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UrbanObserver
Sunday 19th October 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Are you listening comfortably? Audio drama and theatre
When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...
Culture
Rhys Ponsford
-
Algorithms of individuality: ‘The Consciousness Company’
As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...
Books
Maddie Gillett
-
Over-the-top-vlogging and call centres: Dial 1 for UK
Dial 1 for UK is a one-man show following the journey of Uday Kumar...
Culture
Caitlin Shaw
-
Spike Lee’s lackluster remake: Highest 2 Lowest
There is no reason why a remake should remain inferior to its source material;...
Culture
Matthew Mair
-
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Tim Hecker: organs, long-form and the death of rave
Harry Scholes talks to Tim Hecker about his latest album, Ravedeath, and his upcoming London concert
Shedding light on film noir
Matthew Perkins continues our Decades in Film feature, with films of the 40s
Review: Goon
Nathan O'Neill enjoys the blood and gore of Michael Dowse's ice-hockey comedy
Review: The Iron Lady
Nicholas Mutch looks at the latest incarnation of Margaret Thatcher
Review: Borgen
Rosie Oxbury takes a look at the internationally acclaimed Danish political drama
Memorialising Mephisto
Jessica Campbell on fascism and foreplay in the second Playhouse production this term
Hotseating The Hothouse
Charlotte Lennon interviews the stars of The Hothouse, Ruby Thomas and Ziad Samaha
Pictures from a beautiful mind
Rachel Savage meets artist Kit Williams to discuss his intricate, outlandish paintings and the inspirations behind his work
Dramatic Decorum and Interval Alcohol Etiquette
James Fennemore and Joshua Philips,the boys behind Brazen Cheek, cast their vote for the G&T
Welcome to the House of Play
Cherwell Stage on the history of Oxford’s most famous theatre
Press Preview: The Man Upstairs
John O'Connor enjoys, but remains unconvinced by, this piece of new writing.
Review: Craig Finn – Clear Heart, Full Eyes
Adam Piascik analyses the high and low points of Craig Finn's first solo album
Review: It’s a Hit
Fen Greatley is disappointed by It's a Hit's whistle stop tour through the musicals of the twentieth century
First night review: Celebration
Barbara Speed attends a darkly comic gathering
Review: M83, O2 Academy
Natasha Frost spends an evening listening to stadium pop in the swamp
Review: Top Girls
Edward Bell spends two and a bit hours completely absorbed in an accomplished performance of an era-defining play
Review: Latin! Or Tobacco and Boys
Charlotte Van Regenmortel is enchanted by a production that is perhaps more Greek than Latin
Review: Spamalot
James Fennemore hails the sheer silliness and stupidity of Spamalot, a musical that will make you 'rejoice to be alive'
Press Preview: Twelfth Night
Pollyanna Marsden calls the upcoming production of Shakespeare's Twelfth Night a 'triumph'
Press Preview: The Hothouse
Angus Hawkins is enthralled at an open rehearsal for The Hothouse
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