Saturday 7th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Review: Saved

A ridiculous premise that is saved by strong acting and well-cast characters

Review: Raymond Moody’s Blues

Olivia Aylmer muses on Freidrich Kunath's presentation of solitude

Interview: Hadouken!

Matt Broomfield and Daniel Beatty get some nu-rave advice from the grindie upstarts

Review: Arcade Fire – Reflektor

To Hendrik Ehlers, this album is a Very Big Deal

Interview: Portico Quartet

Andrew McLean finds it impossible to pin down the inscrutable quartet

Nathalie Wright’s cultural must-dos

The co-editor of new Oxford magazine interVIEW tells Cherwell about her love of twisted, magical places, Alan Partridge and screaming inappropriately.

Stirring Strings

Cherwell Music presents the soundtrack to your essay crisis

Lou Reed (1942-2013)

Edan Tal pays tribute to a true legend of music

Review: Solo

Ed Lewis's take on Boyd's new Bond

Letter from Moscow

Kit sends Cherwell a letter about how she is enjoying her time in the Russian capital

Preview: Saved

An entertaining, human and engaging production from a cast who are clearly having a lot of fun.

Review: The Producers

The production team behind Theory of Justice conjure up another surefire hit

Review: Foxfinder

A claustrophobic allegorical tale with a remarkably gifted cast

Review: The Ghosts of Barucone Manor

Lisa Bernhardt enjoys the the 'pleasantly eerie' atmosphere in The Ghosts of Barucone Manor

A Bridge Too Far?

Sadie Levy Gale laments the decline of the nation's favourite diarist

Review: The Death of Maria

A powerful production that flits wonderfully between certainty and doubt

Review: Ibsen’s Ghosts

Interesting set design and a few strong performances cannot salvage this dated production

Preview: The Ghosts of Barucone Manor

Another Halloween-themed show, about spectres, spirits and ghouls

Preview: The Death of Maria

A Halloween tale of witchcraft, torture and cannibalism

Review: Sylvia Plath: Drawings

Siobhan Fenton discusses the poet's sketches, published for the first time by her daughter

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