A beautiful, entrancing mess of an album – with a piercing...

Clementine produces an sophomore album far from easy listening, writes Clara Dijkstra

‘Random’ review – ‘Nuanced and fresh’

Kitty Horsfall admires the cohesion of the different elements of this performance

‘Death and the Maiden’ – ‘Intimately, excruciatingly personal’

As part of our look back on the Russian Revolution, Izzy Smith admires Dorfman’s complex but visceral examination of the aftermath of revolution in his play Death and the Maiden

In search of originality? Retreat into cinema’s monochrome past

It is a truth universally acknowledged that commercial filmmaking has recently entered a new phase of life. Countless articles and blogs bemoan the lack...

Confessions of a Drama Queen: A Change of Career

Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.

Assassination attempts amid the violence that tore Kingston apart

The first book written by a Jamaican to win the Man Booker Prize is an epic in the truest sense of the word, writes Jacob Cheli

Touch, tenderness, and technology in Cloud of Petals

Sarah Meyohas’ new exhibition embraces electronic form in its exploration of beauty, writes Eleanor Birdsall-Smith

More Slush than Snow – The Snowman fails to impress

Jonnie Barrow is severely disappointed by the new Scandi thriller

Andrew Graham-Dixon: Bridging the gap between high culture and mass media

Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon

‘Random’ preview – “Convincing and jarring”

Izzy Smith is impressed by what she sees of this masterfully emotive performance
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