The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.
It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.
A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.
The Royal Academy’s current exhibition, Lucian Freud: The Self-portraits, is a bold and singular response to this century’s fascination with self-image. Lucian Freud’s artistic career predates the selfie-saturated 2010s, yet his work captures the obsession and volume with which we display ourselves today.
Food - whether symbolising power, desire, loss, despair, love, murder or moral, social and political disorder - provides an extensive menu for films.
Imogen Harter-Jones explores its symbolic capabilities.
A massive portrait of Ashley Walters looms over Kingsland High Road. Plastered across the second storey of a retail block, it gazes serenely over chicken shops, artisanal coffee houses, strip-lit barbershops, sourdough pizza restaurants.