Wang Sum Luk
Wilde at heart: In Conversation with members of the Lincoln Drama Society
It’s practically a cliché to say that with such short and busy terms, there are more events happening in Oxford than any person could...
The Hegelian Dialectic of James Gunn’s Peacemaker
What links the superhero show Peacemaker with the work of 19th-century German philosopher Georg Wilhelm Friedrich Hegel?
Val Lewton’s 75-Minute Masterpieces
A lot of old movies are boring. That admission may cost me my credibility as a film nerd, but it’s true. But there are classic films that even my limited attention span can wholeheartedly enjoy, and very high on that list are the horror movies of Val Lewton.
Star-Gazing: In Conversation With Cate Blanchett
It’s a strange feeling to stare into the void of a Zoom loading screen, waiting for a two-time Oscar winner to join the call. But that’s what I did one Sunday morning, counting the seconds until my interview with Cate Blanchett began.
Ingmar Bergman And The Self-Aware Blockbuster
Don’t worry, this isn’t one of those articles about how superhero blockbusters are awful compared to classic movies. No, I’m here to explore the weird commonality between Ingmar Bergman’s The Magic Flute and modern blockbusters. Linking these different approaches to film will be a strange journey, but at its end lies an intriguing idea: that reality and fiction may be one and the same.
The Common DNA of the Snyder Cut and First Cow
To examine these films side by side would be insane. But insane ideas aren’t always bad ones, and I was curious whether Snyder might be on to something with this comparison.
A novel experience: managing the pressures of productivity in a pandemic
My pandemic summer was spent staring at a computer, but these were a startlingly productive and educational few months and, as with most exciting things in my unexciting life, it starts with a blank page.
A swing of the pendulum: the horror literature that’s making its way up
"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."