Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Film Ruby Tipple -

Latest

OUO at the Sheldonian review: ‘Spectacular throughout’

"The Sheldonian Theatre was treated on Saturday of 4th week to a display by some of the University’s best musical talent."

Poor Things – Fashion Deconstructed

"Disturbing and spirited, Poor Things unconventional story is truly supported by equally unconventional but meaningful designs."

A modern way of doing Chekhov: The Cherry Orchard Review

"If the look of the production is traditional, then Esme Buzzard’s translation is distinctly fresh."

Daddy Longlegs: a Big Step Up for Student Production

"Daddy Longlegs went above and beyond the standard I’ve come to expect of student productions in my time at Oxford."

Review: Chaucer Here and Now, Weston Library

"Mansplaining scribes, scandalised censors, and unfinished endings. Even from day one, there is no stable and single Chaucer."

Gawain and the Green Knight – Review

"Gawain and the Green Knight was a play I was eager to see."

Five Songs for the Fifth Week Blues

"I believe that music makes a lot of things in life better. Fifth week at Oxford is no exception."

Crafting Kingship: Hellenistic Royal Portraiture

"A standardised visual vocabulary of royal ideology represented by statues and coinage"

Oxford University Short Film Festival 2024 – Day 5

"The Keble O’Reilly was yet again packed for the last night of what has, by all accounts, been a fantastically successful run for the Oxford University Short Film Festival (OUSFF). "

Stop Me If You’ve Heard This One Before: Week 3

"Each week, Rufus brings you a poem along with his thoughts on it. This week, he looks at The Winter Palace, by Phillip Larkin."

Oxford University Short Film Festival 2024- Day 3

"The turnout was impressive, and Keble’s O’Reilly theatre was buzzing as we waited for the evening’s entertainment to start. "

Stop Me If You’ve Heard This One Before: Week 1

"Rufus' second column of the term looks at the poem Spring by Gerard Manley Hopkins."

Empireworld: How British Imperialism Shaped the Globe (Sathnam Sanghera, 2024): Review

Without confronting the wrongs of the past, the wrongs of the present will go on unabated.

Oxford University Short Film Festival 2024 – Day 1

"It is the first night of the Oxford University Short Film Festival, which features five days of screenings of student short films."

Forget Her Not: Rediscovering Women in Music- Week 1

At fifteen, I was fully and completely obsessed with the Californian soul/alternative R&B/jazz/funk band The Internet. It is for this reason that I can...

Grammys 2024: Reflection of Profitability or Recognition of Artistry?

The 2024 Grammys were everything they should be: glamorous, monumental, and of course, controversial. Taylor Swift has made history by becoming the first artist to...

“Riotously Funny and Highly Enjoyable”: Blackadder Review

"It came as a pleasant surprise, therefore, that I found the production riotously funny and highly enjoyable."

Portrait Spotlight: Sir Claus Adolf Moser (1984-5)

"Moser, like all other newly appointed Wardens, had full choice and control of patronage over his college portrait"

The Autobiogra-phony

"A master of saying everything and nothing all at once! I sure would make a great celeb."

The Oscar Best Picture Winner You’ve Never Heard Of

"With the Oscar nominations for 2024 having been released in anticipation of March’s ceremony, it is worth looking back on a former Best Picture winner that has never got its due."

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Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

Review: The Great Gatsby – ‘Indulge the extravaganza’

Barry Lyndon – Kubrick’s ultimate antifilm?

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