Culture

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Testing my patients: ‘The Effect’ at the BT Studio reviewed

Necessarily navigating the difference between ‘side effects’ and reality, the play strikes a fine balance between what one thinks and what one feels.

Culture Billy Skiggs -

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Ben Kirby reviews Mike Leigh's new movie, Another Year, and is almost stunned into silence by the shock of the ordinary

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The birth of a generation: Jamie Randall introduces the rhyme and grime of the legendary post-war group of beat poets

The great American grovel

As the midterm elections reveal a crisis of confidence in the US, Cherwell Books looks at the REM cycles of the American dream

Review: Small Craft On A Milk Sea – Brian Eno

‘Each track evokes a shifting cinematic landscape’, says Alex Dudok de Wit

Back on track with Annie Mac

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Online Review: Carthaginians

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Culture

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

Testing my patients: ‘The Effect’ at the BT Studio reviewed

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