Saturday 31st January 2026

Film

In defence of the live-action remake

Live-action remakes, when viewed with an open mind, can be seen as cultural negotiations, as attempts to revitalise and pass down old stories to new eyes and ears.
Culture Willow Jopp -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.
Culture Nora Miles -

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with...
Culture Lara Machado -

Can movie violence ever be fun?

“Because it's so much fun, Jan!” This was Quentin Tarantino’s answer when an interviewer...
Culture Ottilie Bostridge -
Latest

‘Community’ teaches us all how to say goodbye

Christopher Goring looks back nostalgically at the final episode of the cult postmodernist sitcom

OxFilm: An exciting summer lined up

Calum Bradshaw celebrates an excellent term for student film, and looks forward to a busy vacation

‘Salazar’s Revenge’ sinks with no survivors

Emily Lawford finds little good in the fifth Pirates of the Caribbean movie

OxFilm: “An hour—and a £3—very well spent”

Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects

OxView: Best of Cannes

Kenji Newton runs through his top picks of the 2017 festival

Old and new fuse in ‘Twin Peaks: The Return’

Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival

What can horror movies do to terrify us more?

Calum Bradshaw terrifies himself in the name of student journalism

Old and new fused in ‘Alien: Covenant’

Jonnie Barrow examines the influences of Ridley Scott’s latest horror

A sequel packed with character and heart

"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember." Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2

How the ensemble superhero film became king

"4 May 2012 was a day that changed the landscape of cinema. Joss Whedon’s 'Avengers Assemble,' the climax of the first phase of the Marvel Cinematic Universe, was an epoch-making, trend-setting, earth-shattering event, the apotheosis of Marvel’s shared universe project." Christopher Goring examines Marvel's winning formula

Getting to grips with the adult cartoon craze

Christopher Goring is stunned by the maturity of modern cartoons

Sir Roger Moore 1927-2017

Calum Bradshaw pays tribute to the 70s Bond legend who died today at the age of 89

OxView: Top Ensemble Cast Films

Calum Bradshaw lists his top ensemble films

‘Plebs’ triumphs despite low expectations

Katie Sayer finds much to love in the recently-renewed adult sitcom

The shifting landscape of television news

Theo Davies-Lewis responds to a new study on how the digital revolution is changing broadcast news

OxFilm: Oxford International Film Festival

Calum Bradshaw walks us through this year's Oxford International Film Festival

‘Generation Kill’ director Susanna White talks documentaries and Dickens

Calum Bradshaw reports on an evening with the acclaimed filmmaker behind a host of documentaries, feature films, and television series.

Take me to (Broad)church

Charles Britton takes a spoiler-filled look back at Chris Chibnall’s crime drama

Is television too small for the both of them?

Theo Davies-Lewis pits the BBC against streaming services

Asian actors are invisible in Hollywood

Vivien Zhu argues that change from studios and in racial attitudes is necessary to make progress on the under representation of Asian actors
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