Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.

Review: Sweeney Todd

Bethan Roberts enjoys this elegantly conceived take on a classic.

Bargain Bin: Britney Spears – Greatest Hits: My Prerogative

Cherwell trawls charity shops looking for musical bargains.

Review: Sunn O))) and Ulver – Terrestrials

Metal veterans Sunn O))) experiment with their sound on their latest offering, a collaboration with Norwegian band Ulver.

Review: Angel Olsen

Adam Piascik reviews the sophomore album of Missouri native, Angel Olsen.

Review: Acid Arab – Collections LP

Parisian DJs turn to the Middle East to create acid house music on collaborative record Collections LP

Royal Blood: Primitive rock?

Helen Thomas talks to 2014’s most hotly tipped garage rock duo, Royal Blood

Culture Editorial: The Adolescent Man-Child in Art

On cringingly accurate portrayals of the teenage experience

Cherwell Tries…Cut & Stick

Every week, Cherwell tries a new cultural experience: this week, we helped produce a feminist zine

Letter From…Lyon

A relentlessly realistic run-down of life teaching the South of France

Review: The Hilary Review

Lisa Bernhardt is bowled over by the unpredictable, absurd, and hilarious

Review: Semi Monde

Georgina Wilson enjoys the aimless wanderings of wealthy 1920s Paris

Review: American Horror Story: Coven

Veronica Heney finds this third series to be as dazzlingly bonkers as the first two

French Film: the original and best

Eleanor Halls extols the virtues of the French cinema scene

Review: Blurred Lines

Bethan Roberts is struck by this theatrical exploration of the controversial song

Preview: Sweeney Todd

Ben Horton looks forward to a thrill ride from start to finish

Directing at the Donmar

Georgina Wilson witnesses a talk by award-winning director Michael Grandage

Review: Ballad of the Burning Star

Naomi Polonsky is gripped by this experimental blend of conflict and cabaret

Review: Sir Gawain and the Green Knight

Laurie Churchman is unconvinced by an ambitious attempt to juggle the authentic and the modern

Review: The Oxford Imps’ 10th Anniversary Spectacular

Emma Hewitt enjoys a diverse selection of comedy treats

Bargain Bin: The Four Tops – Loco in Acapulco

Helen Thomas gets lost in the dangerous art of listening to vinyl.

Follow us