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The rise of genre fluidity: Is this the death of genre as we know it?

My favourite genre of music: a question I’ve found becoming increasingly difficult to answer over the years, and it’s only now that I’m discovering why. Whilst we may not...

Memory and Narrative in Miguel Gomes’ Tabu

"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."

Review: ‘The Achilles Trap: Saddam Hussein, the United States, and the Middle East 1979-2003’ by Steve Coll

Tyrants should only be brought down by their own people; they become martyrs when brought down by foreigners.

Self-Portrait of a Stranger: A Review of Frank Auerbach’s Charcoal Portraits

The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach...

Post Diagnosis

"You could tell no one, And it would come anyway."

The Zutons – You Can Do Anything

Sean Lennon reviews The Zuton's disappointing third album offering

Interview: Noah and the Whale

First Mystery Jets, then Johnny Flynn and now with Noah and the Whale. Cherwell’s rumbling route through the indie pop of South London continues....

Johnny Flynn – A Larum

Traditional folk sound; post-punk attitude

Review: Bodleian Manuscripts Exhibition

Old Schools Quadrangle until 1 November

Trouble in Paradise?

A look at Oxford's garden plays

Best of luck…

... to Matthew Holehouse, former Stu editor, who has been nominated for the only interesting category at the NUS Awards 2008. The results come out on Monday 9 June.

Review: All Tomorrow’s Parties

Butlins Holiday Resort, Minehead, May 16 - 18

Theatre Column: The Set Designer

Designing the set for Spring Awakening

Royworld – Man In The Machine

This is a 'nice' album.

Review: An Englishman Abroad

BT Studio, Tuesday - Saturday, 7th week

Review: The Tempest

Worcester Gardens, Tuesday - Saturday, 7th Week

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