Film

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Culture Willow Jopp -

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.
Culture Willow Jopp -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.
Culture Abigail Christie -
Latest

Is The Nightly Show an expensive insult to the British public?

Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule

Netflix to present Orson Welles’ lost masterpiece

Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film

“When a film depends on siamese stories in the way this one does, it is often hard to keep the whole thing alive”

John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused

Review: ‘T2 Trainspotting’

Louise Howland finds an addictive energy in sequel to cult classic Trainspotting

Zoom In: How to steal our jobs as Film and TV editors

Shivani Ananth and Katie Sayer tell you how to take over their legacy

Moonlight: a transcendent spectacle

Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity

89th Academy Awards: Predictions

Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars

What to watch in the time of Trump

Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

Exhausted tropes and the odd jump scare: ‘Split’ review

Louise Howland is unimpressed by 'Split', Shyamalan’s attempt at psychological horror

Films to cure fifth week and Valentine’s blues

Katie Sayer and Tesni Jones offer some topical film suggestions to quell your Fifth Week and Valentine’s Day sorrows

Reviewing Moffat: The Doctor Who Christmas Special

“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...

Which film best represents your college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Reviewing Moffat: Sherlock Series Four

This series of Sherlock is particularly varied, playing around with genre far more than usual. The first episode, ‘The Six Thatchers,’ feels at many...

Which film best represents your Oxford college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Review: ‘A Monster Calls’

Jonnie Barrow is impressed by Bayona’s adaptation of an underrated children’s novel

Which film best represents your college?

In a three part special, Jack Allsopp explores the movies that reflect our homes away from home

Review: ‘La La Land’

Jonnie Barrow is amazed by Chazelle’s modern musical, which reinvents a forgotten genre

Zoom In: the Hollywood sign

The recent rearrangement of the world's most famous sign is just the latest in a long and varied history

Review: Silence

Surya Bowyer is impressed by Scorsese's latest cinematic venture, a long and taxing, yet beautifully moving work
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