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UrbanObserver
Monday 8th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
The death of the male novelist or the birth of the feminist?
The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.
Books
Elizabeth Gammaidoni
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OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford
It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Culture
Amy Lawson
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Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed
Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.
Culture
Leo Jones
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Siskin
Near the riverside, a girl with walnut hair sat with her back to the...
Culture
Sasha Darvas
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Latest
Search
Beyond anger: an evening with Frank Carter
Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...
Remembering Laughing Lennie
The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...
Preview: Much Ado About Nothing
Susannah Goldsbrough looks forward to seeing Poltergeist Theatre's millenial twist on Shakespeare's classic comedy
Preview: Tremor at Modern Art Oxford
Edward Mair looks forward to Tremor, a space where different genres and arts collide
Preview: Dates
Charlie Atkins looks forward to Oxford's most topical sketch show yet.
Is it wrong for a dictionary to offend me?
Laura Wilsmore questions the OED’s newly-added definition of ‘Essex girl’
On the incompleteness of reading
Ellie Duncan gets lost in the countless possibilities of translation
Bah, humbug: An Oxmas Carol
Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist
Rewind: Miracle on 34th Street
Susannah Finlay defends the capitalism of Miracle on 34th Street
Graham Greene and Oxford’s pubs
Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass
A “tinsel-covered silver lining”
Safa Dar analyses the spectacle of Oxmas as an intrigued international student
Sci-fi review: Arrival
Jonnie Barrow finds Villeneuve’s latest release a true masterpiece in both performances and intellectual power
Jon Boden at the O2: Painted Lady and other folk
Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy
Review: Summer and Smoke
James Lamming is delighted by the best show he has seen in Oxford
OxFolk Reviews: Faustus – Death and other Animals
Ben Ray looks at the UK folk three-piece's latest release
Review: Class
Priya Khaira-Hanks says Class is like the old glory days of Doctor Who, but with a twist
Review: Henry V
Sam Luker Brown has some qualms about this ambitious production at Corpus Christi
The end of the film reel
Daniel Curtis refuses to feel any sense of nostalgia for the state of the remake-filled film industry
The enduring value of Diamond Dogs
Matt Roberts crawls through the outpourings of Bowie praise to look at a long-forgotten album
Emotional electronica
Ellen Peirson-Hagger is touched by the humanity in James Blake’s live show, as, for once, the musician/producer emerges from behind his laptop
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