Culture

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.

Culture Ruya Oral -

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.

Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.

Culture Willow Jopp -

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.

Culture Melissa Eddon -

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The Winning Shots

Results of the portrait photography competition are in! Was your photo selected? Check out our best submissions here

Old&New: The potential of oranges

Sydney Gagliano reflects on the question of modern art’s accessibility

Rag’n’Moan Man: human after all?

Dom Saad serves up a post-mortem for Rag’n’Bone Man’s "Human"

The winter’s dead, long live the Spring King

Ellen Peirson-Hagger’s ears are left ringing after a noise-fuelled night from a trilogy of bands at the Bullingdon

Spotlight: Bad Sounds

Will Cowie on new band of the week, Bad Sounds

Single of the week: Katy Perry’s ‘Chained 2 the Rhythm’

Natalia Bus discusses the latest Katy Perry release

Review: The Homecoming

After the play finished, a few good friends walked towards me. “Wait, so what happened?” My friend Alex’s facial muscles were contorted. “What the...

Drop dead funny

James Lamming is impressed by the originality and comic maturity of the Oxford Imps’ latest production

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

Democratic Art Republic

Queenie Li produces her version and vision for art, open to all and owned by all

Examining Oxford’s earthly pleasures

Daniel Curtis sees the city through the lens of the 2007 post-punk revival

Album of the week: Sampha’s Process

Sampha’s debut is an electrifying mix of emotion, says Natalia Bus

Much more than just Kandinsky: ‘Russian Art 1917-32’ at the Royal Academy

Timothy Drummond is impressed with how this new exhibition provides a valuable insight into Russian visual art during the 15 years following the Revolution.