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UrbanObserver
Saturday 7th June 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Love in the face of hate’: A closer look at ‘Blood Wedding’
Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...
Theatre
Emma Nihill Alcorta
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Duplicity, infidelity and loyalty in ‘Crocodile Tears’
“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...
Theatre
Phoebe Davies
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Review: The Great Gatsby – ‘Indulge the extravaganza’
Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...
Theatre
Peter Chen
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Barry Lyndon – Kubrick’s ultimate antifilm?
Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...
Film
Ruby Tipple
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Review: Saved
A ridiculous premise that is saved by strong acting and well-cast characters
Review: Raymond Moody’s Blues
Olivia Aylmer muses on Freidrich Kunath's presentation of solitude
Interview: Hadouken!
Matt Broomfield and Daniel Beatty get some nu-rave advice from the grindie upstarts
Review: Arcade Fire – Reflektor
To Hendrik Ehlers, this album is a Very Big Deal
Interview: Portico Quartet
Andrew McLean finds it impossible to pin down the inscrutable quartet
Nathalie Wright’s cultural must-dos
The co-editor of new Oxford magazine interVIEW tells Cherwell about her love of twisted, magical places, Alan Partridge and screaming inappropriately.
Stirring Strings
Cherwell Music presents the soundtrack to your essay crisis
Lou Reed (1942-2013)
Edan Tal pays tribute to a true legend of music
Review: Solo
Ed Lewis's take on Boyd's new Bond
Letter from Moscow
Kit sends Cherwell a letter about how she is enjoying her time in the Russian capital
Preview: Saved
An entertaining, human and engaging production from a cast who are clearly having a lot of fun.
Review: The Producers
The production team behind Theory of Justice conjure up another surefire hit
Review: Foxfinder
A claustrophobic allegorical tale with a remarkably gifted cast
Review: The Ghosts of Barucone Manor
Lisa Bernhardt enjoys the the 'pleasantly eerie' atmosphere in The Ghosts of Barucone Manor
A Bridge Too Far?
Sadie Levy Gale laments the decline of the nation's favourite diarist
Review: The Death of Maria
A powerful production that flits wonderfully between certainty and doubt
Review: Ibsen’s Ghosts
Interesting set design and a few strong performances cannot salvage this dated production
Preview: The Ghosts of Barucone Manor
Another Halloween-themed show, about spectres, spirits and ghouls
Preview: The Death of Maria
A Halloween tale of witchcraft, torture and cannibalism
Review: Sylvia Plath: Drawings
Siobhan Fenton discusses the poet's sketches, published for the first time by her daughter
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