The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’

Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval

“An ethereal but disillusioned fairytale grounded in historical reality”

Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

The Edinburgh Fringe experience in 2018 – the ‘magic’ of the...

A summary of the 2018 Fringe experience, as we say goodbye to the festival for another year

A fresher’s first forays into Oxford theatre

Christopher Goring reveals his first experiences in the Oxford drama scene

A word from the stalls

Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina

One man in his time plays many parts

Susannah Goldsbrough looks back over the career of Ian McKellen, one of the greatest Shakespearean actors of our time

‘A visual masterpiece’

Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness

Review: Jealous of Herself

Bessie Yuill is impressed and entertained by the accomplished acting and original music of this thought-provoking comedy

Anything but a simple fairy-tale

Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story

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One student was moved to welfare accommodation after they found a dead rat on their floor in the middle of night

“The ancient world is a safe space for arguing”

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Taking risks is the only rule of fashion

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

A look at the Cuppers draw

Cal Flintoff runs through this year's competition