Saturday, April 26, 2025

Film

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film Ruby Tipple -

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember...
Film Morien Robertson -

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by...
Culture Tara Williams -

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to...
Culture Lara Machado -
Latest

‘Clique’: the dark side of your summer internship

Alice Robinson finds BBC3's new drama a compelling stylised watch

‘Ghost in the Shell’: A mind-numbing bore

Jonnie Barrow takes on the forgettable remake of an anime classic

Balliol to battle Wolfson Cambridge superstar Monkman in University Challenge final

Jack Hunter assesses the teams' chances and this series' strongest memes ahead of Monday’s historic showdown against internet celebrity Eric Monkman

‘Logan’: his heart is bigger than his bite

Charles Britton is impressed with Hugh Jackman’s last hurrah as the most famous X-Man

Can we trust the new episode of ‘Rick and Morty’?

Jack Allsopp examines the hit sci-fi cartoon's latest instalment, and asks what new developments mean for the future of the show [MAJOR SPOILERS]

Review: ‘Free Fire’

Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow

Intersectional feminism triumphs in ‘Hidden Figures’

Izzy Smith examines the racial issues at play in the Oscar-nominated film, 'Hidden Figures'

Review: “Get Out”

Jonnie Barrow lavishes praise on this recently-released horror masterpiece.

Marvel’s Netflix universe is going badly wrong, and it’s the writing that’s to blame

Christopher Goring takes a look at Netflix’s increasingly troubled corner of the Marvel Cinematic Universe in a spoiler-filled examination of how everything went off the rails

Live-action ‘Beauty and the Beast’ is a ‘dose of weaponised nostalgia’

Jonnie Barrow examines whether the recent live-action remake of 'Beauty and the Beast' is worth your time...

Is The Nightly Show an expensive insult to the British public?

Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule

Netflix to present Orson Welles’ lost masterpiece

Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film

“When a film depends on siamese stories in the way this one does, it is often hard to keep the whole thing alive”

John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused

Review: ‘T2 Trainspotting’

Louise Howland finds an addictive energy in sequel to cult classic Trainspotting

Zoom In: How to steal our jobs as Film and TV editors

Shivani Ananth and Katie Sayer tell you how to take over their legacy

Moonlight: a transcendent spectacle

Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity

89th Academy Awards: Predictions

Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars

What to watch in the time of Trump

Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

Exhausted tropes and the odd jump scare: ‘Split’ review

Louise Howland is unimpressed by 'Split', Shyamalan’s attempt at psychological horror
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