Culture

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...

Culture Rhys Ponsford -

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...

Books Maddie Gillett -

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar...

Culture Caitlin Shaw -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

Culture Matthew Mair -

Latest

Frieze!

Rebecca Loxton reviews Frieze Art Fair in Regent's Park

Teenage hobo junkie vampires

Tom Cutterham examines the serious side of an indie bestseller

Cult Books – American Psycho

Tom May reviews Bret Easton Ellis' classic American Psycho

Google: art on the line?

Rebecca Loxton investigates a new threat to museums and galleries

First night review: The Picture of Dorian Gray

Find out how Wilde's prosaic masterpiece makes its theatre debut at the Oxford Playhouse...

Should bands ever reform?

In the wake of The Stone Roses' second coming, Ceri Fowler wonders whether band reunions are ever a good idea

Review: Future Islands – On the Water

Sam Parsons examines the latest ocean-themed release from Baltimore synthpop trio Future Islands.

Preview : It’s My Party

Polly Marsden goes to the preview of It's My Party, a brand new comedy which discovers what happens when no girls turn up to your Birthday Party.

Failure – and how to narrowly avoid it

The latest duo to emerge from the chrysalis - or sinking ship? - of the Oxford Revue gets put through its paces

Review: Will Rory and Tim sell out?

Introducing, getting up close with and - hastily previewing - Rory and Tim's new offering

Shakespeare Disappear?

Claire Harrill worries that bard may soon become barred as funding cuts take effect

Playing the beautiful game

Jessica Benhamou talks to Catherine Hakim, author of Honey Money: The Power of Erotic Capital

Do you like plays? They do

Fen Greatley salutes genuine dramatic entrepreneurialism

Going Wilde for Dorian

We take a look at a pretty picture's preparation

Cherwell Music presents Mixer: Oxford Blues

Cherwell Music takes a tour through the past and present of Oxford’s music scene

Noughts and Crosses – Director’s Blog Week One

In the first week of a new blog discussing a director's challenges in all stages of a play, Phosile shows us the start to finish creation of Noughts and Crosses

Noughts and Crosses – Director’s Blog Week Two

In the second week of this blog Phosile discusses finding her cast, and the challenges of drama

Review: Trophy Wife – Bruxism

Rachel Coombes reviews Bruxism, the latest EP from up-and-coming indie trio Trophy Wife

Review: BjÃ¶rk – Biophilia

En Liang Khong explores BjÃ¶rk's latest ultra-ambitious concept album, Biophilia

Blessing Force: assemble and unite!

Tom May chats to Oxford artists Chad Valley and Trophy Wife about new projects and the Blessing Force collective

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Culture

Are you listening comfortably? Audio drama and theatre

Algorithms of individuality: ‘The Consciousness Company’

Over-the-top-vlogging and call centres: Dial 1 for UK

Spike Lee’s lackluster remake: Highest 2 Lowest

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