Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Culture Beatrix Arnold -

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Books Charlie Bailey -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

Art Beatrix Arnold -

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Ballgowns, Strongbow and that Regina Spektor track: Carla Neuss gives her exclusive guide to writing a new drama.

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Despite moments of hilarity and emotion, this is a fairly average animation.

The Myth of French Cinema

Luke Partridge on the assumed brilliance of French cinema

Review:The Royal Hunt of the Sun

Rimika Solloway on glittering gold and less than glittering shouting

Review: The New Electric Ballroom

Anna Milne relieves her adolescent sexual encounters with three old almost-maids

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More than Murder in the Cathedral

Chloe Noble fails to find the words for a play that wasn’t a play but a mystical experience

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Gold Panda tells Charlie McCann why he isn’t a fan of his music, and why he doesn’t care who is

OUDS Drama: a battle of the sexes

The Royal Hunt of the Sun and New Electric Ballroom directors talk to Carla Neuss about Inca warriors, sexual encounter and the ‘woman’s question’ in Oxford drama

C’est tres amusant, no?

Josephine Sarchet goes against popular belief and explains how French films can be funny

Review: A Town called Panic

Dale Viva-Lee begins a Cherwell Film French special with one of the best and strangest films of the year

The French Connection

Evie Deavall bridges the Channel and discusses cinematic camaraderie with actor Jean-Claude Dreyfus

When dreaming spires no longer inspire

Annabel James reviews two new exhibitions which explore the meaning we give to the materials around us

Nothing rhymes with ‘polio’

Our de facto America correspondent Dave McLeod meets his nemesis in legendary author Philip Roth’s new novel, Nemesis.

Review: ‘I Don’t Want To See You Like This’

Matt Walsh runs over the new track from the Joy Formidable

Interview: Adam Buxton

Benjamin Kirby's extended interview with comedian, actor & radio presenter Adam Buxton

Interview: S1l3nc3

Oliver Moody talks to the acclaimed 'mind abuse' artist - in absolute silence

Review: Self Preserved While The Bodies Float Up

Moneeb Nasir sizes up Oceansize's latest album, then heads to their gig for a reappraisal

Ionesco’s Play Is A Lesson For Us All

The futility of existence and pervasive erocticism: this play takes William Hooper back to school

Rekindling a passion for books

Jamie Randall takes on the traditionalists and finds himself E-lated by the prospect of electronic reading

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Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

Damaging detachment: Reflections on the Booker Prize

In defence of the theatrical release

Falling out of Louvre

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