Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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Cherwell Film School: Writing a Screenplay

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Live review: Ward Thomas at the O2 Academy

Coming onto the stage with an undeniably acoustic sound, Ward Thomas feel strangely out of place with the Bullingdon’s notorious grimy vibe. Somewhere behind...

Brideshead, revisited: Oxford then and now

Altair Brandon-Salmon compares Charles Ryder’s day with our own

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A treasure trove of unrequited love

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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