It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.
Ben Wilkinson-Turnbull reviews an evening spent watching The Cure at London's Hammersmith Apollo, complete with lipstick, dry ice and spinning tops galore.
In light of the proposed prison book ban being overturned, Rose Sykes examines the redemptive power ascribed to literature and its importance in the prison system