Thursday 30th April 2026

Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

First Night: Sleeping Beauty

Claire Harrill is both perplexed and amused by a performance of the the ballet Sleeping Beauty at the New Theatre

Wrap up for Oxford’s Pinter Winter

Eleanor Wade examines the Pinter revival in student drama and beyond

Small screen, silver screen, or something in-between?

Is TV still Film's irritating younger brother, or has it finally grown up?

Stafford-Clark makes a mark

Ianthe Roach interviews Max Stafford-Clark about his latest production

Nouveau-ver to Sander’s

Jack Powell visits Oxford's new exhibition of Art Nouveau lithographs

Down and Out in Literary Paris

Christy Edwall goes to Paris in search of books, bohemians, and the legendary George Whitman

Masters at Work

Cherwell speaks to Kunal Basu, business academic and historical novelist

The Rising Star of David

David Mitchell talks to Jessica Campbell about Peep Show, the long road to success, and the tensions between acting and comedy

Le Fort des Têtes, Briançon

Richard Nias' take on an abandoned fort in Briancon.

Review: King Charles, Jericho Tavern

Natasha Frost spends a cosy evening in at the Jericho Tavern

First Night: Giselle

Finola Austin is transported by the first of three performances by the Russian State Ballet of Siberia at the New Theatre

The Hothouse – Actor’s blog, Week 1

Hothouse lead Matt Gavan talks about his experience of Pinter and the Playhouse

Review: Howler – America Give Up

Howler's new album, although heavily formulaic, leaves Ceri Fowler positive about the young band's future

Review: Another Earth

Joseph Newall sends feedback from Another Earth

Review: The New Men – Take to the Skies

Natasha Frost is pleasantly surprised by the choral students gone rogue

Review: Shame

Barbara Speed explores Steve McQueen's compelling new drama

Art-inerary: Hilary Term 2012

As we launch off into 2012, Cherwell Art & Books round up the events in store during Hilary term

Silence remains golden

Hattie Soper launches our new feature, Decades in Film, with an introduction to the 00s/10s/20s

Masters at work

Christy Edwall introduces a new series of interviews with creative academics from Oxford

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