Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.

Film Wars: Big Screen/ Little Screen

Is TV a vacuous void? Is film the real art form?

Reviews: The Happiest Girl in the World & The Girl on the Train

Abhishek Bhattacharyya compares the latest forein language film releases

Review: The Brothers Bloom

A quirky, genre-busting film

First Night Review: Closet Land

Jenni Cutting discovers the BT ain't no Narnia this week

My, Fair Play!-dy

Andrew McCormack can't say fairer than that, with the Queen's Garden Play

Photo Blog – 6th Week

It's already 6th Week, here's what it looks like*

What Makes A Classic: Magnolia

Beau Woodbury on Paul Thomas Anderson's modern masterpiece

A funny type of attraction

Rafaella Marcus on why even the most unfortunate -looking of comics can send the girls swooning

Review: Iris Murdoch, a writer at war

Helena Bennett finds that students haven’t changed much in 70 years - but the world around them has

Review: Closet Land

What happens when Enid Blyton meets Orwell's Big Brother?

Review: Rent

Andrew McCormack catches up with the first instalment of this month's rent.

Remainders of a revolution

The Time that Remains: Quietly thought-provoking. Sometimes a little too quiet.

The magic motion man

Jane-Marie Saldanha speaks with Adam Elliot, independent animator extraordinaire

The college dropouts

Alex Dudok de Wit talks to Foals keyboardist and Oxford abscondee Edwin Congreave

First Night Review: Much Ado About Nothing

Will Granger thinks there's plenty to say about this something.

First Night Review: No Exit

Max Marenbon checks in, and checks out Sartre's classic at the Frewin Undercroft

Online Review – Fourtissimo

A new comedy of modern manhood hits the BT next week. Will it stick?

Online Review – Dangerous Liaisons

Ice-cold trysting at Trinity in a superb garden play

A Lovely Labour, Well Found

Andrew McCormack picnics with Shakespeare and St. John's Mummers

‘5th WEEK’ – Cherwell’s famous Photo Blog

Beat those blues with brilliant photography from around Oxford

Follow us