Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Film Ruby Tipple -

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The Frank is for Turning…sort of.

Zoe Hare reviews Frank Turner's latest album: 'Positive songs for Negative People'

Into the ring: boxing and social mobility in cinema

Olivia Sung asks if boxing is cinema's greatest arena for exploring social mobility

The Proms: ‘Wouldn’t you simply die without Mahler?’

An impressed Sean Dunn sees Ludwig's finale for a fiver

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Mark Barclay explores the possibility of a symbiosis of video and theatre - or an invasion of one by the other

Tramlines 2015: On the unbeat‘n’tracks

From headliners to sideliners - a review of Sheffield's 7th Urban Festival run

Drake’s ghostwriter: does it really matter?

Doubt over the authorship of Drake's lyrics are a small price to pay for more material from the artist, writes Tom Barrie

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Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

Review: The Great Gatsby – ‘Indulge the extravaganza’

Barry Lyndon – Kubrick’s ultimate antifilm?

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