Monday 8th June 2026

Culture

The death of the male novelist or the birth of the feminist?

The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Much Ado About Nothing

Susannah Goldsbrough looks forward to seeing Poltergeist Theatre's millenial twist on Shakespeare's classic comedy

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Preview: Dates

Charlie Atkins looks forward to Oxford's most topical sketch show yet.

Is it wrong for a dictionary to offend me?

Laura Wilsmore questions the OED’s newly-added definition of ‘Essex girl’

On the incompleteness of reading

Ellie Duncan gets lost in the countless possibilities of translation

Bah, humbug: An Oxmas Carol

Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist

Rewind: Miracle on 34th Street

Susannah Finlay defends the capitalism of Miracle on 34th Street

Graham Greene and Oxford’s pubs

Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass

A “tinsel-covered silver lining”

Safa Dar analyses the spectacle of Oxmas as an intrigued international student

Sci-fi review: Arrival

Jonnie Barrow finds Villeneuve’s latest release a true masterpiece in both performances and intellectual power

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

Review: Summer and Smoke

James Lamming is delighted by the best show he has seen in Oxford

OxFolk Reviews: Faustus – Death and other Animals

Ben Ray looks at the UK folk three-piece's latest release

Review: Class

Priya Khaira-Hanks says Class is like the old glory days of Doctor Who, but with a twist

Review: Henry V

Sam Luker Brown has some qualms about this ambitious production at Corpus Christi

The end of the film reel

Daniel Curtis refuses to feel any sense of nostalgia for the state of the remake-filled film industry

The enduring value of Diamond Dogs

Matt Roberts crawls through the outpourings of Bowie praise to look at a long-forgotten album

Emotional electronica

Ellen Peirson-Hagger is touched by the humanity in James Blake’s live show, as, for once, the musician/producer emerges from behind his laptop

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