Live-action remakes, when viewed with an open mind, can be seen as cultural negotiations, as attempts to revitalise and pass down old stories to new eyes and ears.
If there’s one thing I believe Oxford’s theatre scene is missing, it’s a button-down-shirt-wearing ex-zoology student with a penchant for writing songs about Pret A Manger.
The Royal Hunt of the Sun and New Electric Ballroom directors talk to Carla Neuss about Inca warriors, sexual encounter and the ‘woman’s question’ in Oxford drama