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Film

Gladiator II: A lack-lustre return to Rome

With Gladiator II, Ridley Scott returns to the streets of imperial Rome not in triumph, but to decidedly muted applause.

Review: The Outrun

The Outrun Review: Choosing recovery in a wild place

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?

An alternative to ‘Fast Film’

Modern cinema is rubbish - it is time to rediscover some old classics to remind ourselves what it is to be truly moved by film.

Film First: a box of tissues are needed for the first film to make me cry

Director Isao Takahata tugs at the heartstrings until you're bleary-eyed

Les Misérables review: BBC adaptation soars, even without the songs

Heaps of narrative are packed into the latest adaptation, but it is a masterful work of character complexity

Is it still a wonderful life in 2018?

The film may feature angels and an alternate reality, but it is among the most realistic of Christmas films

Aquaman review: DC’s latest offering fails to marvel

Aquaman makes for pleasant viewing, but proves unable to repeat Wonder Woman’s winning formula.

Why The Nightmare Before Christmas is the most underrated Christmas film

The Nightmare Before Christmas says that it is fine to find a holiday dull, or to question the purpose of repeating it every year.

Festive flicks: the best films to watch at Christmas

Get into the Christmas spirit with a .. Harry Potter marathon

Frantz: a wrenching tale of remembrance

The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.

Film Firsts: Nothing gets lost in translation with my first foreign film

Beyond even the sprawling shots of the Indian landscapes, Hirani’s film achieves the quality of epic.

When and why did Netflix movies get so good?

Prestige talent is coming to Netflix in moves that may revolutionise cinema as we know it

Dare to be different, or the Devil we know?

Everyone should be watching Daredevil

Fantastic Bore And Where To Fail Your Fans

The latest 'Fantastic Beasts' will leave you disappointed

‘Riverdale’, get off your hype horse

Jennifer Donnellan roots out the many flaws of the comic turned teen drama

‘Widows’ is a celebration of female grit and resolve

Viola Davis leads a group of kick-ass women in a heist film with a lot on its mind

The appeal of method acting

Many actors go to great lengths in pursuit of an authentic performance

Merlin: The magic of kindness

Exploring the continuing relevance of BBC's Merlin

Overlord combines fun, gore, and flaws galore

An entertaining yet terrifying film that will keep you on the edge of your seat

‘I just try to see the world clearly’: An Interview with Louis Theroux

Louis Theroux speaks to Abby Ridsdill-Smith about politics, popularity, and participating in a sensual eating party

Loveable rogues: why we love a good villain

The old proverb that a hero is only as great as their villain is a valid concept. In order to understand a villain, we...

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