It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.
Kyle Sawhney finds Chromatics' new LP cementing their reinvention as brooding synth-poppers, despite erring on the side of self indulgence at seventeen tracks