Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Review: The Thin Red Line (1964)

There is something to be said for Andrew Marton’s gritty take on James Jones' novel.

Review: Betrayal

This piece about the Nazi occupation of Norway is something of a missed opportunity.

Review: ‘All Day’ by Girl Talk

Girl Talk release a disappointing third album

Review: No Direction Home

Scorcese's documentary on Bob Dylan is 208 minutes long, but still watchable

Review: Control

Anton Corbijn's sincere account of the life of Ian Curtis

Here’s Lookin’ at Zoo, kid

Andrew McCormack takes a stroll in the park with Albee's Zoo Story

Life is a Cabaret

Cherwell celebrates the cheesy power of musicals

Cinéma-voyeurisme

Cherwell takes a look at the music biopic

Sound Distortion

Matthew Shribman deplores the commercialisation of our modern day radio music

Review: The Decemberists

A stylish album that won't convert the nay-sayers

Review: White Lies

Not as slick as their debut album

Review: The Books

An album at once intelligent and light-hearted

Interview: Jamie Woon

Cherwell chats with the up and coming singer-songwriter.

Head in the Clouds

Art Jericho offers some stunning images of nature

Rad Cam!

Cherwell takes a look at the O3's exciting new show

The Savage Poet

Cherwell traces a path through the work of Roberto Bolaño

Review: Troilus and Cressida

A highly rated production of an underrated play

Review: The Red and the Black

Cherwell is taken in by this extremely fun adaptation.

Review: The Dumb Waiter

Concepta Cassar is intrigued and bemused by this production of Pinter's black comedy

Review: Barney’s Version

Not quite as funny or dramatic as you would hope, but there is a certain insidious charm to this new release starring Paul Giamatti.
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