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Books you can’t sink your teeth into: A brief look into unsolvable manuscripts

If there’s one thing that most people appreciate, it’s a good mystery with a clever solution. It is no accident that Agatha Christie is listed as the Guinness World...

Review: Will Heaven Fall on Us? A Béla Tarr Retrospective

Will Heaven Fall on Us? A Béla Tarr Retrospective, which aired in cinemas this...

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom...

Palimpsest

This is a secular city, built on holy bones. We’re on the edge of another...

2024 was for the girls: The rapid success of female artists

The last nine months of pop can perhaps be summed up in one word:...

Roots Of: The ChicagOx House Scene

Tom Waterhouse gives a history lesson on Bloody Knuckles.

Review: CHVRCHES – Every Open Eye

Tom Waterhouse finds nothing particularly praiseworthy in the latest from CHVRCHES.

Review: Lana Del Rey – Honeymoon

Bryony Harris remains in her Honeymoon phase with the 'soft grunge goddess'

At crossed purposes

Ben Cooke declares ITV's new exorcism drama a biblical waste of time

Oxford cinemagoing: a primer

Toby Scadding weighs the options for your next cinema visit

The hottest summer you never even had

Fintan Calpin takes a look back at the nostalgic comedy of 2001 cult film Wet Hot American Summer

Milestones: Psychocandy

This week, Sam Joyce discusses The Jesus and Mary Chain’s seminal album Psychocandy, which birthed the Shoegaze scene

Shutter speeds and the passage of time

Sam Joyce goes in search of the past and the self in the works of several famous photographers

Drama needs video

Henner Petin writes the most exciting article you will ever watch

Remembrance of theatre past

Mark Barclay wistfully recalls the idealism of freshers’ week

‘End of the road’? Hopefully not.

Zoe Hare champions the growing independent festival

Review: Halsey – Badlands

'moving in the sense that your eyes will roll right out of your head'

Review: Inside Out

Frankie Shama on Pixar's resounding comeback film

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