Film

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he...

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a...

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

Bringing Doctor Who out of the past

Regeneration, one of Doctor Who’s most iconic plot ideas, bakes the theme of rebirth in the show’s very DNA, yet it is important to...

Krypton: Reinventing the Superhero genre

By virtue of being a prequel, Krypton already had critics poised to question whether we really needed a TV show exploring Superman’s homeworld. Surely...

The Bodyguard: Recovering from the TV event of the year

It’s not hard to figure out why the nation has been so gripped by The Bodyguard this September. The show is a political thriller...

The appeal of dystopian drama

Why have we produced so many stories about the end of the world as we know it?

Crazy Rich Asians review — a rom-com deserving of the big-screen

Whether it's a landmark in Asian representation on film, a slap in the face to Netflix, or a great romantic-comedy, Crazy Rich Asians can be enjoyed by pretty much anyone

Fandom: democracy or tyranny?

Hollywood's decisions have become increasingly determined by internet fandoms

The Summer Movie Season: A Retrospective

From the hits to the flops, these are the films that defined this years summer movie season

BlacKkKlansman review – Spike Lee’s return to form?

The film may be based on an outrageous true story, but little will prepare you for Spike Lee's polemical parallels between the 1970s and the current state of America

The Meg – mega-ridiculous, mega-fun

Jason Statham stars in the latest blockbuster of the summer which promises to be the ultimate man vs shark movie

Actor Profile: Scarlett Johansson

Scarlett Johansson is a household name and a star of the silver screen, and now she has become the highest paid actress in Hollywood...

Versailles End-of-Season Review: Intrigue, rebellion, and heartache

The popular BBC drama exited on a high this summer

Outgrowing the teen trope

In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.

Ant-Man and the Wasp review – the best comedies come in the smallest packages

After the cosmic scale of Avengers: Infinity War, Paul Rudd brings Marvel's latest entry back down to size

Box sets to watch over the summer

Summer is the perfect chance to watch the box sets that you had to set aside amidst the increasing deadlines and impending sense of...

‘Mamma Mia: Here We Go Again’ review

It's a film sure to make piles of "Money, Money, Money" at the box office, but will this sequel have you saying "Thank You For The Music", or reaching to flush it down the "Waterloo"?

‘Mission: Impossible – Fallout’ – the best action film of the year?

The summer blockbuster is back on Cruise control, as Ethan Hunt attempts to save the world for a sixth time

Daniel Craig and the rescue of James Bond

Daniel Craig’s tenure as James Bond began with Casino Royale, and the highly successful 2006 blockbuster proved a fitting starting point for the ‘Blonde...

‘Whitney’ is a documentary in search of its lost soul

Whitney Houston's turbulent life is rendered conventionally in Kevin Macdonald's new documentary