Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Whether you want to see your tute partner singing about Rousseau or view the run-up to the apocalypse as imagined within the walls of Babylove, Cherwell has the shortcuts to all things Oxford at the Fringe