disappointment … then his absence”, we sense that Christine will now put herself, and what she wants, first. Such a feminist ending – the studio is surely ‘a room of her own’, that place Virginia Woolf deemed critical to a woman’s chances at creative success – cannot be overlooked in light of the role marriage plays not only in structuring the characters’ lives but arguably the novel itself. Hadley does not finish her characters; to do so would be to fix them, and both they and what they have done cannot be fixed, only negotiated with the passing of time.

One of the novel’s particular strengths is its refusal to apportion blame to a single individual – everyone is guilty of behaving less than perfectly, of further complicating already compromised marital arrangements.
It might have been an idea to further flesh out the characters of Juliet, Alex’s first wife, and Max, Zachary’s brother, but the focus on the domestic dramas at play perhaps explains their relative lack of development.

Alex, Christine and Lydia have become unmoored with the passing of their mutual friend and, in the case of the two women, lover. As young women, Christine and Lydia are said to live “like children camping, play- ing at grown-up life”, and the transition from playful ‘kidulthood’ to responsible adulthood is one every character struggles with; the reader is left to ponder how the way they live now will pan out, if it will last, if they can ever recover their friendships, and if the way things were was better for everyone, despite the secrets and the lies that lay at the heart of their relationships.

The Entangled Affair between Britain and the Catholic Church

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The 170% spike in Google searches for ‘Can priests get married?’ after Andrew Scott’s ‘hot priest’ in Fleabag is testimony to the reinvigorated presence of Catholicism in the public eye. But the peculiar allure of the cloth has a long and illustrious history, from the lecherous priests of the Decameron to screen incarnations like Brideshead Revisited and Father Ted. In an increasingly chaotic world where people are more likely to recount their sins on Instagram than in the confessional, the sense of tradition and taboo around Catholicism and its rituals conspire to make it more irresistible than ever.

Perhaps Catholicism is destined to fall prey to the cinematic imagination. The multi-sensory service is theatrical in itself, with its ‘smells and bells’ and rainbow of liturgical vestments; the endless lumbering between standing and kneeling positions can recall a game of Musical Chairs, played to the accompaniment of 16th century polyphony. Of course, the British haven’t always found these qualities so endearing. Centuries of persecution, whose effects are still felt in Ireland today, compounded the heady sense of guilt associated with a religion that emphasised the necessity of confession and the threat of hell.

Even in Waugh’s time, Catholics were political and cultural outsiders in England – it is not just the hedonism of Lord Sebastian Flyte that enchants Charles Ryder in Brideshead, but the family’s religion and the adulterous love of Flyte’s sister Julia. Yet Waugh, and the elegiac voiceovers from Jeremy Irons in the 1981 TV series, treat the faith with veneration, even as they revel in flaunting its rules. Ultimately, all roads lead to Rome: the alcoholic Sebastian joins a monastery; Lord Marchmain is reconciled with the Church on his deathbed; Julia chooses her faith over marriage to Charles. Catholicism, exclusionary and exotic, is bound up with nostalgia for an age of the English nobility, and much as Brideshead’s characters and their audiences may delight in transgression, their paths from sin to redemption reflect a respect for and belief in tradition as an antidote to modernity.

In 1995, on-screen Catholicism became more “Drink! Feck! Arse! Girls!”. Father Ted had neither the religious conscience nor the sex appeal of Brideshead, but the surrealism of a show populated by outlandish caricatures and priests behaving badly made it a hit across the world. Even more strikingly, although anti-Catholicism in England had abated greatly since World War II, partly due to an increase in secularism, this was an Irish series – made and set in a country where Catholicism was literally a matter of life or death from the 60s to the Good Friday Agreement and beyond.

The presence of the Church in Father Ted is not theological, as in the works of Waugh and Greene, but as an institution, whose rituals and decrees are shown to be comically incompatible with the morally lax modern attitudes embodied by Ted. Ted’s frantic attempts to escape from his provincial purgatory and back into the arms of vice are constantly frustrated; unable to commit properly to either sin or godliness, he flounders in shame of a different kind, a limbo of secular embarrassment that provides many of the laughs in the show.

For all its irreverence, this take on a divisive subject matter was ultimately humanising, using Catholicism to comment on the universally relatable theme of moral frailty. As one Dublin priest put it: “It captures an essential part of comedy, which is to offer a view of reality, which at times might not be complimentary, and yet it’s presented in a way that gets around people’s differences.”

And so to the kiss that electrified feminists. When Fleabag’s priest breathed “fuck you calling me Father like it doesn’t turn you on just to say it”, he neatly encapsulated the secularisation of Catholicism in popular TV: its transformation from faith to fetish. Mass attendance fell by 400,000 from 1993-2010; in 2018, 70% of young adults in the UK reported that they had no religious affiliation. To many of Fleabag’s viewers, the Church, with its Latin chants and ‘smoking handbags’, is exotic and unfamiliar; its once formidable reputation diminished by conservative social views and a slew of sex abuse scandals.

The appeal of the forbidden is nothing new – but this is Catholicism for the Brexit generation. Church, crown, and state command a sliver of the power they wielded in centuries past. In a ‘post-truth’ age where lies from politicians, corporations and influencers alike can spread without consequence, the Hot Priest represents not only a taboo, but nostalgia for a tradition with a sense of moral order. People may have behaved as terribly in the 1900s as they do now – but at least they pretended to feel bad about it.

You can hack the spice!

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Spiciness is a quantifiable yet relativistic concept. The level of tolerance for the little red and green devils depends a lot on what you ate as a child. Nevertheless, we all have a limit, not just with the tongue but the stomach as well. Although I have never suffered the misfortune of a stomach upset after a crewdate at Jamal’s (for me I cannot taste any spices from their food), pretty much all of us spice-lovers have to endure the pain on a bad day. Spices, however, are not as antagonistic to our digestive system as you might think: in fact, if eaten well they can make your stomach stronger! Here are several things you might want to consider when craving that hot taste:

1. Not all spices are the same! Most hot spices are obtained from a pepper or chilli plant, though some plant leaves, like mustard greens, are also spicy, and so are some roots, like ginger and horseradish. Chilli peppers contain an ingredient called capsaicin, which causes irritation to the skin when getting into contact and can prevent the normal functioning of the gastrointestinal tract. But many other spices are known to help digestion: ginger, for example, helps to reduce gas, bloating, cramping within the stomach, and may even help with menstrual cramping. Cardamom, as part of the ginger family, performs a similar role in digestion while also providing a source for minerals. Cumin and turmeric, although not spicy in taste, can also be of service to digestive health.

2. Try to limit the intake of other foods which may irritate the stomach. Indian and Mexican food, the two cuisines that receive the vast majority of accusations for causing tummy troubles, contain a lot of other ingredients: red meat, butter (ghee especially), cheese, acid, and portions of oil. Even if your stomach can tolerate a high degree of spiciness, it might not be able to tackle a combined cohort of spices and other ingredients. There are plenty of spicy dishes that are healthier than a greasy takeaway curry-my recommendations would be daal, Korean kimchi stew and seafood tacos.

3. Try to compliment spicy food with the right drinks as well. Caffeine and alcohol are the devils in this regard, while fizzy drinks can cause gas and bloating which are not helpful either. Drink some yoghurt to increase the good bacteria in your gut: a tip here is to order a delicious side of raita in an Indian restaurant. Alternatively, you can also drink cold water to cool down the inflammation caused by spices. So lock up your booze cupboard and pick up some Activia the next time you are feeling chilli.

Happy spicing!

Mauricio Pochettino: the best of the rest

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The date is the 17th April 2019. The time is 21:49. Manchester City coach Pep Guardiola, who just several minutes ago sprinted the length of the touchline celebrating his side’s supposed late winner, is slouched in the Etihad dugout, forlorn, with his hands on his head. He cannot believe what he has just witnessed, and nor can the football world.

Mauricio Pochettino’s success at Tottenham Hotspur this season is represented by the scoreboard shining out onto the hallowed turf below. It reads 4-3, with Spurs heading through on away goals. Tottenham, having just eliminated the favourites from Europe’s most prestigious competition, the Champions League, have reached the semi-finals for the first time in the club’s history.

Although this was a major shock to everyone involved with football, not least Guardiola, this victory is not the reason Pochettino should win manager of the season. It is instead that, given the might of the financial behemoths in modern football, Mauricio Pochettino is running on a limited budget, with an injury-stricken squad, and yet he has secured Spurs their historic Champions League semi-finals spot and is one game away from securing Champions League football for a fifth consecutive season.

This week Tottenham will open their account in the semi-finals for their first time, faced with fellow tournament underdogs Ajax, and yet have four senior players out injured with Moussa Sissoko just returning after a short spell on the sidelines. Two of those players, Harry Winks and Harry Kane, are arguably two of the most central to Tottenham’s team, and with Kane being Tottenham’s record European goalscorer it must be argued that he is an enormous miss for this tie. Given his absence in the fixture against Manchester City, though, Mauricio Pochettino is clearly doing an excellent job with the players he has available, and “star players” need not be the key component of his formula for a winning team.

It goes without saying that with the suspension of the recently prolific goalscorer Heung-Min Son, who has so often stepped up in Kane’s absence, this tie will be a hard-fought match for Spurs. However, Pochettino’s man-management in both the group stage and the previous two rounds of the competition has proved that he can get the best out of his players.

In addition to the injury list, it is worth noting that Spurs have made zero signings in the last two transfer windows, becoming the first-ever English club not to sign a player in the summer market (although given that Tottenham chairman Daniel Levy sanctioned £850 million to be spent on the club’s new stadium, it’s clear that the club’s focus has been elsewhere than on the pitch).

To his credit, however, Pochettino has delivered results in a difficult time financially for the football club in which both the manager and attacking midfielder Christian Eriksen have reportedly been contemplating moves away. In comparison, Manchester City have a net spend of £-563.24 million over the last five years, a profligate sum against Tottenham’s thrifty £-28.25 million. This is another testament to the astounding achievement on Pochettino’s part to tactically outmanoeuvre Manchester City over two legs despite the striking gap in and financial investment spending power.

Despite this lack of transfer activity, it is becoming apparent now that with their growing injury list, Spurs have few senior players left to put on the bench for this Champions League fixture, but the onus for this is on owner Daniel Levy, and not on Pochettino himself. This is why Tottenham’s position in the League and the Champions League this season is phenomenal and is largely down to the actions and superb man-management of Mauricio Pochettino.

Although Tottenham still must overcome a scintillating Ajax team to reach the Champions League final, regardless of the outcome of this fixture, Pochettino’s season as Tottenham Hotspur manager has been simply outstanding. If they manage to secure victory away at Bournemouth this weekend, they will finally secure Champions League football for next season, a terrific success given the financial might of Chelsea, Arsenal and Manchester United below them. If indeed Pochettino’s Tottenham do manage to advance any further in the Champions League, it could be a very special season for them, and winning would result in the first true underdog victory since 2004.

There is still much to play for this season, but with his achievements already, there is no doubt: While Klopp and Guardiola occupy the headlines, it is Pochettino who slips under the radar, and is certainly a contender for Manager of the Season this year.