Oxford's oldest student newspaper

Independent since 1920

Culture

The art of rowing: In conversation with Emily Craig

After a formidable finish in the Lightweight Women’s double sculls at the 2024 Paris Olympics in August, Team GB’s Emily Craig and Imogen Grant secured their places as the...

On Leadership by Tony Blair, Precipice by Robert Harris, and Oxford crime – Books of the Month

On Leadership by Tony Blair; Precipice by Robert Harris; Lessons in Crime: Academic Mysteries edited by Martin Edwards

North Korea and the Global Nuclear Order review – “An excellent account”

Dr Edward Howell, whose columns in the Spectator and the Telegraph are among the...

A Revolution Betrayed by Peter Hitchens review – In Defence of Grammar Schools

Review – A Revolution Betrayed: How Egalitarians Wrecked the British Education System by Peter...

Veranilda by George Gissing review – The best historical novel never written

George Gissing remains the most underrated novelist in the English language. He wrote twenty-three...

Review: Hop Along – Painted Shut

Rachael Griffith is enthralled by this innovative album

Review: Tallest Man on Earth – Dark Bird is Home

Matt Myers is impressed by this new introspective album

The most contentious exhibition in Britain?

Emmanuelle Soffe visits Defining Beauty: The Body in Ancient Greek Art

Review: Passion

Patrick Oisin Mulholland is impressed by this slick production

Review: Snoop Dog – Bush

Sam Joyce is delighted to see Snoop and Pharrell reunited

Review: I Nominate

A promising premise missing direction

Review: Killing Hitler

Paul Ostwald is impressed but exhausted by Oxford's German play

Preview: Medea

Patrick Oisin Mulholland is transported by this ancient tragedy

Don’t Mind The Gap

Henner Petin encounters poetry and its translational trap

Review: Beachcombing

Mark Barclay is entranced by this reflective studio play

In Defence Of: Jennifer’s Body

Sam Joyce defends Megan Fox's quasi-feminist horror-comedy

Review: A Little Chaos

Emmanuelle Soffe finds A Little Chaos a predictable period drama

Where cannes we go from here?

Sam Joyce explains why the currently ongoing Cannes Film Festival is suffering from an identity crisis

Review: Living Together

Mark Barclay and Paul Ostwald experience this complex family saga

Follow us

HomeCulture