Thursday 18th June 2026

Culture

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in...

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

The Future’s Brightwide

Jane-Marie Saldanha talks to Paola De Leo, Executive Director of a new website for Social and Political cinema

Review: The Prince of Persia

Fans of the genre will most likely enjoy it, but others should give it a miss

What Makes A Classic: 2001: A Space Odyssey

Cinema drugged up to its eyeballs, says Benjamin Kirby

Review: Four Lions

Alistair Smout reviews Chris Morris' controversial new comedy

Why We’re Fussed About Fassbender

Jane-Marie Saldanha talks to actor Michael Fassbender

What Makes A Classic: Singing in the Rain

Why Singing in the Rain has such staying power.

LIDF Blog: Part One

The Cherwell's blog from The London International Documentary Festival

What Makes A Classic: On The Waterfront

Jacob Williamson discusses Marlon Brandos's performance in On The Waterfront

Online Review: Eyes Wide Open

A refreshing take on forbidden love says Esther Kent

What makes a classic: Amelie

One film can change your life forever

Online Review – No Exit

Emily Hawes takes advantage of the free advertising in Cherwell Stage?

Online Review: Robin Hood

Sophie Adelman gives her verdict on Ridley Scott's latest release

4th Week Photo Blog

Terrific photography from around Oxford* v. 0.4

The Thirties: An Intimate History

Olivia Williams talks to Juliet Gardiner about that 'low, deceitful decade'

Carnaby Street Fashion – A Retrospective

Former Elle Fashion Director tells Olivia Williams that youth culture needs to up its game

Online Review – Pool (no water)

St Catz lobs an avant-garde grenade at Oxford’s classical theatre

Review: Measure for Measure

Jacob Zwaan measures up Matthew Monaghan's lady-loaded romp through Shakespeare

Patch me if you can

Maximillian Millard talks to the Ivor Novello-nominated indie hopefuls, Patch William

Review: In the Land of the Free

Verdict: unjustly overlooked

Review: Sus

Jack Binysh reviews the latest suspenseful film about unusual suspects

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