Film

One of the most urgent films of the year: ‘Urchin’ review

There are few films which have the power to change how you interact day-to-day with the world. Urchin (2025) is one of them. Far from an easy watch, it...

Culture Toby Bowes Lyon -

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago,...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’

To call Dracula’s Daughter (1936) campy would be an understatement. In many ways it...

Culture Lara Machado -

Latest

Midsommar (2019)- Review

Colette Webber critiques Hereditary director Ari Aster's new offering Midsommar, a contemporary take on the folk horror sub genre.

Salò, or the 120 Days of Sodom: The Pornography of Power

"Pasolini uses the language and imagery of obscenity in order to shock, but if not shocked, we would only be indifferent."

‘Spider-Man: Far from Home’: Marvel’s much-loved web-slinger swings back into action

"A pitch-perfect teenage (read: awkward) romance with great action, all anchored by solid performances from the ever-maturing cast."

Love Island: the breaking point for exploitative television?

"Love Island doesn’t just expose its contestants to the vitriol of the public, it actively encourages it."

Sensual Absence in Jim Jarmusch

"If there is one thing Stranger than Paradise and Down by Law teach about Jarmusch, it is that he does a disservice to himself every time he makes a film in technicolour"

Boards, Beats and Bros: Mid90s Review

"Following the traditional narrative arc of the coming-of-age tale, the film follows Stevie as he rides out the highs and lows of adolescence, and learns important life lessons along the way."

9 to 5 and Feminism

Dolly Parton's iconic film is a feminist powerhouse

The Sweet Smell of Excess

"While the social implications of excessive behaviour seem real and uncomfortable, then, the extent to which films tend to deal with these is, we surely have to admit, limited."

In Defence of Excess

"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "

‘Carry-On’ Excess-ing?

The dated views of the Carry-On films may offer their own entertainment

Ted Bundy Reinvented

Joe Bertlinger’s Ted Bundy biopic, released to Sky Cinema on Friday, seemed to be just one more of the latest string of films blatantly...

Behind Closed Drawbridges

Why are we so fascinated by stories of royalty?

Inheriting ‘The Big Score’

Examining the appeal of the classic heist film

Daydreamers: Fantasy in the Face of Stasis

There’s a scene in one of my favourite films, High Fidelity (2000), in which John Cusack’s Rob plays out a number of angry reactions in his head...

The Entangled Affair between Britain and the Catholic Church

Modern media has reinvented Catholicism as access to an intoxicating blend of nostalgia and taboo

The End of an Era: Endgame

Arguably the biggest film franchise in the world draws to a conclusion that's been over a decade in the making

The Duality of Movement in the New Taiwanese Cinema Movement

The entry of Hong Kong cinema to the Taiwanese market in the 1980s brought with it a move to protect homegrown directors and maintain a national...

Lady Gaga is not a receptacle for your pain

It's been almost two years since the release of Chris Moukarbel's documentary about the pop icon super-star Lady Gaga, a.k.a. Stefani Germanotta. Gaga: Five...

BBC Three’s Fleabag

“I’d just like my tits to be that much bigger — does that make me a terrible feminist?” Such forthright, fourth wall busting, hilarious, and...

Jordan Peele’s new horror film ‘Us’

The idiom, “To be afraid of one’s own shadow,” normally forms part of an insult, a derogatory phrase denoting child-like cowardice. The characters of...

1...131415...25 Page 14 of 25

Film

One of the most urgent films of the year: ‘Urchin’ review

The performance of watching: Cinema in the Letterboxd age

Film festivals should be more pretentious, actually!

‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’

Follow us

Support Student Journalism

Explore

Follow us

More