Saturday 10th January 2026

Culture

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with a never-ending stream of lists ranking 2025’s top releases. Cherwell, however, will not attempt to...

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

JACK, by Musketeer Productions, reimagines the cult story of the most notorious serial killer...

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Universities have often been seen as bastions of radicalism. Forgetting the fact that higher...

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s...

The Bluffers’ Guide to: Women on Stage

Our weekly guide talks you through all the classic roles available to female actors

The Bard in Drag

Angus Hawkins muses on cross-casting in Shakespeare

Cannes you feel the love tonight?

Nick Hilton examines the 2012 Cannes Film Festival and whether it's just a Hollywood jamboree

Review: The Dictator

Georgina Pollard is pleasantly surprised by the latest film from the creator of Borat

TV Flop of the Week: Made in Chelsea

Carmella Crinnion is sick of everything about Made in Chelsea

Here’s to you, Ms Robinson

Christy Edwall listens to the Pulitzer-prize winning novelist and essayist speak

Review: Bug

Will Tummon is held emotionally captive by this raw, heartfelt and unmissable production

Review: Proof

Jonathan Chapman is not disappointed by this emotional play

Review: Dark Shadows

Georgina Pollard is left somewhat cold by Tim Burton's latest film

Review: Donkeys’ Years

In one of the last bastions of all-male academia, Jonathan Chapman takes in a delightful garden production

Suicide on the rail tracks

Thoughts from inside a train. When somebody took their own life under the wheels of an earlier train, things started to look a bit different.

Preview: The Deep Blue Sea

Timothy Bano previews what looks to be an excellent production of a play full of emotional understatement

Preview: Proof

Angus Hawkins recommends this stunningly good production

Angels and Consolations

Katy Wright provides a glimpse into what it is like to stage an opera

Storming the Bastille

Matthew Robinson and Olivia Arigho-Stiles consider the up-and-coming indie quartet

A Bluffer’s Guide to: Post-Dubstep

Matt Jones explores the latest scene to develop out of the UK Bass culture

A Bluffer’s Guide to: Terence Rattigan

Our weekly guide for the theatrically illiterate illuminates this establishment classic

Preview: Anything Goes

Maria Fox is hugely charmed by this Pembroke Production

Preview: After the Dance

Angus Hawkins thinks this rarely performed play is well worth seeing

Review: A Doll’s House

Ed Bell feels Brasenose's good production of a classic play is somewhat out of place

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