Friday 13th June 2025

Culture

Form, function, and art in the cultural weight of architecture

With roughly 55% of the world’s population living in cities, the urban world – the brainchild of architects – has become what most people recognise as home. Studies have...

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances...

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra...

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and...

Single of the week: James Blunt’s ‘Love Me Better’

Emma Leech slates the pop singer's painful new release

A word from the stalls

Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP

Dostoyevsky and the crime of orthodoxy

Daniel Villar reflects on how Fyodor Dostoyevsky’s religious beliefs influenced his literature as the anniversary of his death approaches on 9 February

Review: ‘Two Way Mirror’

Alice Robinson reflects on an admirable attempt to tackle a difficult pair of plays

Don’t miss your STOP

Hannah Arndt is full of enthusiasm for a preview of an original student musical

Review: ‘Collaborators’

Tilly Nevin rates this student production as amongst the best she has seen in Oxford

Review: Lubaina Himid’s ‘Invisible Strategies’

Ewan Davis explores Lubaina Himid’s Invisible Strategies at Modern Art Oxford

Review: STOP

Amaris Proctor admires this play's refreshingly frank attitude towards mental illness

Readers’ Photo Competition

Have some great Instagram shots of your college pals? Or portraits of people you met while travelling abroad? Send [email protected] your best portrait photos by Wed 15 and see your work in print!

A product of pointless nostalgia

Natalia Bus argues against the unfulfilling nature of musical reunions

Mrs Dalloway: A novel in cinemascope

Alice Robinson explores how Virginia Woolf embraces the techniques and temporality of the cinema in her writing

Reviewing Moffat: The Doctor Who Christmas Special

“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...

Which film best represents your college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Reviewing Moffat: Sherlock Series Four

This series of Sherlock is particularly varied, playing around with genre far more than usual. The first episode, ‘The Six Thatchers,’ feels at many...

Spotlight: Sal Para

Natalia Bus is captivated by this Oxford artist's authentic debut effort

Review: The Leopard

Altair Brandon-Salmon revisits the classic Italian 20th century novel

Nick D’Aloisio: Oxford’s new media hero

Theo Davies-Lewis investigates the undergraduate tech prodigy who chose Oxford over MIT or Stanford

Single of the week: Arcade Fire’s ‘I Give You Power’

Will Cowie remains unmoved by Arcade Fire's impassive anti-Trump release

Walking the pilgrim’s way

Looking back at his exhibition 'We will meet', Alvin Ong tells Sophie Jordan of his walks along the thin line between memory and fiction

Which film best represents your Oxford college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

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