Culture

One f**king thing after another: ‘The History Boys’, revisited

Grab your motorcycle helmet. Sharpen up on the subjunctive. And cue the synthetic pulses of ‘Blue Monday’. The History Boys is back. Alan Bennett’s 2004 play followed a cast of...

What are you looking at? A reflection on the Ashmolean’s Aphrodite exhibition 

The woman crouches, nude. A gauzy blue curtain hangs where she hides her chest;...

The midterms and the YA novel: Impossibly happy endings

Given its intense media coverage and everything that seems to be on the line, I feel as though I have been anxiously awaiting the results of the 2026 US midterm elections for weeks, months – maybe years.

How books are burned today

It is a worrying thought that what sits on your bookshelf today could be...

Review: Tennis – Young & Old

Marc Pacitti reviews Tennis' second album Young & Old

The power of fiction

Jack Powell discusses 'gay fiction' with author Paul Burston

Review: Shearwater – Animal Joy

Richard O'Brien reviews the latest offering from the Okkervil River offshoot

Review: Chronicle

James Aber chronicles Trank's debut

Gary Numan: new sounds, new man

Natasha Frost listens to the ins and outs of Gary Numan's trials and tribulations with technology

A flag for all seasons

Michael Brooks on the symbolism of the rainbow flag

Review: The Descendants

Donal O'Hara applauds Clooney's understated performance

Leader of the Pack

Barbara Speed talks to Sue Sanders, founder of LGBT History Month

Orchesrated Optimism

Venezuelan conductor Natalia Luis-Bassa discusses why classical music isn’t dead with Cecilia Stinton

Decades in Film: the 70s

Amy Hadfield reflects on the 1970's ch-ch-ch-changes

Preview: Teechers

Charlotte Lennon is entertained by this classic Godber piece

Review: Jake’s Progress

Angus Hawkins is disappointed by the lacklustre music and insincere dialogue of this new musical

Preview: The Truth

Katharine Terrell applauds this funny and engaging comedy

Review: James Vincent McMorrow, O2 Academy

Natasha Frost finds herself close to tears by James Vincent McMorrow, despite misgivings about the venue

From Page to Stage

Victoria Weavil muses on translation in the theatre

Turl Street Arts Festival, 2012

Natasha Frost is delighted by the array of artsy goodies in this year's extravaganza

Review: Freshwoman

Daniel Frampton is left in fits of laughter by this new piece of comedic writing

Preview: The Barefaced Night

Daniel Frampton eagerly awaits the first night of this original and intriguing dance production

Knockin’ on Heaven’s door

Sophie Jamieson talks to the still nervous, but strikingly honest, Rebecca Ferguson

Nightclubbing in Oxford

Cherwell Music talks to the organisers of their favourite Oxford clubnights and events

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