Sunday 19th October 2025

Film

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material; even less so when it’s a ‘reinterpretation’ by an auteur as opposed to a cynical...
Culture Matthew Mair -

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...
Culture Abigail Lakeland -

Hoa hoa hoa season: An analysis of the small town aesthetic

“In the state of Washington, under a near constant cover of cloud and rain,...
Culture Eve Richardson -

A guide to contemporary China, through cinema

“An artwork whose medium is history”, is how sinologist Haun Saussy defines China. As passionately...
Culture Zac Yang -
Latest

How the ensemble superhero film became king

"4 May 2012 was a day that changed the landscape of cinema. Joss Whedon’s 'Avengers Assemble,' the climax of the first phase of the Marvel Cinematic Universe, was an epoch-making, trend-setting, earth-shattering event, the apotheosis of Marvel’s shared universe project." Christopher Goring examines Marvel's winning formula

Getting to grips with the adult cartoon craze

Christopher Goring is stunned by the maturity of modern cartoons

Sir Roger Moore 1927-2017

Calum Bradshaw pays tribute to the 70s Bond legend who died today at the age of 89

OxView: Top Ensemble Cast Films

Calum Bradshaw lists his top ensemble films

‘Plebs’ triumphs despite low expectations

Katie Sayer finds much to love in the recently-renewed adult sitcom

The shifting landscape of television news

Theo Davies-Lewis responds to a new study on how the digital revolution is changing broadcast news

OxFilm: Oxford International Film Festival

Calum Bradshaw walks us through this year's Oxford International Film Festival

‘Generation Kill’ director Susanna White talks documentaries and Dickens

Calum Bradshaw reports on an evening with the acclaimed filmmaker behind a host of documentaries, feature films, and television series.

Take me to (Broad)church

Charles Britton takes a spoiler-filled look back at Chris Chibnall’s crime drama

Is television too small for the both of them?

Theo Davies-Lewis pits the BBC against streaming services

Asian actors are invisible in Hollywood

Vivien Zhu argues that change from studios and in racial attitudes is necessary to make progress on the under representation of Asian actors

A limp, lifeless insult to every single viewer

Christopher Goring is reduced to a gibbering mess by "Sandy Wexler"

Fresh ideas abound in new Netflix original ‘The OA’

Priya Khaira-Hanks is intrigued by this enigmatic new sci-fi series

In the age of franchises, are originals dead?

Calum Bradshaw questions the decline of film innovation in recent years

Same theme, new style in ‘Better Call Saul’

Sandy Elliot lauds 'Better Call Saul,' the brilliant 'Breaking Bad' prequel

The twin trends of remake-mania and sequelitis

Matthew Vautrey tackles Hollywood’s recent spate of franchise films and finds that not all nightmares are created equal

OxFilm: your script

Úna O'Sullivan gives some tips about how to get the perfect script for your student film

Oxview: Top 5 Reboots

Felix Bunting runs through five of the best rebooted franchises

Peter Capaldi’s Doctor—interstellar success or time to regenerate?

Christopher Goring takes a spoiler-filled look back at Peter Capaldi's tenure as the Doctor as his final season in the role begins

John Cleese to speak at Oxford Union

British actor John Cleese, known for his on-screen comedy and cavalier internet presence, is to speak at the Union on 20 April.
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