It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Surya Bowyer celebrates the originality, scope, and joie de vivre of the Ashmolean’s latest special exhibition 'Degas to Picasso: Creating Modernism in France'
Suzy Cripps’ The Optimists, a tightly-paced romp of hypocrisy, coincidence and curtains, is a solid comedy of errors in the best of British tradition.
Involving...