Harry Hatwell reviews the Tony-winning Lincoln Center production of 'Oslo' at its UK press night on London’s South Bank
Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness
We chat to Markus Beeken, a member of the Oxford University Light Entertainment Society (commonly referred to as “owls”), about his involvement with drama at Oxford.
The Kite Runner is taken from page to stage in this masterful adaptation. Izzy Troth reviews.
As part of our look back on the Russian Revolution, Izzy Smith admires Dorfman’s complex but visceral examination of the aftermath of revolution in his play Death and the Maiden
Izzy Smith finds this interwar play still resonates powerfully today
How did you first get involved in the process and how much input did you have in the development of the final product? We did...
Izzy Smith rounds-up the best stand-up shows from the Edinburgh Festival Fringe 2017
A play with an imperfect but impactful vision, inspired by a poignant true story of murder and womanhood
Ethan Croft reviews Paul Foot’s new venture, ‘Tis A Pity She’s A Piglet, as the Merton alumnus returns to Oxford on tour