Film
Memory and Narrative in Miguel Gomes’ Tabu
"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."
‘The Godfather: Part II’ at fifty
The Godfather: Part II is a film about gangsters. It is also a film...
All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms
"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "
‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review
"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"
Hollywood vs. AI – Is this the end?
"the question on everyone’s lips is: is this the end? The end of special effects teams? The end of video creation? The end of filmmaking?"
Live-action ‘Beauty and the Beast’ is a ‘dose of weaponised nostalgia’
Jonnie Barrow examines whether the recent live-action remake of 'Beauty and the Beast' is worth your time...
Is The Nightly Show an expensive insult to the British public?
Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule
Netflix to present Orson Welles’ lost masterpiece
Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film
“When a film depends on siamese stories in the way this one does, it is often hard to keep the whole thing alive”
John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused
Review: ‘T2 Trainspotting’
Louise Howland finds an addictive energy in sequel to cult classic Trainspotting
Zoom In: How to steal our jobs as Film and TV editors
Shivani Ananth and Katie Sayer tell you how to take over their legacy
Moonlight: a transcendent spectacle
Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity
89th Academy Awards: Predictions
Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars
What to watch in the time of Trump
Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era
‘Jackie’: simply a mishandled film
Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart
Exhausted tropes and the odd jump scare: ‘Split’ review
Louise Howland is unimpressed by 'Split', Shyamalan’s attempt at psychological horror
Films to cure fifth week and Valentine’s blues
Katie Sayer and Tesni Jones offer some topical film suggestions to quell your Fifth Week and Valentine’s Day sorrows
Reviewing Moffat: The Doctor Who Christmas Special
“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...
Which film best represents your college?
Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...
