Film

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with...

Culture Lara Machado -

Can movie violence ever be fun?

“Because it's so much fun, Jan!” This was Quentin Tarantino’s answer when an interviewer...

Culture Ottilie Bostridge -

One of the most urgent films of the year: ‘Urchin’ review

There are few films which have the power to change how you interact day-to-day...

Culture Toby Bowes Lyon -

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Same theme, new style in ‘Better Call Saul’

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The twin trends of remake-mania and sequelitis

Matthew Vautrey tackles Hollywood’s recent spate of franchise films and finds that not all nightmares are created equal

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Felix Bunting runs through five of the best rebooted franchises

Peter Capaldi’s Doctor—interstellar success or time to regenerate?

Christopher Goring takes a spoiler-filled look back at Peter Capaldi's tenure as the Doctor as his final season in the role begins

John Cleese to speak at Oxford Union

British actor John Cleese, known for his on-screen comedy and cavalier internet presence, is to speak at the Union on 20 April.

‘Clique’: the dark side of your summer internship

Alice Robinson finds BBC3's new drama a compelling stylised watch

‘Ghost in the Shell’: A mind-numbing bore

Jonnie Barrow takes on the forgettable remake of an anime classic

Balliol to battle Wolfson Cambridge superstar Monkman in University Challenge final

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‘Logan’: his heart is bigger than his bite

Charles Britton is impressed with Hugh Jackman’s last hurrah as the most famous X-Man

Can we trust the new episode of ‘Rick and Morty’?

Jack Allsopp examines the hit sci-fi cartoon's latest instalment, and asks what new developments mean for the future of the show [MAJOR SPOILERS]

Review: ‘Free Fire’

Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow

Intersectional feminism triumphs in ‘Hidden Figures’

Izzy Smith examines the racial issues at play in the Oscar-nominated film, 'Hidden Figures'

Review: “Get Out”

Jonnie Barrow lavishes praise on this recently-released horror masterpiece.

Marvel’s Netflix universe is going badly wrong, and it’s the writing that’s to blame

Christopher Goring takes a look at Netflix’s increasingly troubled corner of the Marvel Cinematic Universe in a spoiler-filled examination of how everything went off the rails

Live-action ‘Beauty and the Beast’ is a ‘dose of weaponised nostalgia’

Jonnie Barrow examines whether the recent live-action remake of 'Beauty and the Beast' is worth your time...

Is The Nightly Show an expensive insult to the British public?

Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule

Netflix to present Orson Welles’ lost masterpiece

Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film

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Film

In defence of the theatrical release

2025 releases you may not have seen (but definitely should)

Can movie violence ever be fun?

One of the most urgent films of the year: ‘Urchin’ review

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