Culture

The return of the surreal 

Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in the early 20th century, has enjoyed a huge resurgence in the past decade.  The original pioneers...
Art Sylvie Quick -

Must theatre be so dire? Thoughts on the “unworthy scaffold”

If 'art est celare artem' (true art is to conceal art), then theatre is pretty poor art. You ain't fooling me into thinking that's a storm.
Culture Saul Grenfell -

Seasonal reads: On childhood hobbies, growing up, and guilt

Reconnecting with reading is something many people tend to do on a summer holiday,...
Books Elizabeth Gammaidoni -

Between beer gardens and picnics: Climate Culture Care at the Ashmolean

When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
Art Leo Maudsley-Barton -
Latest

Dramatic Decorum and Interval Alcohol Etiquette

James Fennemore and Joshua Philips,the boys behind Brazen Cheek, cast their vote for the G&T

Welcome to the House of Play

Cherwell Stage on the history of Oxford’s most famous theatre

Press Preview: The Man Upstairs

John O'Connor enjoys, but remains unconvinced by, this piece of new writing.

Review: Craig Finn – Clear Heart, Full Eyes

Adam Piascik analyses the high and low points of Craig Finn's first solo album

Review: It’s a Hit

Fen Greatley is disappointed by It's a Hit's whistle stop tour through the musicals of the twentieth century

First night review: Celebration

Barbara Speed attends a darkly comic gathering

Review: M83, O2 Academy

Natasha Frost spends an evening listening to stadium pop in the swamp

Review: Top Girls

Edward Bell spends two and a bit hours completely absorbed in an accomplished performance of an era-defining play

Review: Latin! Or Tobacco and Boys

Charlotte Van Regenmortel is enchanted by a production that is perhaps more Greek than Latin

Review: Spamalot

James Fennemore hails the sheer silliness and stupidity of Spamalot, a musical that will make you 'rejoice to be alive'

Press Preview: Twelfth Night

Pollyanna Marsden calls the upcoming production of Shakespeare's Twelfth Night a 'triumph'

Press Preview: The Hothouse

Angus Hawkins is enthralled at an open rehearsal for The Hothouse

Get ready for Latin! or Tobacco and Boys at the BT

Get excited. Zoe Apostolides from Latin! gives Cherwell the low-down on one of the first student productions of Hilary Term

The Hothouse – Actor’s Blog, Week 2

Hothouse lead Matt Gavan talks about his experience of Pinter and the Playhouse

Review: The Artist

Benjamin McEvoy paints us a picture of Michel Hazanavicius’ celebrated silent film

Review: Gonjasufi – MU.ZZ.LE

Adam Lebovits sings praises for the new Gonjasufi mini-LP

Review: The Maccabees – Given To The Wild

Sarah Poulten feels that the new Maccabees album is too manicured

A Bluffers’ Guide to: New Wave

Natasha Frost explores the finer points of the New Wave

Dancing to the beat of her own drum

Nicola Roberts to Natasha Frost talks about tribal patterns, head-fucks and the importance of being loose

‘More stars than there are in heaven!’

Amy Rollason relives Hollywood's Golden Age in the second installment of our Decades in Film feature: the 30s
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