Saturday 21st March 2026

Culture

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Stitching the world together: GFC’s London Fashion Week show

A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.

Books I’m Reading this Ramadan

'Ramadan is a highlight of the Islamic calendar and involves a month of self-reflection and improvement as well as abstinence from food and water. Gaining knowledge is hugely celebrated within Islam, and with more time on my hands not eating or drinking, this spiritual month is the perfect opportunity to learn something new.'

Review: ‘Justice’ by Justin Bieber – A New Era or Familiar Failings?

"Production is not the greatest sin ‘Holy’ commits. Indeed, I actually really like the gospel piano that kicks the song off, and Justin’s opening verse (“I know a lot about sinners/guess I won’t be a saint”) and pre-chorus (“the way you hold me… feels so holy”), while nothing special, definitely fit and set the mood. Yet, this is immediately ruined by the lyric “Oh God/Running to the altar like a track-star”, which, accompanied by the muddy-too-modern pop bass farting through the timeless instrumentation preceding, wrecks the song beyond all recovery." Raman Handa reviews 'Justice', the latest offering from Justin Bieber.

Review: Oxford Mind Comedy Gala

"There were two questions heading into the night: how much money could the crowd raise, and how well have the comedians adapted their acts to fit the online format? Both questions were answered emphatically, as the audience raised over £3000." Noah Cohen-Greenberg and Owen Foster review the Zoom comedy fundraiser, Oxford Mind Comedy Gala

Black Lives Playlist: Track One Preview

"Adapting to online technology was a necessity but I also felt that recent events provided a long-due kick in the backside to get narratives about Black experiences into the Oxford drama scene. Sure, we have ‘inclusive casting’, but this inclusivity isn’t currently extending into the voices being produced as far as it should." James Newbery interviews Sam Spencer about his upcoming project.

Rethinking the Oscars

With cinemas closed amidst the COVID-19 pandemic, it is no surprise that many typical filmgoers haven’t seen the nominated films this year. However, as...

Stop worrying about antiheroines when the real evil is still at large

The rise of antiheroines stresses essentially the same thing every wave of feminist movement attempts to accentuate, that a woman’s refusal to be suppressed and abused by patriarchy is always less threatening, when what they’re rebelling against is still prevalent

The absurdity of adult animation

I propose that we start considering animation as the art form it is:one that allows for the pushing of boundaries and the creation of beautiful nonsense.

Review: ‘The Picture of Dorian Gray’ – A Portrait of Theatre in the Digital Age?

"Like the portrait tapping into the existence of its sitter in the original Wilde story, so is this year’s Dorian sucked into his online ego." Eleanor Zhang discusses the virtual production of Oscar Wilde’s enduring story of vanity, desire and self-deception.

Intermedial connections: Reimagining music in literature

"One of my favourite parts of Chinua Achebe’s masterpiece, Things Fall Apart, is a ferociously intense public wrestling scene. It buzzes with an ever-moving pulse, choreographed by the beating of drums. They rise with the intensity of the fighting, and older men 'remembered the days when they wrestled to its intoxicating rhythm.'" Jimmy Brewer explores how Kerouac, Proust and Achebe capture the experience of live music in their works.

Half Brit No Brit

'I hear you loudly in your echo chamber: ‘We’re in the most tolerant land of them all’ But the least racist is still racist.'

C’est La Vie: the importance of multilingual representations in art and literature

Some hidden gems of the artistic world lay in works that employ multiple languages in a purposeful manner. Algerian singer-songwriter Khaled intertwines both Arabic...

In and Out of Love: A Biblio-Biography

It feels weird to be writing about books again. I used to consider myself a huge bookworm, often getting through multiple books in a...

Cherwell Recommends: University Reads

Trinity 2021 will see at least a significant portion of the student body return to ‘normal Oxford’, a loose collection of memories, activities, and...

Why we should all get a tattoo (or stop hating on those that do)

In a city where every other person walking down the street is clad in either a Barbour jacket or an overcoat, and seems to...

Portrayals of Royalty: Film vs Reality

It has always amused people to produce performances centring on the lives of their rulers – our most famous entertainer, William Shakespeare, wrote ten...

‘Blanched and pureed’: what does globalisation do to world music?

"Is the hit single really a triumph of Korean music and the result of successful diversification of the globalised music industry? Or is it an omen of homogenised world music, blanched and pureed under Anglophone influence?" Coral Kim discusses whether BTS disprove the model of "l'exception française".

‘That’s So Fetch’: Teen Movie Musicals

"Musicals centred around teenagers are destined to become ‘cult’ shows: their audience is intrinsically niche, and, due to their youth, unlikely to be able to sustain commercially and critically successful runs, leading these shows to fan-centric cult status." Katie Kirkpatrick analyses how teen films are journeying from Hollywood to Broadway and the West End.

49 Years of Matrimony

Agnes need not have walked in on them fucking to know what was going on.

Seaspiracy: vegan propaganda or important warning?

Seaspiracy only offers one drastic solution: eliminate fish from our diet unless you are one of the 120 million who directly depend on it.

The Common DNA of the Snyder Cut and First Cow

To examine these films side by side would be insane. But insane ideas aren’t always bad ones, and I was curious whether Snyder might be on to something with this comparison.

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