Culture

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing by Melissa Chetata-Brooks, undoubtedly embraces...

Theatre Mercedes Haas -

The writer behind ‘The Writer’

Tucked away in a room at Worcester College, I sat in on a rehearsal...

Theatre Phoebe Davies -

Reframing Oxford’s controversial portraits

“All art is quite useless,” declared Oscar Wilde in the preface to The Picture...

Art Saskia Maini -

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece...

Theatre Emma Nihill Alcorta -

Latest

Nineteen Eighty-Four in 2016

James Lamming explores the relevance of George Orwell's 'Nineteen Eighty-Four' in the era of Trump

Live review: Biffy Clyro at London’s O2 arena

Romilly Mavin is impressed by Biffy Clyro’s mingling of energy and intimacy at the close of their UK tour

Live review: Fickle Friends at the Bullingdon

Akshay Bilolikar escapes rainy Oxford for sunny Los Angeles with Fickle Friends

Five literary festive favourites

Izzy Smith picks out five of the best books to enjoy this Christmas

One man in his time plays many parts

Susannah Goldsbrough looks back over the career of Ian McKellen, one of the greatest Shakespearean actors of our time

OxFolk reviews: ‘Here We Go 1, 2, 3’

“Here we go, 1, 2, 3, hold your hands out to me…” so opens this beautifully formed album ‘Here We Go 1, 2, 3’...

Were the Nazis on drugs?

The Nazi regime was permeated with drugs, from morphine to heroin, taken by almost everyone in the Reich, from soldiers to housewives. This shocking...

OxFolk reviews: ‘Cold Old Fire’

There aren’t many folk groups that can claim to have originated in an ‘experimental psychedelic folk punk duo’, but then again Lynched, the self-styled...

Review: Gilmore Girls: A Year in the Life

Tilly Nevin laments on how the comeback of this warm and comedic TV stalwart fails to live up to the original series

Live review: Frank Turner at Oxford’s New Theatre

Sandy Elliot tries to rock out to Frank Turner & the Sleeping Souls in a venue not quite suited to rock 'n' roll antics

Top 10 songs of 2016

Dom Saad navigates a profusion of genres and artists in his picks of 2016

Review: The Pillowman

ATG's production is a triumphant display of dark humour and raw emotion - not for the faint-hearted

Review: Fantastic Beasts and Where to Find Them

Izzy Smith gives four and a half stars to the spin-off of a well-loved classic

Review: D.I.D – The State We’re In

Natalia Bus feels the weight of D.I.D's long-awaited second album

OxFolk reviews: ‘a bit of blue’

There is something irresistibly lovable about Emily Maguire’s voice – it seems to swell silence the world around it, putting everything out of focus...

Katherine Mansfield: The implosion of femininity

Priya Khaira-Hanks explores the enduring appeal of Katherine Mansfield's short stories in a modern woman's world

“What matters is what you see”

Amy Booth deconstructs media ideals of beauty with a personal reflection on appearance and empowerment

Review: In the Republic of Happiness

James Lamming enjoys a sometimes stilted production of a difficult play

OxFolk reviews: Life in a Paper Boat

Ben Ray finds surprises in well-renowned folk musician Kate Rusby's new album Life in a Paper Boat

Preview: The Pillowman

Jeevan Ravindran relishes the brutal comedy of ATG's production of The Pillowman

1...133134135...337 Page 134 of 337

Culture

Review: So Far, So Good – ‘Counting down the fall’

The writer behind ‘The Writer’

Reframing Oxford’s controversial portraits

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Follow us

Support Student Journalism

Explore

Follow us

More