Culture

Between beer gardens and picnics: Climate Culture Care at the Ashmolean

When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...

A word from the stalls

Miriam Nemmaoui receives mixed feedback from an audience member after Suddenly Last Summer

Through the Looking Glass: the Auden set

Daniel Villar explores the perils of collaboration for Auden, Day-Lewis, Spender and MacNeice

Writing the uncanny and the lyrical

Tilly Nevin reviews Gillian Cross and Daisy Johnson in conversation

An injection of life and joy in the dark

Romilly Mavin is energised by Two Door Cinema Club's electrifying performance at Alexandra Palace

Walking in someone else’s shoes

Alice Robinson suggests that role-swapping in theatre helps to foster empathy

What to watch in the time of Trump

Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era

Two lonely people, one heartrending production

Bessie Yuill promises an intense evening of Beckett made accessible to all

Society divided: Dickens and revolution

Ethan Croft considers the politics of Charles Dickens’ A Tale of Two Cities

The Coen brothers: a dynamic directing duo

Jack Allsopp argues that we should stop thinking of the director solely in the singular

The Winning Shots

Results of the portrait photography competition are in! Was your photo selected? Check out our best submissions here

Old&New: The potential of oranges

Sydney Gagliano reflects on the question of modern art’s accessibility

Rag’n’Moan Man: human after all?

Dom Saad serves up a post-mortem for Rag’n’Bone Man’s "Human"

The winter’s dead, long live the Spring King

Ellen Peirson-Hagger’s ears are left ringing after a noise-fuelled night from a trilogy of bands at the Bullingdon

Spotlight: Bad Sounds

Will Cowie on new band of the week, Bad Sounds

Single of the week: Katy Perry’s ‘Chained 2 the Rhythm’

Natalia Bus discusses the latest Katy Perry release

Review: The Homecoming

After the play finished, a few good friends walked towards me. “Wait, so what happened?” My friend Alex’s facial muscles were contorted. “What the...

Drop dead funny

James Lamming is impressed by the originality and comic maturity of the Oxford Imps’ latest production

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

Democratic Art Republic

Queenie Li produces her version and vision for art, open to all and owned by all

Examining Oxford’s earthly pleasures

Daniel Curtis sees the city through the lens of the 2007 post-punk revival

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