Culture

In conversation with John Kennedy, “one of the most trusted voices in music”

In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.
Culture Emma Heagney -

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.
Culture Ruya Oral -

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Culture Willow Jopp -
Latest

Cherwell Film Editors Must-See Pictures of 2024

Cherwell’s Film Section Editors decided to get together and review their favourite releases of 2024. Ranging from animation to drama, these are the Editors’...

Has the modern movie musical lost its magic?

As I begin writing, my parents have just walked through the door having finally experienced the cultural phenomenon that is Wicked (2024). My mother...

Back to the Future: Are 2010 Throwbacks the Soundtrack of 2025?

The early 2010’s occupy a curious space in cultural memory, neither distant enough to be considered history, nor recent enough to feel like the...

From the Chrysler to the Weston: 100 years of Art Deco

Florence Wolter explores the impact left by Art Deco on Oxford and European Culture. A century on, should we be looking forward, not back?

Exploring ‘Into the Woods’

Last week, I sat down with Luke Nixon, Lydia Free, and Isobel Connolly, the directorial force of a new ‘vivid and visionary’ production of...

Review: The Proof of My Innocence by Jonathan Coe

There are some writers whose line of literary descent is so clear as to resemble a kind of genealogical chart. The lineage of the...

BookTok: The Last Page of the Publishing Industry?

The #booktok stands that have become fixtures of bookshops across the country inspire intense feelings in me. It’s a mix of guilty curiosity, superiority,...

Gladiator II: A lack-lustre return to Rome

With Gladiator II, Ridley Scott returns to the streets of imperial Rome not in triumph, but to decidedly muted applause.

Review: Moth – ‘An unabashed, piercing piece of theatre’  

An acute attention to detail marks Moth as a standout in the world of student theatre.

Review: The Outrun

The Outrun Review: Choosing recovery in a wild place

Defiance: Racial Injustice, Police Brutality, A Sister’s Fight for the Truth by Janet Alder

At Oxford’s Wesley Memorial Church, Janet Alder offered a harrowing and unflinching account of resilience in the face of systemic injustice.

Review: Making the Weather: Six Politicians Who Shaped Modern Britain by Vernon Bogdanor

Six essays are included here, one for each Carlylean “great man”, covering biographical and ideological context as well as political analysis.

Cricket jumpers at the club? What Oxford students are really wearing

Perhaps style at Oxford is ultimately about learning how not to let the mask slip.

Review: ‘Tis Pity She’s a Whore – ‘A drama of extremes’

John Ford’s ‘Tis Pity She’s a Whore, working within the already violent genre of the revenge tragedy, has to be one of the most...

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Review: Endgame – ‘Nothing is funnier than unhappiness’

The play invites us to laugh at our powerlessness in the face of an apocalyptic fate.

A literary map of Oxford

Look no further for the perfect afternoon dawdle, as you chase the ghosts of literary greats through the town.

Should we judge a book by its cover?

Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at. 

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?
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