Culture

‘Controversial but compelling’: ‘Women Beware Women’ Reviewed

CW: Sexual assault The Michael Pilch Studio might just have been the perfect venue for Women Beware Women. Intimate and beguiling, the audience were made to feel almost as naked...

Culture Abigail Lakeland -

GCSE drama nostalgia: ‘The Detention’ review

The Detention provided its fair share of giggles, but whether that was a result...

Culture Elyce Croker -

The power of the playlist

"These ten precious songs ... will become a time capsule"

Culture Sophie Hough -

Ceilings, wives, and love letters to the city: The Pre Raphaelites in Oxford

It was in 1857, not long after the construction of the Oxford Union, that...

Art Nancy Gittus -

Latest

Remainders of a revolution

The Time that Remains: Quietly thought-provoking. Sometimes a little too quiet.

The magic motion man

Jane-Marie Saldanha speaks with Adam Elliot, independent animator extraordinaire

The college dropouts

Alex Dudok de Wit talks to Foals keyboardist and Oxford abscondee Edwin Congreave

First Night Review: Much Ado About Nothing

Will Granger thinks there's plenty to say about this something.

First Night Review: No Exit

Max Marenbon checks in, and checks out Sartre's classic at the Frewin Undercroft

Online Review – Fourtissimo

A new comedy of modern manhood hits the BT next week. Will it stick?

Online Review – Dangerous Liaisons

Ice-cold trysting at Trinity in a superb garden play

A Lovely Labour, Well Found

Andrew McCormack picnics with Shakespeare and St. John's Mummers

‘5th WEEK’ – Cherwell’s famous Photo Blog

Beat those blues with brilliant photography from around Oxford

Preview: Magdalen Film Society Screenings

A preview of In the Realm of the Senses & The Cook, the Thief, his Wife and her Lover

Online Review: Bad Lieutenant

Deranged and brilliant says Benjamin Kirby

First Night Review: Measure for Measure

Alisha Patel condemns not the fault, nor the actors in this triumphant production.

The Future’s Brightwide

Jane-Marie Saldanha talks to Paola De Leo, Executive Director of a new website for Social and Political cinema

Review: The Prince of Persia

Fans of the genre will most likely enjoy it, but others should give it a miss

What Makes A Classic: 2001: A Space Odyssey

Cinema drugged up to its eyeballs, says Benjamin Kirby

Review: Four Lions

Alistair Smout reviews Chris Morris' controversial new comedy

Why We’re Fussed About Fassbender

Jane-Marie Saldanha talks to actor Michael Fassbender

What Makes A Classic: Singing in the Rain

Why Singing in the Rain has such staying power.

LIDF Blog: Part One

The Cherwell's blog from The London International Documentary Festival

What Makes A Classic: On The Waterfront

Jacob Williamson discusses Marlon Brandos's performance in On The Waterfront

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Culture

‘Controversial but compelling’: ‘Women Beware Women’ Reviewed

GCSE drama nostalgia: ‘The Detention’ review

The power of the playlist

Ceilings, wives, and love letters to the city: The Pre Raphaelites in Oxford

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