Culture

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Culture Eoin Ware -

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...
Books Abigail Riley -

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...
Art Lara Solie-Tuluie -

Good grief! Why do we feel for the death of fictional people?

Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Culture Jas Mauj -
Latest

Review: Monkey Bars

Rose Sykes finds a lot to enjoy in Chris Goode's acclaimed play

Frustration over OUSU elections

With only a few hours before voting closes, students have expressed confusion over the online voting system and the lack of hustings videos available to students

Review: The Drop

Tom Graham finds James Gandolfini's last completed feature film a mixed bag, though the late actor impresses.

Preview: OBA Short Film Screening

With the OBA's short film screening taking place on Sunday, Tom Barrie sat down with co-president Alex Darby and talked Oxford film past, present and future

Review: Hopelessly Devoted

Rose Sykes finds much to be admired in Kate Tempest's prison drama

A life remembered: Lou Reed

Ben Wilkinson-Turnbull looks back on the life of The Velvet Underground's Lou Reed

Cherwell Playlist: Beat The 5th Week Blues

20 songs to help you through Oxford's trickiest week

Review: Pitcairn

Isaac Goodwin finds these mutineers to be lacking in originality and excitement

Milestones: Barbie

Naomi Polonsky looks at the grotesque disproportions of Barbie

Human beauty: Maybe it’s all about the numbers

Isaac Goodwin explores the ideals of physical perfection and mathemical proportions

Review: The Zone of Interest

Martin Amis' latest novel is seriously funny

Review: Ai Weiwei’s latest innovative exhibition

A juxtaposition of the old and the new at Blenheim Palace

Review: Henry V – A Promenade Production

Bethan Roberts tours Worcester Gardens, managing to catch an ambitious production of Shakespeare's war epic

Preview: Orlando

Kate Tuohy observes the rehearsals of this innovative Woolf adaptation, which arrives at Keble's O'Reilly in Sixth Week

Dream girls don’t exist

Tom Barrie looks at a character type that has come to haunt rom-coms

Review: Interstellar

Sam Joyce finds Christopher Nolan's latest film ambitious, if unfulfilling

Preview: Monkey Bars

Katherine Cowles previews the upcoming production of Chris Goode's Monkey Bars, which puts the words of children in the mouths of adults.

Review: His Dark Materials Part 1

This adaptation of Philip Pullman's fantasy novels is a valiant attempt at a difficult task, says Lata Nobes

Review: Celestial Shore — Enter Ghost

Lata Nobes argues that Celestial Shore are trying to be too clever

Preview: Henry V

Fergus Morgan previews this upcoming promenade production
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