Sunday, March 16, 2025

Books

Lessons in Censorship: A Cautionary Tale against Bodleian Blacklists 

For some authors, the Bodleian Libraries have not always a safe haven for their work. Although marginalised texts are no longer demarcated with the phi symbol on their spines, with many having re-entered the undergraduate canon, Sophie Price discusses the valuable lessons we can learn from the Bodleian blacklist which remain pertinent today.

Should ‘Orbital’ have won The Booker Prize? 

Laurence Cooke reviews Samantha Harvey's 'Orbital', the winner of the 2024 Booker Prize.

The Secret History Characters as Oxford Tropes

Donna Tartt's novel The Secret History is set in an exclusive college in Vermont but can be read as a satire of Oxford and its students. It invites us to question how little differentiates us from the elitist American universities.

Review: The Proof of My Innocence by Jonathan Coe

There are some writers whose line of literary descent is so clear as to...

Atmospheric autumn reads: ‘Cemetery Boys’

"The novel shows us a utopian vision in which our ghosts can be cathartically released, in which rebirth and renewal is possible."

Cherwell Recommends: Feminist Fiction

"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."

Identity and Identicality in Brit Bennett’s The Vanishing Half

"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."

Cherwell Recommends: Historical Fiction

"This week’s recommendations each represent a unique “texture of lived experience” to perfection, proving that historical fiction is a genre full of excitement and experimentation, and one that also demands to be taken seriously."

Review: Midnight Sun

"Even as a firm member of Team Edward, 756 pages of Edward tormenting himself over a girl is fundamentally tedious."

The power of perspective: how the narrative lens can transform a story

"The authority of the white and male point of view is undermined when voices that have been silenced for so long are finally given the opportunity to speak out, and to tell the story anew. This process of re-reading applies, perhaps most crucially, to history itself."

A Prize of One’s Own: do we really need the Women’s Prize for Fiction?

”Since the prize’s inception, it has faced backlash from women and men alike, with accusations of misandry thrown at the gender criterion and with some critics suggesting that the prize is patronising and belittling to the women that win it.”

‘The knack of living’: Pond by Claire-Louise Bennett

"Pond is the exemplary proof that ‘the knack of living’ lies in attending to such ‘small matters’ as the number of spoonfuls of sugar added to a cup of coffee."

Will there be a COVID-19 novel?

"After months of quarantining, of Zoom calls and empty supermarket shelves, it feels foolish to suggest we’ll emerge from this crisis as the same people as we were when we entered it. Consequently, our writing must also change."

Review: The Silent Patient

"If you’re looking for a good book, I’d give this one a miss, but I will it give it one thing- The Silent Patient is accidentally hilarious."

Literature festivals of the future

"As idyllic as it sounds to vanish for a few days to the literary haven of Hay-on-Wye, for many, financial and geographic constraints curtail the prospect of reaching the so-called ‘Woodstock of the mind’."

Avonlea Revisited: what children’s classics offer for adult readers

"Revisiting these childhood classics gives us an important reminder for these definitely non-normative times: seek happiness in the unlikeliest places. Love is patient, love is kind, but it is also a little shy and very, very funny."

Review: The Places I’ve Cried in Public

"The book tackles abusive relationships in a way that allows younger (and older) readers to realise the many forms abuse can take."

Friday Favourite: The Cairo Trilogy

“A historical allegory that mirrors political events through the livelihood of the Al-Jawad family, it is a seminal work of modern Arabic literature and is crucial to understanding Egypt’s modern history, society and culture.”

The language of Pride: five books I read in the closet

"As well as the direct dialogue from writer to reader, I realised that I was just one of a larger readership: an intoxicating mix of individual and collective experience that was validating above all else."

In defence of self-help

"It took my own experience of trauma to recognise that maligning self-help can contribute to disempowerment, and to think non-judgementally about the traumas which might have led other people to seek self-help and self-care."

Friday Favourite: The Death of Ivan Ilyich

"The novella’s real focus is the inevitability of death itself, which is so gargantuan, physically and philosophically, that retrospection is crushed into irrelevance."

The future of bookshops is more uncertain than ever

"In the wake of Covid-19, it remains to be seen whether bookshops will continue to encourage our love of browsing."

“The frailty of everything revealed at last”: dystopian fiction in a time of crisis

"Dystopian narratives may be bleak, but they do not contribute to the barbarity of our times: they are, instead, a powerful reminder that in the midst of crisis, beauty and hope do remain."

Review: Florence Given’s debut book Women Don’t Owe You Pretty

Florence Given sells feminism as what it is: freeing and utterly delicious. She affirms and articulates precisely the points it feels so hard to put your finger on sometimes.

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