Film

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film Ruby Tipple -

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember...
Film Morien Robertson -

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by...
Culture Tara Williams -

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to...
Culture Lara Machado -
Latest

Films to cure fifth week and Valentine’s blues

Katie Sayer and Tesni Jones offer some topical film suggestions to quell your Fifth Week and Valentine’s Day sorrows

Reviewing Moffat: The Doctor Who Christmas Special

“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...

Which film best represents your college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Reviewing Moffat: Sherlock Series Four

This series of Sherlock is particularly varied, playing around with genre far more than usual. The first episode, ‘The Six Thatchers,’ feels at many...

Which film best represents your Oxford college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Review: ‘A Monster Calls’

Jonnie Barrow is impressed by Bayona’s adaptation of an underrated children’s novel

Which film best represents your college?

In a three part special, Jack Allsopp explores the movies that reflect our homes away from home

Review: ‘La La Land’

Jonnie Barrow is amazed by Chazelle’s modern musical, which reinvents a forgotten genre

Zoom In: the Hollywood sign

The recent rearrangement of the world's most famous sign is just the latest in a long and varied history

Review: Silence

Surya Bowyer is impressed by Scorsese's latest cinematic venture, a long and taxing, yet beautifully moving work

How to pass collections via the medium of film

Whether you study English or Engineering, Tesni Jones suggests a film for you to combine revising with relaxing

Review: ‘Moana’

Tesni Jones is impressed with this well-researched and heartwarming addition to the Disney Princesses

Review – Rogue One: A Star Wars Story

Henry Shalders praises Star Wars' latest addition, which packs both a political and emotional punch

Carrie Fisher: a tribute to the actress who redefined gender expectations in Hollywood

Daniel Curtis and Louis McEvoy remember the actress who transformed Princess Leia into a feminist icon, and pay tribute to Fisher's work outside of the silver screen

What’s in Cherwell’s (Film and TV) stocking?

Tesni Jones offers some viewing suggestions for a less traditionally festive Christmas period

‘Love Actually’ ten years on: irrelevant ephemera or pertinent modern fairy-tale?

Manish Binukrishnan explores the relevance of this festive classic for our generation

Review: The Grand Tour

After three false starts, Top Gear is back – just under its new name, The Grand Tour. As every episode starts in the studio...

Review: Black Mirror Series 3

Chris Goring gives qualified endorsement to the third outing of Charlie Brooker's dystopian thriller series

Review: Gilmore Girls: A Year in the Life

Tilly Nevin laments on how the comeback of this warm and comedic TV stalwart fails to live up to the original series

Review: Fantastic Beasts and Where to Find Them

Izzy Smith gives four and a half stars to the spin-off of a well-loved classic
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