I, Tonya sorely misjudges portraying a serious subject
The Oscar-nominated black comedy pokes fun at a subject which is no laughing matter
Phantom Thread is Paul Thomas Anderson’s finest film yet
Daniel Day-Lewis' cinematic swan song as a 1950's fashion designer is simply stunning
The Shape of Water – an odd romance makes perfect sense
Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting
Withnail and I was a buddy comedy unlike any other
An old cult film showing in Cowley proves to be more sadly relevant to the student experience than expected
Brakes review – ‘ticklingly funny and quietly frightening’
A refreshingly home-made and honest depiction of break-ups
Black Panther celebrates black culture in all its glory
Examining the social power of Marvel's latest release
50 Shades Freed confines and confuses its viewers
The final chapter of the sex-fuelled saga encounters problems during its climax
It Happened One Night – merely antiquated, or timelessly great?
Exploring whether this classic film stands the test of time
Vengeance, violence, and why I lost faith in Game of Thrones
There's nothing more devastating than the downfall of your favourite show... (WARNING: SPOILERS AHEAD)
Downsizing review – ‘leaving the audience more bored than scintillated’
Alexander Payne's latest film loses its way between its big ideas and its tiny characters
Popular
Police looking into Nazi salutes at Bannon protests
An Oxford student filmed the men who were part of a counter-protest
Autumn by Ali Smith: a seasonal portrait of post-Brexit Britain
The first book in Smith's ongoing quartet reminds us that sympathy is possible in our polarised times
‘Widows’ is a celebration of female grit and resolve
Viola Davis leads a group of kick-ass women in a heist film with a lot on its mind
England’s stubborn faith in Keaton Jennings reaps its reward
The ECB must explore ways to promote the lost art of Test batsmanship at a grassroots level
Salome Review – ‘struggles to take audience into another world’
Tea Party Productions' 'Salome' shows the play's continuing power to unsettle
