Culture

Kooky and self-assured: ‘Brew Hill’ in review

Pecadillo Productions’ latest show is (quite rightly) aiming for Fringe, but this kooky, self-assured tragicomedy has immediate cult classic potential.

Culture Abigail Lakeland -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

Red soles, red flags: Jaden Smith and the celebrity takeover of high fashion

Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.

Culture Victoria Corfield -

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

Culture Willow Jopp -

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember this scene from the bard’s masterpiece? You won’t forget it...

The Ghosts She Felt Acutely

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Letter from the Orient

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

A Short Sharp Shock to the Skull

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Rhonda May

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Any Blue Will Do

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Splat!

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when...

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at...

Shakespeare and the ‘Dark Lady’

Shakespeare is undoubtedly the most well renowned English playwright. Thus, the chance that the bard might have been strongly influenced by a woman, as...

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to tell a compelling story. As an audience member, they can...

Lessons in censorship: A cautionary tale against Bodleian blacklists

For some authors, the Bodleian Libraries have not always a safe haven for their work. Although marginalised texts are no longer demarcated with the phi symbol on their spines, with many having re-entered the undergraduate canon, Sophie Price discusses the valuable lessons we can learn from the Bodleian blacklist which remain pertinent today.

Should ‘Orbital’ have won The Booker Prize?

Laurence Cooke reviews Samantha Harvey's 'Orbital', the winner of the 2024 Booker Prize.

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines DC’s Radio One Live Lounge cover of Lana Del Ray’s...

Julie review – Free shots, toxic relationships, immersive theatre

My ticket to see Julie resembled an invite to a birthday party, promising a live DJ and that I would be greeted by ‘partygoers’...

Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley

Julia sees herself as the conduit through which an artistic vision is realised. Where does this vision come from? “Somewhere else.”

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round,...

The Busy Body Review: ‘Theatre of the Real’

The Busy Body (1709) is one of the many plays written by Susanna Centlivre. Centlivre is often referred to by critics and historians as...

Doubts on Banksy

What is so enticing – and infuriating – about this mystery man’s slapdash approach to political commentary?

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by the rise of the playlist. Streaming platforms such as Spotify...

Dindymene: A Dream

And on the seventh day, we found HER temple, feasted on HER sight. Enthroned. Flanked by mammoths on both sides. There, there! Berry-ringed fingers on berry-strung vines:...

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