“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Following the success of 'The Wishing Horse' at the Portobello Film Festival over the summer, the film’s director is hoping for more of the same with 'Waterbird' and 'Catkins'
Punk icon Johnny Rotten spoke to fans about his recent autobiography, the increasing waistline of the punk movement and the Cotswolds' effects on his digestive system