Boulevard Productions’ Oleanna leaves something to be desired, but what it lacks in production value it more than compensates for in audacity; so much so that David Mamet would be proud
Angelika Benz hasn't herself quite figured out yet what it means to be a woman. Carefully portraying girls and young women she meets - including her own reflection in the mirror - she attempts to get closer to the core of their identity and finds that much of what she sees also lives in herself.