Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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Potently and unnervingly close to the skin, Genet’s strange tale of Solange and Claire proves an indubitable dramatic success.

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Alex Chalk enjoys four inventive guitarists.

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Alexander Wilson highly anticipates this adaptation of a trilogy

The Importance of Arts

Lucy Gray responds to the news that arts subjects may become neglected in the new curriculum

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Cherwell Arts guides you through the exhibitions to look forward to this Christmas vacation

Meller Merceux awards prize for contemporary art review

Oxford's Meller Merceux Gallery and Edgar Wind Society team up with art critic Waldemar Januszczak to celebrate modern and contemporary art

Preview: Pergolesi – Stabat Mater

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A patchwork of Michaelmas Memories

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Diary of a Drama Queen

Charlotte Casey discusses life as a drama student behind the fourth wall

Preview: The Maids

Unnerving, captivating and haunting - a must see

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A myriad of influences make for a highly entertaining evening of comedy

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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