Saturday 25th April 2026

Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

What is an elephant, to you?

Simran Uppal argues for the universality of religious experiences – including in Oxford nightlife

Review: Rhinoceros

There aren’t many plays that leave you speechless as the actors take their final bow: still less that fully deserve a standing ovation. Rhinoceros...

Review: OBA Film Festival showcase

James Riding casts an eye over the most ambitious films in Oxford student filmmaking at the OBA’s annual screening

Review: Florence Foster Jenkins

Thomas Player was left feeling warm inside, despite the ear splitting singing

Live review: Pete Doherty

Alec Fullerton was pleasantly surprised by Doherty at the O2 Academy Bristol

The Stone Roses’ Third Coming

Richard Birch and Daniel Curtis dissect The Stone Roses’ return

Review: Me & Mike

Surya Bowyer is stunned by this highly innovative piece of theatre

Album review: The Colour in Anything

Fin Johnston finds himself captivated by James Blake’s extended comeback offering

A Beginner’s Guide to… Vienna Ditto

Daniel Curtis is excited by Vienna Ditto's live set

You fucked her and now you’re fucked

Prose by Cameron Finlay about the kind of discourse that follows a life-altering accident

Rewind: Shakespeare’s Sonnets

Matthew Palmer considers the 'accidental' nature of the 1609 publication of Shakespeare's sonnets

The Age of Photoshop?

Daniel Curtis laments the decline of the quality film poster, but sees many reasons to be optimistic for the future

Preview: The House of Bernarda Alba

Miriam Nemmaoui is struck by what promises to be a sombre and breath-taking production

Preview: Doctor Faustus

Alex Barasch is excited by this new take on Marlowe's magnum opus

Preview: Arcadia

Matthew Roberts finds heart and humour in this take on Stoppard's celebrated play

Preview: Sweeney Todd

Thomas Player finds his time well-spent after a glimpse at the classic musical

What happened to Pussy Riot?

Richard Birch examines all of the punk controversy afresh

Review: A Moon Shaped Pool

Felix Jones is wowed by Radiohead’s desolate new LP

Review: The Herbal Bed

Antonio Gottardello is satisfied by this play that isn’t really about Shakespeare…

‘LSD, 100 micrograms I.M.’

Benn Sheridan disusses why there’s nothing quite like chemical-induced inspiration

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