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UrbanObserver
Tuesday 21st October 2025
Oxford's oldest independent student newspaper, est. 1920
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Film
Cillian Murphy does it again
Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on the understated, unflinchingly raw historical...
Culture
Toby Bowes Lyon
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Spike Lee’s lackluster remake: Highest 2 Lowest
There is no reason why a remake should remain inferior to its source material;...
Culture
Matthew Mair
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The Librarians (2025) at the Bodleian: reviewed
Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...
Culture
Abigail Lakeland
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Hoa hoa hoa season: An analysis of the small town aesthetic
“In the state of Washington, under a near constant cover of cloud and rain,...
Culture
Eve Richardson
-
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Simian Success, or Weird Monkey Movie?
Jonnie Barrow argues the latest Planet of the Apes installment is the crowning glory of the franchise
Guys, I’ve got a text! – Love Island comes to a close
Alice Robinson breaks down the latest season of Love Island and questions the reputation of trash TV.
“One of the greatest war movies ever made”
Matthew Vautrey is entranced by Christopher Nolan's visual spectacle for the summer
Despicable Me 3 and Cars 3: this summer’s prime animated franchises
Jonnie Barrow reviews the newest instalments of two popular animated trilogies
Adaptating our perception of film adaptations
Jack Allsopp questions whether film adaptations can ever match or even supersede their literary predecessor
My Cousin Rachel: a disturbing world of unanswered questions
Becky Cook is unsettled and intrigued by the latest film adaptation of Daphne du Maurier
‘Baby Driver’ dazzles and thrills
Daniel Kodsi reviews 'Baby Driver', an action story that packs a musical punch, with a love story at its heart
‘Spider-Man: Homecoming’ defies expectations as a surprising pleasure
Jonnie Barrow finds the new Marvell instalment provides a fresh take on the stale Spider-Man character
Better Caul Saul: Season Three Reviewed
Nancy Epton draws comparisons between the Netflix prequel and its AMC original, whilst shedding light on the cast beyond the eponymous character
OxView: Top Horrors
Sandy Elliot runs through his favourite scary movies
Studio 60 on the Sunset Strip – a neglected Sorkin revisited
Becky Cook asks why Aaron Sorkin's Studio 60 on the Sunset Strip was cancelled, after one season on air
OxView: Best finales
Calum Bradshaw lines up three of the best cinematic finishes
‘Community’ teaches us all how to say goodbye
Christopher Goring looks back nostalgically at the final episode of the cult postmodernist sitcom
OxFilm: An exciting summer lined up
Calum Bradshaw celebrates an excellent term for student film, and looks forward to a busy vacation
‘Salazar’s Revenge’ sinks with no survivors
Emily Lawford finds little good in the fifth Pirates of the Caribbean movie
OxFilm: “An hour—and a £3—very well spent”
Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects
OxView: Best of Cannes
Kenji Newton runs through his top picks of the 2017 festival
Old and new fuse in ‘Twin Peaks: The Return’
Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival
What can horror movies do to terrify us more?
Calum Bradshaw terrifies himself in the name of student journalism
Old and new fused in ‘Alien: Covenant’
Jonnie Barrow examines the influences of Ridley Scott’s latest horror
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