Wednesday 22nd October 2025

Culture

‘A team of criers’: Behind-the-scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation with Cherwell, director Joshua Robey’s...

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time...

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important...

Happy 2021 Census day

Think of each Census like a point of data on an ever-growing Graph, the more accurate the data and the more standard the points of data, then the more accurate the conclusion can be drawn.

Review: Spoon River Anthology

"In a year with little to no available theatrical resources, the production team of Spoon River managed to create a magical experience of many intersecting forms of artistic talent telling important stories. From the editing of the audio file to the curation of the journal, the performance flowed seamlessly from sense to sense."

Thoughts on Literary Awards

Literary awards and prizes have been around for centuries, with the first British Award for Literature established in 1919 (The James Tait Black Memorial...

The Mechanicanon: AI and Literary Value

this new canon shall – by learning to load and fire itself – exile us from even counting as its projectile or target

Modern musicals and new writing: where did musical theatre leave off?

CW: Addiction, rape, homophobia, conversion therapy, depression. "While the apparent lack of original musicals can feel disheartening, there’s actually a lot of original work out there." Katie Kirkpatrick looks at the state of new musical theatre.

This isn’t Music

Imagine, then, that we are surrounded by an endless field of noise- every person, whether they can ‘hear’ or not, is moving through this field of non-musical sound, the raw chaos of natural existence, and that although this chaos may not offer itself as pleasurable, it is necessary, and, for that matter, does not care what people think about it, with the moment of experiencing noise music itself being exposed to a natal image of transcendent noise.

Review: Weezer’s “OK Human”

"Ultimately, the album is about the human experience: the joys and monotonies; the passions and anxieties; the connection and solitude". Karan Chandra reviews Weezer's latest record, OK Human.

“Nothing Important”? An Introduction to Richard Dawson

"Dawson’s lyrics aren’t poems; the music is too important to the cadence and stress of the lines for the words to retain their power without it. Still, they do pass that age-old test which can be used upon a line of verse to distinguish the animating spirit of poetry: they’re often almost impossible to gloss in prose." Oscar Jelley tries to unravel the complexities of Geordie folk singer-songwriter, Richard Dawson.

UK Hun?: Drag’s Message to 2021

Promotion of self-love for all and checking in on your friends (UK Hun?) truly transforms this camp bop into a feel-good anthem

Clubbing in Culture: Rituals of Community-Finding

On the dancefloor is where you find your people in the deepest sense

Teen Dramas: Winx Saga Doesn’t Fly

Whilst Winx Saga is tripping over itself to scream 2020s at us, some of the most successful teen-based Netflix shows – Stranger Things and Sex Education for example – are both doing the opposite

Review: Julien Baker’s ‘Little Oblivions’

CW: Mentions of alcoholism, substance abuse. "'Little Oblivions', then, is a battle diary published long after nadir itself, with retrospective editing. The full-band sound makes it extremely listenable, and Baker’s silvery voice is snugly at home amidst metallic textures." Irene Zhang looks at Julien Baker's latest release.

Arctic Monkeys’ “Whatever People Say I Am, That’s What I’m Not”: 15 Years On

"Arctic Monkeys' sentiment of local identity is perfectly surmised in the closing track ‘A Certain Romance,’; though it bemoans the towns low fashion and ‘kids who scrap with pool cues in their hands,’ it resolves into a statement of "this is our town, our culture, and we’re owning it."" Greg Halliwell looks back at what the Sheffield quartet's debut album meant to Northern music culture, 15 years' on.

In Truth

'Everything I told you Came out untrue'

Time

'The clocks cry her name from Outside the door; Their hands are stiff and still.'

Changes by the River

'It doesn’t matter how stagnant we feel, The seasons keep on flowing'

Cherwell Recommends: YA Guilty Pleasures

In an already unusual term, this 5th Week, giving its name to '5th week blues,' might be more difficult than most. Whether after an...

Cherwell Recommends: Love of all kinds

As Valentine's Day looms, it's not hard to find examples of romantic love. But literature celebrates the expanse of human emotion, so our books editors have picked out two moving illustrations of the other forms love takes.

“Hey Ya!” Or Hey Nah?: Why your life is empty without “The Love Below”

"It feels almost like an Alice in Wonderland journey of sound – despite the constant growing and shrinking, we still know that we’re down the rabbit hole." Lily Kershaw looks back at André 3000's side of Outkast's 2003 double album, "The Love Below".

Like A Record Baby: Vinyl in the Pandemic

"The sanitiser that coated my hands before entering Vintage and Vinyl was sticky. I was conscious of every fingerprint I might leave– a world away from thumbing through endless stacks of records in a pre-COVID world." Shreya Banerjee discusses her lockdown love affair with the LP.

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