Monday 1st September 2025

Culture

The Oxford Revue at the Fringe

★★★⯨✰ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled into town with their new sketch comedy hour For Revue Dollars More, accompanied nightly by...

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic,...

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with...

Our paradise is lost

Modern re-tellings of man’s original sin focus on its devastating environmental effects

The Brew that changed the direction of jazz

A look at how Miles Davis seismically shifted his genre

A long way home

Living 10,000 miles away can be both a blessing and a curse

Julius Caesar review – ‘two hours of pounding drama’

Nicholas Hytner's adaptation is makes you rethink the iconic tragedy

The 39 Steps review – ‘It is rare to see an Oxford play take itself as seriously as this 39 Steps – that is,...

Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford

The 39 Steps preview – ‘guaranteed to be a comedic spectacle of no small intensity’

Alice Taylor previews Antonia Hansen's interpretation of a Hitchcock comedy

Sweet Charity review – ‘Oh Mama, welcome to the 60s!’

Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage

Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’

Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama

When movie marketing becomes maddening

A misleading trailer can be a frustrating one, but they may be more useful than you'd think

Impressionists Tate review – ‘impressive and surprising’

Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.

Pakistan’s cultural reinvention is spear-headed by its youth

Pakistan’s identity and future is debated in culture both at home and abroad

So bad it’s good: appreciating the joys of cinematic mediocrity

Our absurd obsession with terrible movies

Young Marx review – ‘Fiercely comical, ingeniously designed’

Harry Hatwell reviews the triumphant 'Young Marx', the first production at London’s new Bridge Theatre

Revolt. She Said. Revolt Again Review – ‘a perfect balance between unsettling humour and sincere urgency’

Alice is impressed by this urgent feminist showcase, although it sometimes feels constrained

John review – ‘remarkably and unashamedly real’

Harry Langham praises an American transfer that proves spooky, funny and earnestly human

Hanna Review – ‘strikingly honest’

Meg Harris is touched by a mother's monologue at the North Wall Centre

Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’

John Livesey is left cold by a conservative if accomplished transfer

The Corridor review – ‘a serious spectacle of operatic drama’

Isaac Pockney is spellbound by an opera that puts a fresh twist on a classic tale

Salman Rushdie and Trump: Migration, modernity, and transformation

William Arlid Crona writes about Rushdie's latest

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