Film

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Culture Willow Jopp -

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.
Culture Willow Jopp -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.
Culture Abigail Christie -
Latest

Loveable rogues: why we love a good villain

The old proverb that a hero is only as great as their villain is a valid concept. In order to understand a villain, we...

Bohemian Rhapsody is a poor tribute act to one of music’s greatest talents

Queen Won't Rock You in this half-arsed biopic

Enchanted by the power of on-screen magic

Serena Arthur explores how our perceptions of magic transform throughout life

‘Halloween’ is a bloody good entry in the series

40 years after the original film changed the slasher genre forever, Jamie Lee Curtis and Michael Myers face off once more...

It’s one small step for Damien Chazelle: ‘First Man’ review

The director of 'Whiplash' and 'La La Land' bring his best to this much-anticipated Neil Armstrong biopic

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

Bringing Doctor Who out of the past

Regeneration, one of Doctor Who’s most iconic plot ideas, bakes the theme of rebirth in the show’s very DNA, yet it is important to...

Krypton: Reinventing the Superhero genre

By virtue of being a prequel, Krypton already had critics poised to question whether we really needed a TV show exploring Superman’s homeworld. Surely...

The Bodyguard: Recovering from the TV event of the year

It’s not hard to figure out why the nation has been so gripped by The Bodyguard this September. The show is a political thriller...

The appeal of dystopian drama

Why have we produced so many stories about the end of the world as we know it?

Crazy Rich Asians review — a rom-com deserving of the big-screen

Whether it's a landmark in Asian representation on film, a slap in the face to Netflix, or a great romantic-comedy, Crazy Rich Asians can be enjoyed by pretty much anyone

Fandom: democracy or tyranny?

Hollywood's decisions have become increasingly determined by internet fandoms

The Summer Movie Season: A Retrospective

From the hits to the flops, these are the films that defined this years summer movie season

BlacKkKlansman review – Spike Lee’s return to form?

The film may be based on an outrageous true story, but little will prepare you for Spike Lee's polemical parallels between the 1970s and the current state of America

The Meg – mega-ridiculous, mega-fun

Jason Statham stars in the latest blockbuster of the summer which promises to be the ultimate man vs shark movie

Actor Profile: Scarlett Johansson

Scarlett Johansson is a household name and a star of the silver screen, and now she has become the highest paid actress in Hollywood...

Versailles End-of-Season Review: Intrigue, rebellion, and heartache

The popular BBC drama exited on a high this summer

Outgrowing the teen trope

In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.

Ant-Man and the Wasp review – the best comedies come in the smallest packages

After the cosmic scale of Avengers: Infinity War, Paul Rudd brings Marvel's latest entry back down to size
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