Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

Latest

Baby Blues review – ‘gripping, entertaining and tragic’

'Baby Blues' at the Camden Etcetera Theatre is shocking portrayal of the realities of postnatal depression, writes Isabella Rooney

Max and Ivan at the Fringe review: ‘Laugh-out-loud hilarious from start to finish’

Izzy Smith is impressed by the duo's masterful sketch comedy

‘It’ review – the most purely entertaining horror movie of the year

Jonnie Barrow reviews the latest silver screen horror sensation

“Once again, I find myself applauding the Oxford Revue”

Saskia Thomas tears up at the Oxford Revue's latest Fringe performance, 'Witch Hunt'

A Thinly Veiled Story of A Damsel in Distress

Francesca Salisbury is surprised and frustrated to find To the Bone filled with unhelpful gender stereotypes

Revues reviewed: the best (and worst) student comedy at the Edinburgh Fringe

Benn Sheridan reviews student comedy from across the country

Three Strikes and you’re onto a very enjoyable TV show

Susannah Goldsbrough enjoys the latest Rowling screen adaptation of Strike: The Cuckoo's Calling

‘SiX’ at the Fringe review – “the best hour of comedy I saw all week”

Emily Beswick is blown away by 'SiX' at the Edinburgh Festival Fringe, the first original musical toured by The Other Place's Musical Theatre Society

‘It’s even kind of morale boosting, in a Lana kind of way’

Nicola Dwornik praises Lana Del Rey's latest subtle reinvention

My naked truth

Jess Brown contemplates the merits and shortcomings of life drawing

Grayson Perry’s Polymorphous Popularity

Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition

‘A nuanced and complex musical creation’

Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks

‘Sex Education’ at the Fringe review: ‘unapologetic’ and ‘well-researched’

Po Odomil Ler learns a lot from 'Sex Education'

The everyday art of living

Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life

Coming full circle: The importance of Queer British Art for young people

Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition

Oxford can’t afford to lose clubs like Cellar

The planned closure of Cellar is a warning sign of our city's creeping gentrification

The Russian Revolution was a kind of orgy

Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution

Houghton Festival 2017 Review

The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.

‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’

Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice

The Morality of Mario Kart’s Blue Shell

Nancy Epton discusses the infuriating Blue Shell, the bane of Mario Kart gamers

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Culture

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

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