Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Review: The 2 Bears – Be Strong

James Shirley runs through The 2 Bears' successful debut album

Review: Leonard Cohen – Old Ideas

Richard O'Brien attends an intimate gig and Q&A session with Leonard Cohen as a preview to his new album, Old Ideas

Tim Hecker: organs, long-form and the death of rave

Harry Scholes talks to Tim Hecker about his latest album, Ravedeath, and his upcoming London concert

Shedding light on film noir

Matthew Perkins continues our Decades in Film feature, with films of the 40s

Review: Goon

Nathan O'Neill enjoys the blood and gore of Michael Dowse's ice-hockey comedy

Review: The Iron Lady

Nicholas Mutch looks at the latest incarnation of Margaret Thatcher

Review: Borgen

Rosie Oxbury takes a look at the internationally acclaimed Danish political drama

Memorialising Mephisto

Jessica Campbell on fascism and foreplay in the second Playhouse production this term

Hotseating The Hothouse

Charlotte Lennon interviews the stars of The Hothouse, Ruby Thomas and Ziad Samaha

Pictures from a beautiful mind

Rachel Savage meets artist Kit Williams to discuss his intricate, outlandish paintings and the inspirations behind his work

Dramatic Decorum and Interval Alcohol Etiquette

James Fennemore and Joshua Philips,the boys behind Brazen Cheek, cast their vote for the G&T

Welcome to the House of Play

Cherwell Stage on the history of Oxford’s most famous theatre

Press Preview: The Man Upstairs

John O'Connor enjoys, but remains unconvinced by, this piece of new writing.

Review: Craig Finn – Clear Heart, Full Eyes

Adam Piascik analyses the high and low points of Craig Finn's first solo album

Review: It’s a Hit

Fen Greatley is disappointed by It's a Hit's whistle stop tour through the musicals of the twentieth century

First night review: Celebration

Barbara Speed attends a darkly comic gathering

Review: M83, O2 Academy

Natasha Frost spends an evening listening to stadium pop in the swamp

Review: Top Girls

Edward Bell spends two and a bit hours completely absorbed in an accomplished performance of an era-defining play

Review: Latin! Or Tobacco and Boys

Charlotte Van Regenmortel is enchanted by a production that is perhaps more Greek than Latin

Review: Spamalot

James Fennemore hails the sheer silliness and stupidity of Spamalot, a musical that will make you 'rejoice to be alive'
1...277278279...350Page 278 of 350

Follow us