At last, the sun is coming out to play, and the Mansfield Players’ staging of As You Like It has given this summer’s outdoor theatre season a merry welcome....
Whilst Winx Saga is tripping over itself to scream 2020s at us, some of the most successful teen-based Netflix shows – Stranger Things and Sex Education for example – are both doing the opposite
CW: Mentions of alcoholism, substance abuse.
"'Little Oblivions', then, is a battle diary published long after nadir itself, with retrospective editing. The full-band sound makes it extremely listenable, and Baker’s silvery voice is snugly at home amidst metallic textures." Irene Zhang looks at Julien Baker's latest release.
"Arctic Monkeys' sentiment of local identity is perfectly surmised in the closing track ‘A Certain Romance,’; though it bemoans the towns low fashion and ‘kids who scrap with pool cues in their hands,’ it resolves into a statement of "this is our town, our culture, and we’re owning it."" Greg Halliwell looks back at what the Sheffield quartet's debut album meant to Northern music culture, 15 years' on.
As Valentine's Day looms, it's not hard to find examples of romantic love. But literature celebrates the expanse of human emotion, so our books editors have picked out two moving illustrations of the other forms love takes.
"It feels almost like an Alice in Wonderland journey of sound – despite the constant growing and shrinking, we still know that we’re down the rabbit hole." Lily Kershaw looks back at André 3000's side of Outkast's 2003 double album, "The Love Below".
"The sanitiser that coated my hands before entering Vintage and Vinyl was sticky. I was conscious of every fingerprint I might leave– a world away from thumbing through endless stacks of records in a pre-COVID world." Shreya Banerjee discusses her lockdown love affair with the LP.
"By putting on Katy Perry or Jessie J, you’re probably not looking for a quasi-religious experience. There’s no need for overly philosophical lyrics or boundary-pushing orchestral accompaniments; rather, you want catchy hooks, relatable lyrics, and, above all else, fun. Jepsen does this all flawlessly." Katie Kirkpatrick advocates for justice for Carly Rae Jepsen
This is a strength of the performance: with a range of experiences of grief explored by a variety of composers and librettists, no one singular experience is presented, but instead the performance looks at the nuances of the emotions of grieving.
Scarlett Colquitt responds to the claim that "women directed films have a softer tone" with an examination of role of female directors in today's film industry.
"The songs that have now been crystallised on 'For the first time' have always existed, and will always exist, in a state of perpetual evolution – they talk to each other, to their own predecessors, and to the rest of the cultural sphere in which they exist."
Magic lends itself well to the online format. It is a play of voices, of witty exchanges and mystifying, unseen events. The audience is called on to construct the setting from their imagination, inspired by the actors and the sound effects, resulting in a final product which is a collaboration between players and listeners.